Juozas Gordevičius says that Lithuania has a large pool of scientific talent.Credit: Asta Balčiūnaitė-Gordevičienė
Voices from Lithuania
In May, Lithuania marks 20 years of European Union membership. The Baltic country is keen to develop its global presence in the life-science and biotechnology sectors by retaining home-grown talent, persuading scientists working abroad to return to the country, and attracting researchers from other nations. Naturespoke to three scientists who have chosen to develop their careers in Lithuania. Here, Nature talks to Juozas Gordevičius, founder of Vugene, a bioinformatics data-science company in Vilnius.
I was born nine years before Lithuania gained independence from the Soviet Union in 1990. I was part of the first generation that did not have compulsory Russian lessons at school. In 2004 — the year that Lithuania joined the European Union — I undertook a master’s degree in computer science at the Free University of Bozen–Bolzano in Italy, and stayed there for my PhD, during which I worked for the former online-news-aggregation company Thoora. The news service worked out the most important events in a given time period, and the mathematics and algorithms that it used turned out to be very relevant in bioinformatics.
One evening, I was out drinking beer with some other Lithuanians in Toronto, Canada, where Thoora was based. One of them was Arturas Petronis at the University of Toronto, who studies genetics. I explained that I was really into computer science, but that I didn’t want to work for Google or the like. Instead, I wanted to do something that contributes to human health (my older brother and sister are both physicians). He said, try bioinformatics, it’s the future.
My first foray into health was in 2011, as a visiting postdoc working with Petronis at the Centre for Addiction and Mental Health in Toronto, Canada’s largest mental-health teaching hospital. I worked there as a biological data-science consultant and travelled back and forth between Canada and Lithuania for years because that year I was also appointed as a bioinformatics researcher at Vilnius University’s Institute of Mathematics and Informatics. I was literally working night and day.
A move to business
In 2019, I joined the Van Andel Institute, an independent biomedical research institute in Grand Rapids, Michigan, as a bioinformatics scientist. I realized that the work of a bioinformatician is very limited in academia. Universities have lots of people who do the experiments and typically hire only one bioinformatician. You have to do everything in the lab: run the servers that do the computation, manage the data and write the code. Every project becomes very lengthy. It can take a year or two to arrive at a result that is publishable. It’s interesting in the beginning, but after a while, you feel lonely. I thought that if I had a team of people working with me, and I could optimize these processes, it would be much faster.
So, I started a company in Grand Rapids in 2021 to do just that. I called it Vugene.
Having a base in the United States made it possible for the institutes that I was working with to have a contract with Vugene. I certainly didn’t have to explain where Lithuania is — it was a gate opener.
By this time, the COVID-19 pandemic had hit and I had decided to return to Lithuania with my wife to build the company there. At first, I was doing everything alone.
Vugene in Lithuania is based at the Sunrise Valley Science and Technology Park in Vilnius, close to the University’s Life Sciences Center, with a second office in Kaunas, Lithuania’s second city. The company offers bioinformatics data science as a service, specializing in biomedical research, bioinformatics, machine learning and software engineering.
Our clients include research laboratories looking at the origins, causes, treatments and diagnostics of various complex disorders, such as cancers or neurodegenerative diseases. Vugene manages large data sets, performs quality control, processes raw data and does statistical analysis.
Work and study
It has always been my dream to do something that could be used in medical practice. Vugene is concentrating on early diagnostics. The company works a lot in the neurodegeneration field, mostly sequencing epigenomic data sets. Currently, 30 projects are running in parallel.
The first hire was a big step. I am very lucky with the people who joined me. Milda Milčiūtė, then a third-year genetics student at Vilnius, came first, in 2021. I became her supervisor for her dissertation and we worked together on her thesis on the expression of endogenous retroviruses in Parkinson’s disease. She worked part-time for Vugene, programming and building models. She’s now doing her master’s while working here.
Working at a company while studying happens in Lithuania a lot. I’ve taken on four students — three undergraduates and one doing a PhD. This is in addition to two postdocs, and a chief executive and a designer.
I think the biotech and life-sciences community in Lithuania is special. We have the right ingredients: a long-standing history in the life sciences; very good infrastructure in terms of computer science and the Internet; and a significant pool of talent owing to the high quality of education. Students going into these fields are the highest achievers. They have the desire to do their best, and to go and see the world as previous generations did. We are also a small country, it’s easy to get what you need, and the government is supportive. Now, for us as bioinformaticians, the task is to put all of this together.
Outside work, life is good here — we have fast Internet, free education and good health care as standard. On top of that, many people have a strong desire to do good things. The country is changing very quickly and for the better, so it feels great to be here.
Sailing has always been very important to me, and it’s very popular in Lithuania. It’s a good antidote to my work. In a race, I have to concentrate and stay alert for an extended period of time under extreme physical stress — it takes 100% of my mental capacity, there’s no time for anything else.
Jacqui Thornton’s travel and accommodation were provided by Go Vilnius, a tourism and development agency.
This interview has been edited for length and clarity.
This article is part of Nature Spotlight: Lithuania, an editorially independent supplement. Advertisers have no influence over the content.
Mini LEDs are typically found in gaming monitors. Unlike LCD backlights, they offer a broad contrast range, with deeper, near-OLED quality levels of black, that enrich and enhance the dynamism of both SDR and HDR content.
Asus has brought Mini LED technology to the ultra-high-end business monitor market for the first time with its new 32-inch ProArt Display PA32KCX. The 8K screen (that’s a whopping 7,680 x 4,320 pixels – 275 PPI), is aimed at professional photographers, video editors and graphics artists.
The panel covers over 97% of the cinema-grade DCI-P3 color gamut and is equipped with 10-bit color capabilities and a 4096-zone Mini LED backlight that tops a brilliant 1200 nits, with a sustained brightness of 1000 nits. It supports multiple HDR metadata formats, including HLG and HDR10.
Plenty of connectivity options
The monitor comes with a motorized flip colorimeter, so you can check and preserve the display’s color accuracy, and screen calibration can be done manually or automatically.
The monitor offers LuxPixel Technology, which includes Anti-Glare, Low-Reflection (AGLR) tech, and Eye Care+, ensuring that light disturbances won’t degrade image quality, while also preventing eye fatigue and strain.
As you’d expect of a screen of this quality, the ProArt Display PA32KCX comes with a welcome range of connectivity options. In addition to HDMI 2.1 and DisplayPort 2.1 ports and a USB hub, it offers dual Thunderbolt 4 USB Type-C ports with up to 96 W USB Power Delivery.
It certainly looks like a winner for Asus, and ticks all the boxes for any creatives looking for a Mini LED monitor that isn’t specifically aimed at gamers. There’s no word on availability at the moment, or pricing, but for an 8K screen with Mini LED technology, you’re easily looking at a few thousand dollars.
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A new interview with the director behind the viral Sora clip Air Head has revealed that AI played a smaller part in its production than was originally claimed.
Revealed by Patrick Cederberg (who did the post-production for the viral video) in an interview with Fxguide, it has now been confirmed that OpenAI‘s text-to-video program was far from the only force involved in its production. The 1-minute and 21-second clip was made with a combination of traditional filmmaking techniques and post-production editing to achieve the look of the final picture.
Air Head was made by ShyKids and tells the short story of a man with a literal balloon for a head. While there’s human voiceover utilized, from the way OpenAI was pushing the clip on social channels such as YouTube, it certainly left the impression that the visuals were was purely powered by AI, but that’s not entirely true.
As revealed in the behind-the-scenes clip, a ton of work was done by ShyKids who took the raw output from Sora and helped to clean it up into the finished product. This included manually rotoscoping the backgrounds, removing the faces that would occasionally appear on the balloons, and color correcting.
Then there’s the fact that Sora takes a ton of time to actually get things right. Cederberg explains that there were “hundreds of generations at 10 to 20 seconds a piece” which were then tightly edited in what the team described as a “300:1” ratio of what was generated versus what was primed for further touch-ups.
Such manual work also included editing out the head which would appear and reappear, and even changing the color of the balloon itself which would appear red instead of yellow. While Sora was used to generate the initial imagery with good results, there was clearly a lot more happening behind the scenes to make the finished product look as good as it does, so we’re still a long way out from instantly-generated movie-quality productions.
Sora remains tightly under wraps save for a handful of carefully curated projects that have been allowed to surface, with Air Head among the most popular. The clip has over 120,000 views at the time of writing, with OpenAI touting as “experimentation” with the program, downplaying the obvious work that went into the final product.
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Sora is impressive but we’re not convinced
While OpenAI has done a decent job of showcasing what its text-to-video service can do through the large language model, the lack of transparency is worrying.
Air Head is an impressive clip by a talented team, but it was subject to a ton of editing to get the final product to where it is in the short.
It’s not quite the one-click-and you-‘re-done approach that many of the tech’s boosters have represented it as. It turns out that it is merely a tool which could be used to enhance imagery instead of create from scratch, which is something that is already common enough in video production, making Sora seem less revolutionary than it first appeared.
The majority of personal gadgets feature LCD and OLED screens, but most just show information. To make these screens do more – like detecting touch or changing light levels – they need additional sensors. Researchers at Linköping University (LiU) in Sweden have invented a new kind of screen where all these sensor functions are built right into the screen’s LEDs.
The breakthrough in display technology was achieved by crafting RGB LED displays from a “miracle” material known as perovskite. This development marks a potential revolution for future screens of smartphones, computers, and tablets.
Perovskite is renowned for its remarkable light absorption and emission capabilities. This crystalline substance forms the core of the LED and fuels the array of features in the screen.
Still a decade away
Apart from touch and light response, the perovskite screens can recognize fingerprints and sense the user’s pulse. Most impressively, they can harvest light to transform the screen into a solar cell for continuous device charging.
“Your smartwatch screen is off most of the time. During the off-time of the screen, instead of displaying information, it can harvest light to charge your watch, significantly extending how long you can go between charges,” says Chunxiong Bao, associate professor at Nanjing University, previously a postdoc researcher at LiU and lead author of the paper.
Despite these exciting advancements, there’s still ground to cover before these screens can become a household reality. One significant hurdle is the short service life of the display. Zhongcheng Yuan from the University of Oxford, another lead author for the study, noted, “At present, the screen only works for a few hours before the material becomes unstable, and the LEDs go out.”
Yuan estimates a timeline of a decade to resolve these challenges, but maintains optimism for the future of RGB LED displays with perovskite as its powerhouse.
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Optoelectronics professor at Linköping University, Feng Gao, noted, “We’ve now shown that our design principle works. Our results show that there is great potential for a new generation of digital displays where new advanced features can be created. From now on, it’s about improving the technology into a commercially viable product.”
In Unrooted, botanist Erin Zimmerman shares her struggle to balance research and family.Credit: Kenneth Wurdack
Unrooted: Botany, Motherhood, and the Fight to Save An Old ScienceErin Zimmerman Melville House (2024)
Nineteenth-century English suffragist Lydia Ernestine Becker, a lifelong advocate for women’s right to vote, was also an accomplished botanist who discovered a peculiar hermaphrodite flower. She found that the female flowers of red campion, Lychnis diurna (now called Silene dioica), develop stamens — the pollen-producing male part of a flower — when infected with a fungus. She expounded on these ‘curious characteristics’ in correspondence with Charles Darwin, and published a paper on her findings in 1869 (L. Becker J. Bot.7, 291–292; 1869).
“Becker’s research led her to consider that the seemingly fixed categories of male and female might not be as immutable as they first seemed,” notes evolutionary biologist Erin Zimmerman in her moving memoir of botany and motherhood, Unrooted. Becker concluded that girls and women were lagging behind only because they received less education than boys and men. Her ideas caused a backlash, and she was ridiculed by press critics — some even implied that she was a hermaphrodite herself.
Uncertainties in science and in life
In some ways, Becker’s story foreshadows that of Zimmerman. Women in science still struggle to succeed in academia in the face of ingrained sexism. In her book, Zimmerman describes her determination to pursue a career in her beloved field of botany. She travels from Montreal, Canada, to the Royal Botanic Gardens, Kew, in London, and then to the Guyanese rainforest, in search of a group of tropical trees and shrubs known as Dialiinae (now called Dialioideae) — one of the earliest evolutionary branches of the legume family. In Guyana, she encounters an enormous anaconda and a terrier-size spotted rodent called a labba (Cuniculus paca). She climbs part-way up 60-metre-tall trees, battling her dread of falling as well as angry insects.
Perhaps Zimmerman’s most powerful fear, however, the difficulty of combining her career with motherhood. She tells her boyfriend Eric that she would “certainly not be having children”, and her concerns over parenthood are not unfounded. In the United States, 43% of women with full-time jobs in science leave the sector or take on part-time roles after having their first child (E. A. Cech and M. Blair-Loy Proc. Natl Acad. Sci. USA116, 4182–4187; 2019). By contrast, only 23% of new fathers leave or reduce their hours.
The author experiences this herself, and she finds parallels between the obstacles faced by women in science and global threats to plants. According to the 2023 State of the World’s Plants and Fungi report (see go.nature.com/3xardd7), 45% of all known flowering plant species are at risk of extinction — a percentage eerily similar to that of women leaving full-time research.
Zimmerman’s botanical sketches, such as this one of Monstera deliciosa, dot the book.Credit: Melville House Publishing
Zimmerman’s field is hardly secure: her PhD project involved carefully dissecting decades-old, dried plant specimens stored in herbaria and extracting DNA from the samples. These collections are important for assessing extinction risks, yet they are themselves under threat. “Old and venerable collections housing many priceless specimens look to some funding bodies like dusty old money pits,” she writes. In February, Duke University in Durham, North Carolina, announced the closure of its 100-year-old herbarium, which houses 825,000 specimens, saying that the collection had become “too expensive to maintain” (see go.nature.com/4cnbyjm).
Nevertheless, Zimmerman persisted. Her plants had become beloved children, absorbing her attention. Lists of specialized terms such as leaf shapes “read like an arcane spell book”: “Ovate. Lanceolate. Cordate. Falcate. Orbicular. Cuneate.” She draws plant specimens in meticulous detail, and these lovely illustrations dot the pages of her book.
But her devotion to her research becomes an obsession, isolating her. And as she plots her path, she realizes how tenuous her dream of tenure is: there are too few faculty positions.
A different future
Despite the pressures, Zimmerman manages to maintain a life outside the laboratory: soon after her doctoral defence — a moment she has dreamed of for years — she and Eric marry in the barn of her childhood home in Ontario. One month later, she discovers she is pregnant. In the middle of her pregnancy, she lands a postdoc position at a Canadian government agricultural facility.
How centuries of sexism excluded women from science — and how to redress the balance
This is where her personal and professional lives collide. Overworked, in pain, accused of having ‘brain fog’, dismissed for her concerns about working in a pesticide-sprayed greenhouse while pregnant and, later, longing for her infant daughter, Zimmerman decides to quit. Her supervisor’s reaction is appalling: “‘I’m never going to hire a pregnant woman, or one who’s going to get pregnant, again,’ he spat. ‘You were a terrible investment’.”
This moment of misogyny leads Zimmerman to reconsider the landscape of science. Women are often derided for their reproductive choices, yet men have children, too. The highly praised Darwin, for example, had ten children with his cousin, Emma Wedgwood. Men who have become scientific heroes often dedicated all their waking hours to their research, while women — including their wives or, in the case of wealthy men, nannies — raised their children.
To slow “the haemorrhage of women” from the hyper-competitive world of research, we need better policies, Zimmerman writes. These should include protected parental leave, flexibility for new mothers to work from home, designated breast-pumping spaces (rather than the mildewed shower stall Zimmerman was forced to use) and childcare facilities at conferences, so that women don’t miss out on networking and hiring opportunities.
After departing from research, Zimmerman switched to science journalism, for which we should be grateful, for she writes beautifully. In some ways, her decision echoes Becker’s, who published her 1864 book Botany for Novices under just her initials (L.E.B.) and then left the field to dedicate herself to women’s activism. Now, 160 years later, Zimmerman can tell her story, under her full name. That’s progress.
Roku has released a line of TVs after first . These televisions are packed with tech, with the standout feature being Mini LED backlighting for better brightness and contrast. The 4K TVs also boast QLED panels, HDR10+, Dolby Vision and a responsive refresh rate of 120Hz. The company’s calling them the “ultimate TVs” for streaming.
To that end, the quad-core processor should allow for snappier menu navigation and for apps to launch quickly, so you can spend less time waiting on a load screen and more time binging Hulu’s Shogun while scarfing down a big bowl of popcorn. They’re also Wi-Fi 6 capable, which comes in handy when streaming 4K content.
On the audio side of things, the Pro Series models include side-firing Dolby Atmos speakers for a “wide, cinematic sound.” The TVs integrate nicely with wireless soundbars, speakers and subwoofers, in addition to wired variants. Each model also features Bluetooth for connecting wireless headphones, to prevent spoilers from seeping into every corner of the house. They come with a refreshed remote control that includes motion-activated backlit buttons, USB-C charging and new shortcut options.
The Pro Series TVs feature a new neural processing unit (NPU) that allows for some nifty OS features. Smart Picture Max uses AI to automatically adjust the best picture mode for a particular piece of content, refining the color, sharpness and motion as required. This carries over to brightness, which also automatically adjusts depending on room lighting.
While Smart Picture Max might be tied to the Pro Series line of TVs, due to the updated NPU, there are more OS features coming to all Roku panels. The company’s televisions will soon get something called Backdrops, which are basically just fancy screensavers pulled from a wide catalog of popular artwork or via uploaded images. This won’t exactly turn a Roku into a , but it’s a start.
Roku
Roku TVs are also getting deep integration with IMDB in a forthcoming OS update. This will provide data sourced from the site as you scroll through potential shows and movies to watch. Finally, the mobile app is receiving a comprehensive upgrade, complete with a streamlined design, better search and new content categories.
The Pro Series line is available now from Best Buy, Amazon and Walmart. Prices start at $900 for the 55-inch model and rise up to $1,700 for the chunky 75-inch version. There’s also a wall-mount kit available for $100.
MarineMax has confirmed suffering a cyberattack, thought to be ransomware, in which threat actors stole sensitive customer information.
In an 8-K form, filed with the Securities and Exchange Commission (SEC) on April 1, the company, one of the leading yacht sellers worldwide, said a third party “gained unauthorized access to portions of our information environment.”
This breach forced MarineMax to shut down parts of its infrastructure, resulting in “some disruption to a portion of the company’s business”.
Major ransom demands
Subsequent investigation determined that a “cybercrime organization” accessed a “limited portion” of MarineMax’s information environment associated with its retail business. While the company said that the information includes personally identifiable data, it did not provide further details. It added that the affected individuals would be notified in a timely fashion. The law enforcement was notified.
While MarineMax claims that the incident had no material impact on its operations, and continues to assess if that’s a possibility, hackers started selling the stolen data on the dark web.
A hacking group called Rhysida claimed responsibility for the attack and started advertising the database for $15 BTC (roughly $1 million). In the ad, the group shared a few screenshots of the stolen database, depicting MarineMax financial documents, employee driver’s licenses and passports, and more.
Having such sensitive data leak on the dark web just might have a material impact on MarineMax. Whether or not it will feel the data watchdog’s sting remains to be seen, as it reported $2.39 billion in revenue last year, with more than $800 million in gross profit.
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Rhysida is a ransomware-as-a-service (RaaS) that first popped up last year. It was used in the recent attacks on the British Library and the Chilean Army, as well as against the U.S. Department of Health and Human Services.
The XGIMI Horizon Ultra proves that projector technology is now so good that you really don’t need to spend the earth in order to get a fantastic viewing experience. While the 4K long-throw projector might be pretty pricey, in projector terms it’s a steal at $1,699 / £1,749 / AU$3,499.
Despite the lack of native Netflix support that plagues all smart projectors, the XGIMI Horizon Ultra is a fantastic projector that punches well above its weight in terms of picture quality. It has a plethora of ports, onboard Dolby audio and image adaptation technology that makes it a breeze to use. 4K images are incredibly sharp and crisp, and the colors are vibrant and accurate. The blacks are deep and HDR performance brilliant, with great brightness even in well-lit conditions.
This small, functional package is portable and stylish and would suit any home as a portable or stationary projector for fun, entertaining, and serious content consumption. It’s the world’s first long-throw projector with Dolby Vision support, and also a great companion to devices like the Apple TV 4K.
In gaming mode, it can even be used for casual console play, although it’ll be limited to 60Hz and pros will find the 18ms latency intolerable. Considering the best 4K projectors usually cost north of $3–4,000 / £3-4,000 / AU$4–5,000, the XGIMI Horizon Ultra is a serious bit of kit and a very solid upgrade to the Horizon Pro.
XGIMI Horizon Ultra 4K review: Price and release date
(Image credit: Future)
Release date: August 2023
Price: $1,699 / £1,749 / AU$3,499
The XGIMI Horizon Ultra was released on August 31, 2023. It’s available in the US, the UK and Australia for £1,749 / $1,699 / AU$3,499, respectively, directly from XGIMI’s website, which also serves a couple of other territories including Canada. It’s available at the same price from Amazon, although buying it from XGIMI directly gets you a free XGIMI 4K streaming stick (not tested here) included.
XGIMI Horizon Ultra 4K review: Specs
Swipe to scroll horizontally
Screen sizes supported:
40 – 200 inches
Brightness (specified):
2300 ISO Lumens
HDR support:
HDR10, HLG, Dolby Vision
Optical technology:
Dual Light (LED+Laser)
Smart TV:
Android TV 11
Connections:
2 x HDMI (1 with eARC), USB x 2, 3.5mm, Optical
Dimensions:
(H x W x D) :265 x 224 x 170mm
Weight:
5.2kg (11.4 pounds)
XGIMI Horizon Ultra 4K review: Design and Features
(Image credit: Future)
Very elegant and unique styling
Strong selection of ports
Intelligent Screen Adaption for ease of use
Out of the box, the XGIMI Horizon Ultra really catches the eye in terms of styling. Compared to its predecessor, the Horizon Pro – a rather uninspiring black box – the flow cover facade and the cream PU leather exterior really make the Ultra stand out. That’s less alluring if you want a projector to be subtle and out-of-sight, but otherwise, the Ultra won’t look out of place perched on any coffee table, stand, shelf, or anywhere else for that matter. Both materials feel premium to the touch, if a little liable to scuffing. As a long-throw projector, there’s a good chance you’ll have it on display, and the Ultra will definitely turn heads for all the right reasons. The Ultra is also pretty tiny, measuring just 26 x 22 x 17cm (H x W x D), meaning it doesn’t take up too much space and can be hidden if you really need it to be. Given that lovely design though, I can’t imagine why you would. It also weighs just 5.2kg (11 pounds), so it’s pretty easy to move around.
The unique design continues with the motorized facade, which moves up and down when you power the projector on (or off), revealing the projector array when in use and hiding it when it’s off. I love this unique touch, as it gives the projector the faintest sense of life and personality. The “Misty Gold” design, as XGIMI refers to it, is very classy and a far cry from the usual dull, grey, soulless boxes that projectors usually manifest themselves as.
One fairly obvious omission that I can see is the lack of legs or any kind of stand. The Ultra sits completely flat on whatever surface it is placed on, with no recourse for angling it or adjusting the height. This is offset somewhat by the excellent keystone correction we’ll come to shortly, but I think it would really benefit from some legs or an adjustable base, just to make positioning it a bit more intuitive. XGIMI is planning to release a stand next year.
Given the price, the UItra has a surprisingly comprehensive array of ports. Notably, two HDMI slots including one that supports eARC. This means you can plug it straight into a soundbar, AVR or my personal favorite, stereo HomePods, for potent sound that matches the visuals. This is a feature home cinema enthusiasts will love, but if you don’t want to fix yourself to a home theater setup, the Ultra also boasts two 12W Harman Kardon speakers. The onboard speakers support DTS-HD and DTS-Studio Sound in the form of DTS-Virtual: X, Dolby Audio, Dolby Digital, and Dolby Digital Plus. In short, it’ll support basically any audio format you could wish for with speakers that can easily fill a room. I was really impressed with these, and their clarity is evident as soon as you switch on the projector. True audiophiles will want to use more expensive audio equipment, but for everybody else, those speakers will be marvelous.
There’s also an optical audio port, 3.5mm headphone port, two USB ports, Bluetooth 5.2, and Wi-Fi 6. The latter is important because the Ultra is a smart projector, so reliable, snappy Wi-Fi is paramount when it comes to surfing for content and streaming it. In my experience, the Wi-Fi speeds have been consistent and good, with no buffering or lag to speak of throughout testing.
(Image credit: Future)
The Ultra boasts a long-throw image size of between 40 and 200 inches, although XGIMI says the “best viewing experience” is enjoyed somewhere between 60 and 120 inches. Any bigger than that, and you might see some drop off in quality. The other caveat, of course, is that you’re going to need quite a large room to get the projector far enough away from your wall or screen, with a throw ratio of 1.2-1.5:1.
The Ultra’s party piece feature is its ISA 3.0 technology. Intelligent Screen Adaption was one of my favorite features of the Horizon Pro, and this iteration brings some cool upgrades. ISA essentially ensures that wherever you place the Ultra, and wherever you point it, the picture is cast as a perfectly oriented rectangle calibrated for the surface. The Auto Keystone process kicks in as soon as you switch it on, or can be triggered manually from the menu. This will automatically adjust the corners of your display to give you the best picture. It can also detect and avoid obstacles like plants or shelves, and its intelligent wall color adaption adjusts the colors accordingly, so you don’t necessarily need a screen to enjoy the best picture. The final ISA feature is eye protection, which disables the picture if an object (such as a child or a pet) is detected in front of the fiery combo of lasers and LEDs, preventing injury. It’s this ISA 3.0 tech that makes the lack of feet and adjustment less of an issue. Autofocus and optical zoom are also present, and when all are set to automatic, you can pick up the projector and move it around at will, getting a perfectly oriented picture every time you place the projector down.
Being a smart projector, the Ultra runs Android TV 11. Getting a 4K projector with Dolby Vision and smart capabilities built-in is quite the package, and the operating system pulls its weight. Personally, I’m fully invested in the Apple ecosystem, so I found some of the OS a bit clunky, but Google users will feel right at home. Overall the interface is snappy, certainly more so than any TV OS, and offers a good variety of content sources including Amazon Prime and YouTube. The glaring omission is Netflix, which the streaming giant doesn’t license for projectors. This means the Ultra isn’t at a disadvantage versus rivals, but most users will probably be pretty miffed to find the world’s most popular streaming service isn’t supported natively on their fancy $1,700 projector. The box comes with a leaflet detailing a workaround, which is fine, but it doesn’t support Dolby Vision content. If you want Netflix in all its HDR glory, you’ll need an extra smart TV stick or an Apple TV 4K plugged into its HDMI socket.
The Ultra comes with a well-built and handy remote that includes voice control, the only thing that’s lacking is a play/pause button.
Design and Features score: 4.5/5
XGIMI Horizon Ultra 4k review: Picture Quality
Image 1 of 3
(Image credit: Future)
(Image credit: Future)
(Image credit: Future)
Stunning detail
Brilliant colours
Excellent brightness
I’d like to say that the Ultra’s picture quality is impressive for a plug-and-play smart projector that only costs $1,700 (pocket change in projector land), but it’s not. It’s impressive period. I was absolutely blown away by how crisp and clear the 4K viewing experience was. The hybrid dual light really puts a shift in to deliver expansive colors and great brightness. At dusk and with a light on the picture was clearer and more vibrant than our 4K TV, even projected onto a painted wall, rather than a screen.
On paper, the Horizon Ultra puts out 4K video with 2300 ISO Lumens of brightness. It also uses both LED and Laser technology, and the results are pretty astonishing.
Out of the box, you can simply turn on the environment and color adaption settings and let the projector do all the work for you, so how does that perform?
Firing up Amazon’s We are Newcastle United, the Ultra stuns with razer sharp details and true-to-life colors I didn’t think a $1,700 projector could manage. The 2300 ISO lumens brightness should see users through in almost any lighting conditions. Darker content, like the exploding space scenes of Apple’s Foundation, definitely stretches the projector’s lower end of color, but I was viewing during the day with floor-to-ceiling windows and plenty of light. Even then, everything was clear and visible, the daytime brightness working overtime to ensure everything was clearly illuminated.
Disable the automatic color settings and take manual control, however, and the Ultra really starts to shine. Literally. There’s a plethora of modes for different viewing scenarios, including classics like movies and sports, as well as a gaming mode. These all have individual settings for motion blur and HDR. There’s a high-performance mode, but the noise from the fan is oppressively loud. The most interesting one is the “brilliant” setting, which enables awesome performance in daylight. When you whack the brightness up to nine or 10, the Ultra gives off the low-light performance of a TV, with every inch visible even in the darkest scenes. It took me a while to wrap my head around these settings, but once you start making adjustments the results are fantastic.
(Image credit: Future)
In dark rooms and scenes that call upon color, the Ultra delivers absolutely mind-blowing clarity and colors that really pop off the wall. If you want to use it during the day or as a replacement for a TV, simply crank up the settings and watch it shine. Arguably more impressive is the auto brightness which adjusts to changing light conditions. Having completed some testing in daylight, I closed my curtains, expecting to see the color change, but the image remained perfectly static in terms of brightness, adjusting in real-time, which is epic. Lighting is often the downfall of a projector, but the Ultra offers two excellent choices. There are the smart auto-adjusting settings that let you take a back seat at the expense of some performance, or there’s a deep vein of controls that will let you squeeze every lumen of performance from within. Thanks to precise calibration, there’s not a lighting scenario or type of content that will cause the Ultra to stumble.
When it comes to detail, the Ultra uses pixel shifting and XDR technology. In layman’s terms, it pumps out enough pixels for Full HD, then shifts them (four times each frame) to generate a 4K image. The technology is incredible and the results are a flawless 4K image that even purists wouldn’t sniff at. Watching Dune in HDR was like being back at the IMAX cinema where I first saw it. I’m exaggerating slightly, of course, but the viewing experience is leaps and bounds ahead of any 4K TV.
The projector is locked to 60Hz, and viewing some Forza Motorsport gameplay on YouTube, I was impressed by how smooth it was, there was no tearing or any sort of distortion. From a viewing perspective, the Ultra would be perfect for playing games, and there’s even a low-latency mode that reduces input lag to 18ms if you’re mirroring a gaming device like a smartphone.
Picture quality is the crux of any projector worth its salt and I was blown away by the Ultra’s performance. It certainly knocks my old go-to, the Horizon Pro, out of the park, and that was no slouch. My wife and I are in the throes of transforming our entire living room to incorporate the Ultra as our daily media driver in place of our 4K TV, such is our confidence in its performance.
Adding a screen will bring even more to the equation, eliminating any imperfections of a painted wall and giving you the perfect blank canvas to project onto. However, I’d argue that a big draw of the Ultra is that you don’t need a screen to get the best experience.
Picture Quality score: 4.5/5
XGIMI Horizon Ultra 4k review: Value
(Image credit: Future)
Seems like a steal given the picture quality
There are brighter options out there
Styling is a big plus
When you consider our top picks for the best 4K projector on the market, the Horizon Ultra stacks up very well in terms of value. Our four-star favorite, the Epson Pro Cinema LS12000 is an eye-watering $4,999, more than twice the price of the Ultra. It does offer a 120Hz refresh rate, but it’s not that much brighter, offers the same resolution, and has a much smaller projection size of 130 inches. Our number two pick, the BenQ TK700STi is brighter and cheaper, but again falls behind on projection size. What’s more, neither supports Dolby Vision and both look like they were designed by an accountant. The Ultra costs more than the BenQ, which is probably the closest alternative, but a plethora of features such as the Intelligent Screen Adaption suite and the LED + Laser combo definitely sets it apart.
Value score: 4.5/5
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Attributes
Notes
Rating
Design and Features
The unique styling really sets it apart, Intelligent Screen Adaptation is a game-changer. Potent speakers, too.
4.5 / 5
Picture Quality
Immense color and detail, plus excellent performance in all lighting conditions.
4.5 / 5
Value
Well priced in its market and the only long-throw Dolby Vision option, but certainly not the cheapest 4K option.
4.5 / 5
Should you buy the XGIMI Horizon Ultra 4k?
(Image credit: Future)
Buy it if…
Don’t buy it if…
XGIMI Horizon Ultra 4k review: Also consider
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Comparison: 4K projectors
BenQ W1800
Optoma Technology UHD55
BenQ W2710i
Price:
$1,379
$1,799
$1,699
Screen sizes supported:
60-200 inches
300 inches
200 inches
Brightness (specified):
2000 ANSI Lumens
3,600 Lumen
2,200 lumens
HDR support
HDR 10, HLG
HDR10, HLG
HDR10, HDR10+, HLG
Optical technology:
DLP with lamp lighting
DLP with lamp lighting
DLP with lamp lighting
Smart TV:
N/A
Android
Android
Connections:
2x HDMI 2.0
2 x HDMI 2.0
HDMI 2.0 x 3
How I tested the XGIMI Horizon Ultra 4k
Image 1 of 2
(Image credit: Future)
(Image credit: Future)
Tested at home using a variety of content and different lighting conditions
Used a variety of media sources including Amazon Prime, Apple TV, and more
I have experience with multiple XGIMI projector offerings and wider home theater
I put the XGIMI Horizon Ultra through its paces in my own home. That means it saw lots of different lightning (as much as Scotland allows), including daylight, dusk, and night. I also tried the projector with different levels of ambient lighting, to get the full spectrum of color. Most testing was done against a plain wall, as well as a screen. I tested the projector using a combination of Dolby Vision, HDR, and 4K content. This is the third XGIMI projector I’ve owned, and I’ve been testing home theater, audio, and displays for a number of years.
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Save $15 on this smart light that pairs with your iPhone. Photo: Cult of Mac Deals
If you’re looking for a stylish new LED table lamp that can set any mood, this one delivers — and it gives you notifications right from your iPhone. The Notti smart light hooks up to your smartphone through Bluetooth to give you a heads-up with a pop of color for calls, texts, Facebook updates and more.
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Notti smart light gives you iPhone notifications with a colorful twist
LED lamps (like this modern floor lamp) are all the rage these days. They’re both useful and fun, because they can turn your home or office lighting into something spectacular.
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Plus, it lights up for your iPhone notifications
It also allows you to turn your iPhone’s (sometimes) annoying rings and buzzes into something more fun and visually appealing. Plus, it comes with an alarm function to make waking up a bit more bearable.
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Save on an LED table lamp that offers 16 million colors
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Buy from: Cult of Mac Deals
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