iOS 18 will include new audio transcription features in the Voice Memos and Notes apps, according to information obtained by AppleInsider.
The report claims that transcriptions of audio recordings will be available in both the Voice Memos and Notes apps on iOS 18. In addition, the Notes app will apparently be able to provide AI-generated summaries of key points in audio recordings. These features are also expected to be included in iPadOS 18 and macOS 15.
Apple is expected to announce iOS 18, iPadOS 18, macOS 15, and other software updates during its WWDC keynote on June 10. The first betas of the updates will likely be made available to members of Apple’s Developer Program immediately following the keynote, and they should be widely released in September.
Apple today unveiled redesigned iPad Pro models featuring the M4 chip, Ultra Retina XDR OLED displays, a nano-texture display option, and more. The new iPad Pro offers a considerably thinner design and slightly larger 11- and 13-inch display size options. The 11-inch model is 5.3mm thick and weighs less than a pound, while the 13-inch model is just 5.1mm thick and weighs a quarter pound less …
Apple’s “Let Loose” event kicks off today at the unusual time of 7:00 a.m. Pacific Time, and we’re expecting to see an iPad-focused event with new iPad Pro and iPad Air models, updated Apple Pencil and Magic Keyboard accessories, and perhaps some other announcements. Apple is providing a live video stream on its website, on YouTube, and in the company’s TV app across various platforms. We…
Apple today held the first event of 2024, debuting new iPad Air and iPad Pro models and accompanying accessories. While the event was faster than normal and took 40 minutes, we’ve condensed it down even further for those who want a quick overview of everything that was announced. Subscribe to the MacRumors YouTube channel for more videos. We’ve also got a full recap of all of the coverage…
Apple at its “Let Loose” event today announced a new Magic Keyboard for the latest iPad Pro models, with a thinner, lighter design. Apple says the Magic Keyboard has been redesigned to be thinner and lighter, while maintaing the same floating design. Two colors are available that match the new iPad Pro. New features include a function row with screen brightness controls, an aluminum…
Apple today announced that iOS 17.5 will be released to the public “soon,” following over a month of beta testing. While the software update is relatively minor, it does have a few new features and changes, as outlined in the list below. “The new Pride Radiance watch face and iPhone and iPad wallpapers will be available soon with watchOS 10.5, iOS 17.5, and iPadOS 17.5,” said Apple, in its…
A prolific YouTuber runs today’s featured MacBook Pro setup. And you can tell it’s the pride and joy of a streamer or podcaster just by some of the crucial equipment. Namely, an excellent Shure SM7DB microphone run through a Focusrite Vocaster Two audio interface to ensure high-quality audio recording.
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FocusRite Vocaster Two audio interface boosts Shure microphone
YouTuber and Redditor MiRealEscape showcased the attactive setup in a post entitled, “Macbook Pro Setup version 1.0.” He runs a 14-inch M1 Pro MacBook Pro and a PC laptop, along with a 28-inch Asus 4K display, a PlayStation 5 and other peripherals, through an Orico 15-1 Thunderbolt 3 USB-C Docking Station bristling with ports.
“This is my semi-complete MacBook Pro Setup. I also swap it out with a windows laptop for my remote work,” he said. “For my personal use, I do content creation as I started a YouTube channel where I test out home office and gaming tech mostly. Hence the lazy cable management as I swap things in and out a lot.”
On Friday we focused on the Orico 15-1 Thunderbolt 3 USB-C Docking Station serving as a nexus between the computers and peripherals. On Monday we covered MiRealEscape’s EdifierR1280T wired speakers. Today we get more into the audio with the top-shelf Shure microphone and FocusRite Vocastor audio interface he uses in his streaming.
Shure SM7DB microphone and Focusrite Vocaster audio interface
Shure enjoys a great reputation for microphone quality. Photo: Shure
The SM7DB dynamic microphone has a smooth, flat, wide-range frequency response appropriate for music and speech in all professional audio applications, Shure said. It shields against electromagnetic hum from computer monitors, neon lights and other electrical devices.
This model includes an improved bracket design for good stability. In addition to its standard windscreen, it also includes the A7WS windscreen for close-talk applications. Impedance: 150 ohms for connection to microphone inputs rated at 19 to 300 ohms.
In this setup, the Shure mic sits on an Elgato low-profile arm and uses a Focusrite Vocaster Two audio interface as a mic input and amplifier. Here are the Vocaster Two’s features:
Get broadcast-quality sound with Vocaster’s high-quality mic input.
Realize more than 70dB of gain without a booster.
Auto Gain sets levels in seconds.
Four podcaster-approved presets reveal the true quality of your voice.
Two mics, two headphones: Vocaster Two gives both presenters their own headphone output and Show Mix.
Mute button can cuts out coughs, sneezes and any other interruptions.
Connect your phone via Bluetooth or with a single TRRS cable and capture the whole conversation, or play music and other high quality audio from your device straight onto your show.
Send Vocaster’s high-quality audio straight to your camera with a single TRS cable and level-up your vlog.
Shop these items now:
The Focusrite Vocaster Two audio interface sits under the external display. Photo: [email protected]
Microphone, interface and other audio gear:
Computers and dock:
Display and monitor light:
Input devices:
Furniture:
If you would like to see your setup featured on Cult of Mac, send some high-res pictures to [email protected]. Please provide a detailed list of your equipment. Tell us what you like or dislike about your setup, and fill us in on any special touches, challenges and plans for new additions.
In October 2023, Google started rolling out a redesigned audio recording user interface in the beta version of Google Messages, and in November 2023, the company announced Voice Moods for the messaging platform. Well, Google has now started rolling out the new voice recording panel to the stable version of the app and is making Voice Moods available in the beta version of the messaging platform (via 9To5Google).
Redesigned audio recording interface
Up until now, to record audio in Google Messages to send it in a chat, you had to press and hold down the button with the microphone icon at the bottom-right corner of the conversation screen. Well, Google has now replaced the button with the microphone icon with a button that has a waveform icon. Just like the button with the microphone icon, you can hold down the button with the waveform icon to start recording audio and leave it to stop recording audio. But there’s a lot more the new button brings.
You can now single-press the button. Doing so will bring up an interface that says “Tap to record your voice” and has three buttons: Cancel, a button with a microphone icon, and Attach. Clicking the second button will make the app start recording audio. Once you do that, the button with the microphone icon gets replaced with a button to stop recording audio and the Cancel button gets replaced by the Restart button. After you record the audio, you can click on the Attach button to attach the clip to the message.
The new interface makes it easier to record audio for a long period as you don’t have to hold down any button during the entire time you are recording audio like before. It is also worth mentioning that the new audio recorder has a noise cancellation feature. It is turned on by default. You can tap on the feature in the new panel to turn it off. With the redesigned audio recording panel, Google says that it has also improved the “overall audio quality of voice messages by increasing the bitrate and sampling rate.“
Voice Moods
Once you are done recording audio using the new interface, Google Messages will provide you with nine themes that you can apply to the clip’s waveform: Smiling Face with Hearts, Rolling on the Floor Laughing, Partying Face, Loudly Crying Face, Slightly Smiling Face, Enraged Face, Face with Open Mouth, Face with Rolling Eyes, and Crying Face. These themes allow you to express to the other people in the conversation how you are feeling while recording the audio (or about the content in the clip).
We can confirm that the new audio recording panel is live in version 20240422_05_RC01 of the Google Messages app on our Galaxy S23 and Galaxy S24+. So, to get the new feature, make sure that you are running that or a newer version of the messaging platform. As for Voice Moods, Google is currently making it available in the beta version of Google Messages to select users. So, depending on your luck, you could or could not get this feature even if you get the latest beta version of the app.
The new SoundLink Max Portable Speaker adds a bit of heft and a bunch of powerful sound to the Bose line of SoundLink Bluetooth speakers, the company said Thursday.
“This all-new portable speaker has lasting power, rugged durability, and delivers incredible sound for its size,” Bose noted. “Now you can set the vibe with your favorite playlist no matter where you go.”
Bose SoundLink Max Portable Speaker
We first wrote about the new Bose SoundLink Max Portable Speaker in mid April, when a leak and an FCC filing predicted its imminent release. And the rumors turned out to be true, right down to the somewhat hefty price tag of $399. You can preorder SoundLink Max at Bose.com with shipping after May 16.
Bose said the new speaker takes great advantage of Bose technology and audio know-how:
The system leverages a Bose Articulated Array with three transducers across the front of the speaker to deliver a spacious stereo experience that goes beyond the speaker itself. Two custom-designed passive radiators are responsible for providing a level of bass performance that also defies the speaker size.
Using technology found in Bose soundbars and proprietary digital signal processing that dramatically minimizes distortion, the speaker reproduces full, natural sound regardless of what you’re listening to. The result is a system that allows you to hear every instrument, clear vocals, and the beat of your music, no matter where you’re listening or where the speaker is placed.
Using the Bose app, you can personalize your listening experience through adjustable EQ settings, including bass, mid-range and treble.
Built for durable portability
You can preorder the speaker May 16 in black or dusk blue colors. Photo: Bose
SoundLink Max’s design uses a powder-coated, silicone-wrapped steel enclosure for a premium look. And it’s also tough. Bose said it withstands bumps and drops and resists peeling, flaking and UV-light-related corrosion. An IP67 rating protects against water, dust, rust and shocks. Bose stopped short of saying it’s OK to drop it in the pool, however.
The device is a little bigger than others in its line, like SoundLink Flex, but it’s still compact for portability. It measures 10.42in wide, 4.73in high and 4.13in deep and weighes just under five pounds. Its integrated, removable rope handle makes it easy to carry around. And you can get a rope strap as an option to carry it over your shoulder. In addition, four optional color handle accessories can customize the speaker’s look.
The speaker’s playback time runs up to 20 hours on a full charge, according to Bose. And its USB-C port can charge your iPhone or other mobile devices (like the one transmitting tunes to the speaker via Bluetooth 5.3).
Hi-def and lossless audio
The new speaker supports SBC and AAC codec standards, so it works with most Bluetooth devices, including Apple’s.
However, the highest-quality sound is reserved for devices that support Qualcomm’s aptX Adaptive codec (sorry, iPhone and iPad users):
For high-definition audio, it uses Snapdragon Sound with the latest Qualcomm aptX Adaptive codec, which automatically adapts up to lossless quality. Snapdragon Sound technology allows for more seamless and robust connectivity with premium Android devices. The SoundLink Max also offers Google Fast Pair for added ease-of-use when pairing Android devices.
And the speaker isn’t just wireless. An AUX input lets you jack in via cable from sources like turntables and MP3 or CD players. And the speaker’s shortcut button can switch to or from AUX and enable Spotify Tap, Bose said.
The SoundLink Max comes in black or blue dusk colors. You can preorder now for $399 and it will ship after May 16, Bose said.
The affordable and popular Baseus Bowie MA10 wireless noise-canceling earbuds just got a big upgrade with spatial audio, alongside a more compact design and a digital display for battery life on the case, the company said Tuesday. The new ones are called Baseus Bowie MA10s.
Baseus called the previous version its best-selling product on Amazon last year and said the buds “have been recommended by Oscar-class composers to ensure a quality sound experience.” And you can get them for a lot less than buds like AirPods Pro 2 — just $40.
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Baseus Bowie MA10s TWS Earbuds
Baseus, which makes a range of products like power banks, called the new Bowie MA10s TWS Earbuds “a portable model with a smaller body that’s more convenient to carry.” The upgraded product also adds spatial audio technology and a power-status display on the charging case.
The new earbuds feature hybrid -48dB active noise cancelling (ANC) technology that cancels 95% of outside noise, according to Baseus. And they also come with four environmental noise cancelling microphones that work with an artificial intelligence algorithm to quiet ambient sounds and isolate your voice on calls.
Baseus said its 3D Spatial Audio Technology uses “a titanium-plated PU composite diaphragm and punchy bass AI algorithm to create a virtual soundscape – with you at its center.” The company said the new buds add “50% more bass and 100% crisper treble and 3 tailored modes to customize your listening experience.” Those are Bass Mode, Music Mode and low-latency Game Mode.
‘Oscar-worthy sound design’
And here’s the bit about the buds’ “Oscar-worthy sound design,” as the company describes it:
Oscar-Worthy Sound Design: Choose only the best with the Baseus Bowie MA10s TWS Earbuds that have been recommended by Oscar-winning and Oscar-nominated composers such as Chad Cannon, Joel Goodman, and Pedro Osuna. With 12 Preset EQs, you can enjoy unparalleled sound design or choose to customize the EQ to your liking.
And then there’s that new digital display showing battery life.
5-day battery life
The company said Baseus Bowie MA10s TWS Earbuds “sport a 5-day battery lifespan,” which it equated as 8 hours of playtime on one charge and a total of 38 hours of playtime with the wireless charging case.
The buds carry an IPX4 waterproof rating.
Baseus Bowie MA10s cost $49.99 at Amazon. But using the code Best Deal at checkout adds a 20% discount that makes them $39.99 (currently out of stock but likely back soon). Baseus Bowie MA10 is also available for $31.99 after discount.
These active noise cancelling wireless earbuds feature spatial audio, a power display, heavy bass, 38 hours of playtime, clear calls, wireless charging and Bluetooth 5.3 connectivity.
When Beats introduced the Solo 3 in 2016, the headline feature was the inclusion of Apple’s W1 audio chip. This delivered seamless pairing with Apple devices, which made life much easier for iPhone, Mac and iPad owners. Besides the noise-canceling Solo Pro in 2019, Beats hadn’t updated the Solo line in nearly eight years, and it’s now bringing its popular on-ear headphones up to today’s standards. Beats announced the Solo 4 today, a $200 set of familiar-looking cans with significant updates to audio quality and battery life. But as it has done on other devices, the company has chosen its own audio platform over Apple’s AirPod chip.
Beats
Beats made significant updates to audio quality and battery life on the Solo 4, but the design is in need of a refresh.
Beats says it re-engineered the audio on the Solo 4 for “incredible, high-fidelity acoustics.” This includes new, custom-built 40mm transducers that it says offer “extraordinary clarity and range” due to minimal latency and distortion. The company explained that the change also led to improved high-frequency response compared to the Solo 3. Beats says the Solo 4 is its only passively-tuned headphone, so you’ll get the same audio quality when listening wirelessly as you do when your battery dies and you have to employ the 3.5mm jack.
Spatial Audio was available on the Solo 3, but Beats took things a step further on the Solo 4 by adding Personalized Spatial Audio with dynamic head tracking. This is the process Apple developed for its AirPods that uses your iPhone’s camera to create a custom audio profile tailored to the shape of your ears. The effectiveness of head tracking in enhancing Spatial Audio might depend on your personal preferences and the content, but the addition brings the Solo 4 up to date with other Beats (and Apple) audio products.
Billy Steele for Engadget
Another big upgrade is battery life. The Solo 3 already offered 40 hours of play time on a charge, but Beats managed to squeeze another 10 hours out of the Solo 4. Of course, that’s with a volume level of about 50 percent with Spatial Audio off (45 hours with it on). The quick-charge feature, Fast Fuel, now gives you up to five hours of use in 10 minutes. That’s two hours more than the Solo 3.
Like Apple has done with most of its products, Beats made the switch to USB-C for charging on the Solo 4. That wired connection also delivers lossless audio, so long as you’re listening to compatible content with a supported device. Similar to other recent Beats products, the Solo 4 swaps Apple’s chips for the company’s own platform. In this case, the W1 on the Solo 3 has been replaced, but there’s still deep integration with iOS, macOS and iPadOS. And the company’s recent efforts to better cater to Android users continues on the Solo 4.
Beats upgraded the microphones on the Solo 4, though they’re used solely for calls since there’s no active noise cancellation (ANC) here. Specifically, the company says it swapped out analog mics for digital, beam-forming MEMS ones, leading to increased quality when it comes to voice capture across various environments. Beats also added a noise-learning algorithm that can target your voice while combating background roar and wind.
What’s good
Billy Steele for Engadget
The steps Beats took to improve the sound quality on the Solo 4 truly delivered. The company has employed a more even-handed tuning for several years now, ditching the overly bass-heavy EQ that dominated the sound on its early headphones. I can also hear the added clarity in tracks like Justice’s “Neverender,” where details like synth sounds had brought an atmospheric texture that enhanced the song. This is most prominent when you have Spatial Audio activated, and in my experience, the Solo 4 were at their best with Dolby Atmos content in Apple Music.
The 50-hour battery life claim holds out, too. After 37 hours of testing at around 50-percent volume, macOS was still showing the Solo 4 had 35 percent left in the tank. That’s pacing ahead of Beats’ stated figure. During my test, I was streaming spatial Dolby Atmos content from Apple Music, mostly from a MacBook Pro.
Beats says the Solo 4 has the same memory foam ear pads as the over-ear Studio Pro headphones, but with a new cover material for that component to further boost comfort. I do feel like there’s less of a vice-like pressure when I’m wearing the Solo 4, but after a couple of hours, each passing minute felt more laborious.
What’s bad
Billy Steele for Engadget
While we’re on the topic of comfort, I’ve never been a fan of the on-ear style of headphones. Most of them, the Beats Solo included, feel like they’re clamping down on my head. GrantedI have a large dome; I take my New Era caps in 7 ⅝. But I can appreciate that this design is very popular, so this is less of a con and more of an observation for my fellow large-domed homies. The slight changes to the ear pads definitely help make it more comfortable, but it’s still too snug a fit for me.Clearly, though, the Solo line is a hit: Beats says it has sold over 40 million pairs of these on-ear cans.
I also wish the company did a bit more with the Solo 4’s design. I understand “if it ain’t broke” and all that, but this feels like a missed opportunity. Beats opted to keep almost entirely the same look from the Solo 3, except that the “Solo” branding on the headband is now just a “4.” The company changed things up a bit on the Solo Pro, but that model isn’t around anymore, so a design update on the non-ANC Solo headphones would’ve been a welcome change.
While there are some obvious updates to the audio profile, the Solo 4 sounds a bit thin at times. When listening on an iPhone, audio performance is consistent across genress, but there’s a noticeable difference when listening to the same songs on Apple Music on a Mac. That Justice album, Hyperdrama, doesn’t have the same oomph streaming from my MacBook Pro as it does from my iPhone.
The Solo 4 is also missing multipoint Bluetooth support on iOS. It isn’t the first Beats audio device that lacks this, but that doesn’t make it any less frustrating. The ability to automatically switch between your computer and your phone when you get a call is a handy feature most headphones offer these days. And if you’re used to having it, it’s something you’ll miss on the Solo 4.
Wrap-up
There’s no denying the updates Beats made on the Solo 4 in terms of sound quality and battery life. The company also made tweaks to modernize it, including the switch to USB-C. Small changes to the ear pads make the Solo 4 more comfortable for those of us with big heads, but the fit is still far from ideal. And overall, the familiar design could use a refresh, especially now that we’re nearly eight years on from the Solo 3. Still, the Solo 4 is a clear upgrade from the Solo 3, but it’s likely not significant enough to entice more than the Beats faithful.
The Beats Solo 4 is available today for $200 from Apple. The headphones come in black, blue (pictured) and pink color options.
1 / 10
Beats Solo 4 review
Beats Solo 4 headphones from the side, showing the “b” logo.
A high-end wireless gaming headset designed for Xbox, the JBL Quantum 910X falls just short of earning a place among the best Xbox Series X headsets. That’s not to say that it isn’t still a formidable option, however, as it offers an excellent level of comfort that’s backed up by rich audio; it’s absolutely perfect for many of the best Xbox Series X games. In addition to Xbox, it’s also fully compatible with PlayStation, Nintendo Switch, and PC, making it a strong multi-platform choice.
Unfortunately, the flagship feature of the JBL Quantum 910X, its head-tracking 360 degree spatial audio, is a mixed bag. The head-tracking itself is exceptional, simulating your head motion perfectly, but the audio quality takes a substantial hit whenever the feature is enabled. The bass becomes almost non-existent, completely ruining the punchy action of first-person shooter (FPS) titles like Call of Duty: Modern Warfare 3, while the high end frequencies sound sharp and unpleasant. If your number one concern is high-quality spatial sound, no shortage of cheaper headsets like the SteelSeries Arctis Nova 7X, offer far superior spatial audio.
The microphone is the only other major area where the JBL Quantum 910X falls behind the competition. It lacks adjustability and leaves your voice sounding grainy and quiet. It’s by no means unusable, but this is nowhere near the level of performance that you would reasonably expect for this price. Whether this is the headset for you is therefore going to depend on whether these two shortcomings are a total deal breaker but, if they’re not, there’s still an awful lot to like here.
(Image credit: Dashiell Wood / Future)
Price and availability
$299.95 / £219.99
Available in the US and UK
Better value in the UK
The JBL Quantum 910X costs $299.95 / £219.99 and is available in the US and UK directly from JBL or at retailers like Amazon. In the US, this comes in slightly cheaper than other high-end gaming headsets, such as the $329.99 / £279.99 Turtle Beach Stealth Pro, but is still firmly in premium territory. All things considered, it’s quite a reasonable price when you factor in the presence of high-end features such as active noise cancellation, not to mention customizable RGB lighting and the robust build quality.
Even so, UK price represents the best value of the two regions. At £219.99, the headset is a massive £60 less expensive than the Turtle Beach Stealth Pro, widening the gap between the two headsets and making the JBL Quantum 910X a much more tempting proposition.
Unfortunately, the JBL Quantum 910X is not currently available in Australia.
Specs
Swipe to scroll horizontally
Price
$299.95 / £219.99
Weight
14.8 oz / 420g
Quoted battery life
37 hours
Features
Active noise cancellation, JBL QuantumSpatial 360 head-tracking spatial audio
Connection type
Wireless (USB-C dongle), wired (USB-C / 3.5mm)
Compatibility
Xbox Series X, Xbox Series S, Xbox One, PlayStation 5, PlayStation 4, PC, Nintendo Switch, Android, iOS
Software
JBL Quantum Engine (PC)
(Image credit: Dashiell Wood / Future)
Design and features
The exterior of the JBL Quantum 910X is primarily constructed from a smooth black plastic. Its ear cups are covered in bright RGB lighting, illuminating in a ring around each ear in addition to an area with a small grill-like pattern and a prominent embossed JBL logo. The lighting is set to green by default which is perfect if you intend to use the headset with an Xbox out of the box. This lighting can be fully customized through the compatible JBL Quantum Engine software on a PC.
Each ear cup is connected to the headband with a clear plastic strip and a short braided cable, which is black with subtle green stripes. The clear plastic portion can be extended or retracted in order to customize the fit, engraved with numbers that indicate different sizing settings. The ear cups themselves then use soft black pleather cushions, which are a generous size and pleasantly soft.
The same cushioning is also found on the underside of the headband itself, which is topped with black plastic covered in a tactile grooved design. Although the JBL Quantum 910X is notably heavier than many other gaming headsets, weighing a hefty 14.8oz / 420g, the comfortable cushions makes it surprisingly easy to wear for extended periods without discomfort.
(Image credit: Dashiell Wood / Future)
The microphone is attached to the left ear cup and can be raised or lowered. It’s muted by default in its raised position, indicated by a small red LED light near its tip. There’s also a separate dedicated microphone mute button on the back of the ear cup, which is handy if you want to quickly mute the microphone without having to raise it. This is positioned below a volume dial, a volume mixer dial (which changes the balance between in-game audio and audio from a connected mobile phone), and a switch which enables or disables the headset’s active noise cancellation. On the bottom of the left ear cup you will also find the USB Type-C port, which can be used for both charging and wired play. It’s next to a 3.5mm headphone jack and superb braided cables for both are included in the box.
Controls on the right ear cup are simpler, with a power slider that doubles as a switch to enable Bluetooth connectivity and a simple button that alternates between standard audio, spatial sound, and full head-tracking. Although it can be used out of the box, spatial sound can be further calibrated for enhanced precision in the JBL Quantum Engine software.
This is a simple process with clear on screen instructions, but does require an included detachable microphone to sit in your ear. Factor in the wireless dongle, which comes alongside a compact USB Type-A to USB Type-C converter and that’s a lot of separate accessories to keep track of. Luckily, the headset comes with an absolutely lovely plush gray bag which is perfect for keeping everything in one place.
(Image credit: Dashiell Wood / Future)
Performance
In its standard mode, the JBL Quantum 910X performs excellently on the whole. It offers punchy, rich bass, clear mids, and detailed high-end frequencies. While its overall audio profile might be a little too bass-heavy for audiophile music listening, it’s absolutely perfect for gaming and the range of titles I tested sounded superb. Shots in Call of Duty: Modern Warfare 3 packed some serious punch on Xbox Series S, while the streets of Sotenbori in the PC version of Like a Dragon Gaiden: The Man Who Erased His Namefelt impressively life-like.
The emphasis on bass is also an excellent fit for rhythm games and I enjoyed quite a bit of success challenging myself with “JITTERBUG” on Extreme difficulty in Hatsune Miku: Project DIVA Future Tone on PS5. The JBL Quantum Engine software offers a range of useful equalizer modes and is, on the whole, some of the best companion software that I’ve ever tested. It offers an impressive number of functions, features an intuitive and attractive UI, and is lightning fast while taking up just 255MB of space. A mobile app or a native application for Xbox would enable those without access to a PC to benefit from its features, but otherwise there is nothing to complain about here.
(Image credit: JBL)
Returning to the headset, the on-board controls are well-spaced and responsive, while the active noise cancellation is a treat. It’s very effective and managed to block out almost everything that I could throw at it, ranging all the way from nearby conversations to loud passing vehicles. I also consistently managed to squeeze an impressive 32 hours of battery life out of the headset, which was more than enough for a full week of gaming sessions.
Unfortunately, the performance with the spatial audio mode enabled is a completely different story. The illusion of depth is there, but the bass instantly vanishes leading to an incredibly tinny sound that lacks any impact whatsoever. It’s like listening to a tiny pair of cheap speakers in a massive hall, an impression that is only further reinforced by the oddly echoey sound of any dialogue.
The optional head tracking, which sees the audio source shift as you look around, is incredibly accurate and well worth experimenting with for a few minutes, but the dramatic fall in audio quality means that it’s impossible to recommend using the spatial audio mode for any substantial length of time which is a huge shame.
The microphone performance is also disappointing. The physical microphone itself is unusually rigid and cannot be adjusted to be closer or further away from your mouth very easily. I found that this meant that my voice often sounded rather quiet and a little muddy. I was still easy to understand, once every participant of my calls had adjusted their volume accordingly, but this really shouldn’t be necessary with such an expensive peripheral.
(Image credit: Dashiell Wood / Future)
Should I buy the JBL Quantum 910X?
Buy it if…
Don’t buy it if…
Also consider
If you’re not keen on the JBL Quantum 910X, you should consider these two compelling Xbox-compatible alternatives instead.
Xbox Series X, Xbox Series S, Xbox One, PlayStation 5, PlayStation 4, PC, Nintendo Switch, Android, iOS
Xbox Series X, Xbox Series S, Xbox One, PlayStation 5, PlayStation 4, PC, Nintendo Switch, Android, iOS
Xbox Series X, Xbox Series S, Xbox One, PlayStation 5, PlayStation 4, PC, Nintendo Switch, Android, iOS
Software
JBL Quantum Engine (PC)
Turtle Beach Audio Hub (PC / Android / iOS))
SteelSeries Sonar (PC)
How I tested the JBL Quantum 910X
Used daily for over a month
Tested with a wide range of platforms
Compared to other premium gaming headsets
I tested the JBL Quantum 910X for over a month, using it as my main gaming headset. During that time, I tested the headset with Xbox Series S, PlayStation 5, PC, and Nintendo Switch playing a broad range of titles. In addition to my usual favorites, I tried to focus on some modern games that offer rich sound, including the likes of Counter-Strike 2, Need for Speed Unbound, The Last of Us Part 2 Remastered, and Fortnite. In order to test the microphone, I used the headset for multiple online gaming sessions and recorded a number of audio files with Audacity.
Throughout my time with the headset, I was careful to compare the experience with my hands-on time with other high-end gaming headsets such as the SteelSeries Arctis Nova 7X, Astro A50 X, and Turtle Beach Stealth Pro .
An audio interface serves as a bridge between your Mac and external audio sources like microphones and musical instruments. The hardware is essential for great sound reproduction, whether you’re a professional producer or a beginner. So finding the best audio interface for your Mac can significantly enhance your recording and mixing experience.
In this guide, we’ll explore top audio interfaces available for Mac, including several affordable options. We’ll discuss their features, performance, compatibility and price points to help you make an informed decision.
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Best audio interface for Mac: Who needs one?
First, do Macs need an audio interface? For the most part, yes, but it depends on what you’re doing. An audio interface connects audio equipment to your Mac. And it converts analog audio signals from various sources into digital signals you can alter and record using digital audio workstation, aka DAW, software installed on your computer. The interface often handles digital-to-analog conversion, aka DAC, too, allowing you to listen through headphones or speakers.
Second, do audio interfaces work with Macs? Yes, most are designed to work easily and integrate beautifully with your computer. They typically connect to a computer via Thunderbolt/USB and work with both Macs and PCs. All audio interfaces in our selection connect that way. We reserved the most portable of them for use with MacBook Air and MacBook Pro.
Third, what is the best sound quality audio interface? Well, that’s a matter of opinion. Every product we feature below is capable of excellent sound quality, and you can enhance it with included software or popular programs you might buy separately, like GarageBand or Logic Pro, both from Apple.
Keep in mind that if you work with software-based instrumentation and a USB or 3.5mm-jack microphone, you don’t necessarily need an audio interface for your Mac. But for pro-level XLR mics and instruments with 1/4-inch line-level outputs, you do. And in any case, an audio interface can improve vocal clarity, reduce latency and offer more control over audio inputs and outputs.
Table of contents: Best audio interfaces for Mac
Factors to consider when choosing an audio interface for Mac:
Inputs/outputs: How many inputs and outputs do you need? Will a two-input audio interface for you and your guitar suffice? Or do you need more for your band?
Connectivity: Ensure that the interface you choose works with your Mac’s available ports.
Compatibility: Make sure the interface is compatible with your specific Mac model, as well as the version of macOS you are running and your preferred DAW software.
Portability: Recording on the go and recording in a dedicated studio call for different audio interfaces. Some are extremely portable but others aren’t.
Microphone type: Condenser microphones require phantom power (+48V or +24V options). So if you use, or plan to use, one a condenser mic, be sure to buy an audio interface with phantom power.
Quality: Look for high-resolution audio, such as 24-bit/192kHz conversion, and high preamp quality (check the reviews).
Software: Some audio interfaces for Mac come with software bundles that drive up the price. If that’s the case, make sure you want or need the software before you pay extra.
Best audio interface for Mac (top pick): Universal Audio Apollo Twin X Quad
It’s not cheap, but the Apollo Twin X Quad is an excellent audio interface for Mac users. Photo: Universal Audio
The Universal Audio Apollo Twin X Quad is our top recommendation for Mac users seeking a highly capable and professional audio interface. This audio interface combines a compact form factor, high-end audio quality, flexible input/output options and powerful onboard digital signal-processing capabilities.
The interface features a small footprint and an attractive design. And its control and input/output schemes are intuitive and user-friendly, making it easy to use.
Plus, the Apollo Twin X Quad comes with different software bundles for macOS and iOS as well as PC, depending on where you buy it. The interface includes Universal Audio’s Mac-only Luna DAW software and a bundle of plugins, including compressors, EQs, reverbs and guitar amp emulators to help you achieve various pro audio sounds.
Lots of inputs and outputs
The rear of the Apollo Twin X Quad offers a wide array of inputs and outputs. Photo: Universal Audio
On the back of the unit, you’ll find two combo mic pre/line-level inputs, two sets of 1/4-inch monitor outputs, a power supply input, a Thunderbolt 3 port, an optical input for connecting audio equipment with ADAT or S/PDIF outputs, and a power switch.
The device’s controls and LED indicators are conveniently located on the top panel. With just eight buttons and a wheel, you can control all the input and monitor-related parameters. The interface allows you to easily switch between monitors/headphones and different sources connected to the Twin X Quad.
A quad-core DSP chip for running audio plugins
The Apollo Twin X Quad comes equipped with a built-in quad-core digital signal processing, or DSP, chip, that enables you to run UAD plugins in real time with ultralow latency. The included Console software handles real-time UAD processing and can be routed to any DAW software.
With an impressive D/A dynamic range of 127dB and the lowest noise (-117 dB THD+N) among desktop audio interfaces, the Apollo Twin X Quad delivers organic and spacious sound on par with top-of-the-line professional interfaces used in recording studios.
The optical input allows for stereo S/PDIF operation or connection to gear with ADAT OUT, expanding the number of available input channels to 10 (2 + 8 ADAT).
The Thunderbolt 3 connection ensures lightning-fast processing and minimal latency. It also allows for daisy-chaining up to six UAD-2 devices or four Apollo devices.
Minor negative note: A Thunderbolt 3 cable is not included in the package.
The Apollo Twin Quad usually goes for between $1,100 and $1,500. Looking for a great alternative for a few hundred dollars less? Check out Universal Audio’s Apollo Twin X Duo, below.
Best audio interface for Mac under $1,000 (top options)
1. Universal Audio Apollo Twin X Duo
This is the smaller sibling of our top pick, and an excellent choice that costs less than $1,000. Photo: Universal Audio
When it comes to Thunderbolt and USB-connected audio interfaces, there are many excellent options for less than $1,000. One of those is the little sibling of our top pick above. It’s the Universal Audio Apollo Twin X Duo. With dual rather than quad DSP chips, this one can run fewer plugins than the Quad.
Like the Quad, the Duo features A/D and D/A conversion derived from Apollo X rackmount interfaces paired with Unison mic preamps for classic mic and guitar amp sounds. And it runs the Luna recording software,made for Apollo (Mac only) and UAD powered plug-ins.
The front panel includes Unison-enabled Hi-Z instrument input, headphone out and a built-in talkback mic for communication in the studio. Dedicated monitor functionality includes monitor remote functions and mono, mute, DIM, and ALT monitor controls. And you can access up to eight channels of additional digital input via optical ADAT/SPDIF inputs.
Focusrite Scarlett audio interfaces are great for more budget-minded Mac users. Photo: Focusrite
The fourth-gen Focusrite Scarlett 4i4 audio interface is another popular audio interface for Mac users, offering a great balance of features, performance and affordability. It features USB-C rather than Thunderbolt connectivity and costs about $280.
With two upgraded Scarlett mic preamps, low latency and high-quality converters, the Scarlett 4i4 is a versatile interface that can handle a wide range of recording and production tasks. It’s great for both beginners and experienced producers.
The Scarlett 4i4 offers 24-bit/192kHz converters for high-resolution audio, optimized preamp gain structure, low latency and Hi-Z instrument inputs.
The mic preamps on the Scarlett 4i4 include Focusrite’s “Air” mode, which adds a touch of analog tonality modeled on the company’s legendary ISA console transformers. This feature enhances the high-end frequencies and adds a sense of depth and richness to your recordings. The Air mode can be switched on or off, allowing you to customize the effect based on the source and desired sound.
The interface’s USB-C connectivity allows for direct connection to your Mac without the need for a dongle. It also comes bundled with software, including the Studio One Artist DAW and the Studio Magic Plugin Suite, featuring plugins from renowned manufacturers like Maag Audio, Lexicon, and Arturia.
The Scarlett 4i4 is compact and portable, making it a great option for musicians who need a versatile interface for on-the-go recording or small studio setups.
The Scarlett 4i4 is not Thunderbolt 3 compatible, which may be a drawback for users seeking the fastest data-transfer speeds and lowest latency. However, the USB-C connection still provides reliable performance for most recording and production needs.
You can grab Focusrite’s excellent fourth-gen Scarlett 4i4 for just $279.99 (or go with the third-gen model for $199.99).
Simple USB-C connectivity makes many audio interfaces easy to use. Photo: Audient
Any of the choices above, like the Focusrite Scarlett interface, are great for USB-C connectivity. But another exceptional choice would be the Audient iD4 MK II two-in, two-out audio interface. USB-C-specific interfaces won’t transfer data as fast as Thunderbolt, but they’re often less expensive and they generally work with both Macs and PCs.
Audient’s entry is a compact, feature-rich audio interface that offers excellent sound quality and user-friendly controls. With its streamlined design and professional-grade performance, it is an ideal choice for Mac users seeking a high-quality interface for recording vocals, instruments and podcasts.
The iD4 MK II features a single Class-A Audient console mic preamp, providing clean and transparent amplification for microphones. It also offers a discrete JFET DI input for connecting guitars, basses or other instruments directly.
The interface supports 24-bit/96kHz audio resolution, ensuring accurate and detailed recordings. It features high-quality converters and analog circuitry for pristine sound reproduction.
The iD4 MK II includes a large volume knob that doubles as an intuitive monitor control. It also offers a dedicated headphone output with independent volume control, allowing for convenient and easy monitoring. The interface comes bundled with a comprehensive software package.
You can pick up the Audient iD4 MK II for $194 (and if you need to connect more gear, you can try a bigger version for $399).
This is a solid choice for a USB audio interface. Photo: PreSonus
For Mac users on a budget, the PreSonus AudioBox USB 96 is an excellent entry-level audio interface. Despite its affordable price, it offers impressive features, including two upgraded Scarlett mic preamps, 24-bit/192kHz converters and optimized preamp gain structure.
The AudioBox USB 96 comes in an attractive package and includes a USB-A to USB-B cable, a user manual, a warranty card and PreSonus Studio One Artist software. This software bundle also includes the Studio One Magic software, which features Ableton Live Lite, virtual instruments, and nine plugins.
The interface features a sturdy metal housing and comes in two colors: black and blue/silver. Its front panel offers two combo mic pre/line-level inputs that accept XLR and 1/4-inch connectors. It also includes gain dials for each input with LED indicators, headphone volume dial, monitor volume dial and an input/playback mixer dial. The front panel also features a 48V phantom power button for condenser microphones.
On the back of the interface, you’ll find a headphone output, a set of line-level monitor outputs, 5-pin MIDI in/out ports and a USB Type-B port for connecting to your computer. The AudioBox USB 96 is one of the rare audio interfaces that allow you to connect your MIDI controller or instrument directly, making it a great choice for those needing MIDI capabilities on a limited budget. The device’s maximum conversion rate is 24-bit/96kHz.
Universal Audio’s Volt 2 USB audio interface is suitable for professionals. Photo: Universal Audio
The Universal Audio Volt 2 USB audio interface is a versatile and high-quality audio interface designed for Mac and PC users. (It works with iPad and iPhone, too.) It offers two inputs and two outputs, premium audio quality and seamless integration with Universal Audio’s DSP plugins.
The Volt 2 also comes with a studio-quality headphone amp, MIDI connections, 48V phantom power and direct monitoring for latency-free recording.
The interface offers 24-bit/192kHz audio resolution, delivering exceptional sound quality and detail. It features high-quality converters and premium analog circuitry for transparent and accurate audio reproduction.
Universal Audio’s Volt 2 USB audio interface is designed to work seamlessly with the company’s DSP plugins. It includes the UAD-2 DUO Core processing, allowing you to run UAD plugins in real time with low latency.
Best audio interface for M1 Mac mini and other desktop Macs (top options)
1. Native Instruments Komplete Audio 6 Mk2
This robust audio interface is great for M1 Mac mini (or any Mac). Photo: Native Instruments
The Native Instruments Komplete Audio 6 Mk2 is a feature-packed audio interface designed for professional producers and musicians. It offers exceptional sound quality, versatile connectivity options, and a comprehensive software bundle, making it a top contender for Mac users seeking a high-end interface.
The Komplete Audio 6 Mk2 features six inputs and six outputs, providing a wide range of connectivity options. It includes two combo XLR/1/4-inch inputs with switchable phantom power, two 1/4-inch line inputs, four 1/4-inch line outputs, a headphone output, MIDI I/O, and a USB 2.0 connection. This extensive connectivity makes it suitable for recording bands, multi-instrument setups and complex studio configurations.
The interface offers 24-bit/192kHz audio resolution, ensuring pristine sound quality for your recordings. It features premium Cirrus Logic converters, delivering exceptional detail and dynamic range.
Native Instruments includes a comprehensive software bundle with the Komplete Audio 6 Mk2. This bundle includes a full version of Komplete Start, a collection of high-quality virtual instruments, effects and samples. It also includes Maschine Essentials, Ableton Live Lite and Traktor LE, providing you with a wide range of tools and sounds to inspire your creativity.
You can pick up this audio interface on Amazon for $249 $179.
The MOTU M4 is a solid choice for an M1, M2 or M3 Mac. Photo: MOTU
The MOTU M4 audio interface works well with Apple silicon-powered machines with M-series chips. The M4 provides fast speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU’s expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer), the company noted.
The four-channel interface includes metering for recording live music (which not every interface has). At this price you don’t find many interfaces with a full color LCD featuring detailed level meters for all inputs and outputs.
Quiet preamps add to the interface’s overall quality. And you can use the M4 as a stand-alone mixer.
The interface’s driver provides loopback channels to your host computer, so you can route computer output back to the computer. At that point you can mix it with live mics and/or guitar inputs from the M4 in your host software for live streaming or podcasting.
Performer Lite or Live Lite production software is included, along with hundreds of loops, one-shots and sounds from Big Fish Audio, Lucidsamples and Loopmasters.
Best audio interface for MacBook Air and MacBook Pro (top options)
1. IK Multimedia iRig HD 2
If you’re a guitar or bass player, iRig could be your portable audio interface. Photo: IK Multimedia
What audio interface works with Macbook Air? Like all of the audio interfaces featured here, IK Multimedia’s iRig HD 2 and the Behringer interface below work well with MacBook Air and MacBook Pro.
The big difference between iRig and the Behringer interface, though, is that iRig is instrument-specific. With so many guitar players in the world, we thought we’d include it. The compact and portable audio interface is designed specifically for guitarists and bassists using Macs or iOS devices. It offers high-quality sound, convenient features and compatibility with popular guitar apps.
iRig HD 2 fits easily in your pocket or guitar case. It features a 1/4-inch instrument input, a 1/4-inch output for connecting to an amplifier or headphones, and a Lightning/USB cable for connecting to your Mac or iOS device. This simplicity and portability make it a go-to choice for guitarists and bassists who require a streamlined setup without sacrificing sound quality.
The interface provides 24-bit/96kHz high-resolution audio, ensuring accurate and detailed recordings. It also features a built-in preamp with adjustable gain control, allowing you to dial in the perfect input level for your instrument.
The iRig HD 2 includes a headphone output with a dedicated volume control, enabling you to monitor your playing without latency. This feature proves particularly useful for practicing or recording on the go.
The interface is compatible with popular guitar apps and software. IK Multimedia’s AmpliTube, for example, provides access to a vast array of virtual amplifiers, effects and cabinets so you can explore different tones.
The iRig HD 2 is bus-powered, meaning it draws power from your Mac or iOS device, eliminating the need for batteries or an external power source. This feature enhances its portability and convenience.
iRig HD 2 costs $99.99. Want a bit more? Try iRig HD X for $129.99 (and for that you get higher-quality recording, a bigger software bundle and more device compatibility).
This affordable audio interface could suit M1 Mac mini users quite well. Photo: Behringer
The Behringer U-Phoria UM2 is a budget-friendly audio interface that offers solid performance and essential features for Mac users. It’s great for beginners, and it’s the least expensive item on this list.
The U-Phoria UM2 features a compact and lightweight design, making it highly portable and suitable for on-the-go recording or small studio setups. It offers a single XLR/TRS combo input, a 1/4-inch instrument input and RCA line outputs.
The interface provides 48V phantom power for condenser microphones and includes a dedicated headphone output for monitoring. It offers 16-bit/48kHz audio resolution, which is sufficient for most entry-level recording and production needs.
The interface is compatible with popular DAW software and works seamlessly with Mac systems. It also comes bundled with Tracktion DAW software, providing a solid platform for recording, editing and mixing your music.
The U-PhoriaUM2 offers limited input and output options, which may not be sufficient for more advanced recording and production requirements. However, for beginners or those with basic recording needs, it provides a cost-effective solution.
It’s currently available for just $59 from Amazon.
Campfire Audio’s new Fathom earbuds cost an eye-watering $1,049. What’s perhaps even more surprising is that they’re wired earbuds.
Well, there must be some special technology in those, right? Right. And even though they have a cable, of course you can use them with your Mac or another device with an audio jack.
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Campfire Audio Fathom Premium In Ear Monitors
Cult of Mac often reports on new wireless earbuds, particularly when they seem like worthy AirPods competitors. Campfire Audio has been putting out audiophile-grade earbuds from Portland, Oregon, since 2015. The expensive Fathom wired earbuds — er, excuse us, “premium in-ear monitors” — are the latest product from the small company.
Fathom buds are not wireless like AirPods, so you need to plug the detachable premium audio cables they come with into your Mac or any device with an audio jack. (Or through an appropriate adapter, although you should check on its effect on audio quality.) The latest Bluetooth technology approaches the high audio quality cables have long been capable of — and new advances are appearing in wireless audio — but many audiophiles still prefer wires.
Fathom earbuds feature six of Campfire Audio’s custom balanced-armature 10mm Beryllium PVD drivers. They’re engineered to produce exceptional sound quality with incredible detail, clarity and accurate sound reproduction across the frequency range.
‘Phase harmony engineering’
When you spend a grand, you get both style and substance. Those Time Stream audio cables that come with Fathom earbuds are key. Photo: Campfire Audio
Another aspect of the buds’ audio quality comes from what Campfire calls “phase harmony engineering.” Here’s more on that:
[It] allows us to segment the frequency spectrum and assign these segments to specific drivers, and allows those drivers to apply their strengths to that area. But it doesn’t end there, using a combination of precision engineered driver housings and shell geometry, coupled with custom damping values we are able to physically shape the tuning and response of the drivers, and further, their interaction with one another. This driver-to-driver interaction is crucial to eliminating points of potential phase cancellation.
The earbuds use an unusual dual-bore design that optimizes airflow for enhanced bass response and soundstage imaging, according to the company.
In addition to impressive acoustic capabilities, the buds incorporate a lightweight-but-durable aluminum alloy housing. And they’re designed to fit comfortably and securely for as many listeners as possible (definitely try before you buy if you can!)
Fathom earbuds come equipped with a detachable cable featuring Beryllium copper LEMO connectors for easy cable replacement and maintenance.
Other Campfire Audio options on Amazon, including wireless earbuds
These wireless earbuds offer 5Hz–20kHz frequency response, dual high-quality built-in microphones, Bluetooth 5.2 connectivity with Bluetooth LE support (codecs: SBC, AAC, AptX), USB-C wired or Qi-compatible wireless charging in the case and IXP5 water resistance.
Campfire Audio makes some of the best wired headphones in the business (I still can’t decide whether I ultimately prefer the Campfire Audio Solaris Stellar Horizon or the Trifecta; each shines sonically for very different reasons). However, the company’s newest Fathom features a very different driver configuration again, to promise a “detailed presentation with just the right touch of mid-band warmth”.
As we’ve come to expect from Campfire, Fathom headphones are encased in an angular but ergonomic machined aluminum body, anodized this time in a black dip. The highlight here is those little Rainbow PVD fastening halos, which seem to throw subtle rainbows of light against the deep black of the shell.
Looks aside, audiophiles want what’s under the hood and Campfire’s been cooking up a new configuration, namelysix (yes, six) custom-made balanced armature drivers. The setup includes dual custom high-definition “super tweeters” for handling the highs; a pair of custom mid-range drivers for vocals and instruments and dual custom BA woofers to hold down those juicy bass frequencies.
All of this engineering doesn’t come cheap, as they’re priced at a very premium $1,049 / £1,049 (which is around AU$2,012).
‘Sound true to the original recording’ is actually a pretty wild idea for Campfire Audio – but it’s a good one
As mentioned above, I adore select Campfire Audio offerings. Aside from the sound quality, I enjoy it when a company moves to the beat of its own drum. Campfire is proudly based in Portland, Oregon (a city known for its friendly, artsy outlook and “Keep Portland Weird” bumper stickers) and CA often seemingly likes to play with its sound signatures to offer a novel recipe. It’s always a talented sound, it’s just… different across its oeuvre,in terms of the fine-tuning of those various driver setups.
The goal of Fathom’s design? “A sound true to the original recording, allowing you to hear your music with clarity and depth.” So, authenticity is the true aim here – not a sonic curve that is novel but appealing, nor a different balance to that which you’re used to in your audiophile listening gear. And I think it’s a wise move. I cannot vouch for the integration of those potentially picky BA drivers yet, but I like the plan.
And it wouldn’t be Campfire Audio if the accessories weren’t on point and here, there’s a folding leather carrying case (hand-made in Portugal, of course) a rainbow PVD carabiner, a total of six ear tips, an earphone cleaning tool and a Campfire Audio lapel pin to enjoy with your music. With Fathom, you also now get two cables – 3.5mm and a balanced 4.4mm termination – in the company’s Time Stream design, featuring eight silver-plated copper conductors in a ribbon configuration.
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Campfire Audio Fathom earbuds are available now, but irrespective of how good they may sound, they won’t be heading into any of our “budget” buying guides any time soon. However, if you’re looking to spend a little rather than a lot and you want to go wireless, be sure to consult our best budget wireless earbuds guide.
