LG has updated its Apple Music app to support Dolby Atmos, making it the first smart TV manufacturer to do so (via FlatpanelsHD).
The change allows users to experience immersive audio that enhances the spatial perception of sound, previously achievable only with external hardware. The feature was confirmed to be operational on the LG GX OLED TV from the 2020 lineup, with expectations that it will work on all LG TVs that are compatible with Dolby Atmos from 2020 onwards.
While the TV’s built-in speakers can utilize this new capability, LG suggests that the best audio experience is achieved with a compatible surround sound system, which can take advantage of the Dolby Atmos technology more effectively.
The update to the Apple Music app on LG TVs circumvents the necessity for additional Apple hardware. Before this update, Apple Music’s Dolby Atmos support was available on TVs singularly through the Apple TV 4K, paired with either Apple’s HomePods or Sonos speakers connected through the Sonos app. Other smart TV manufacturers are likely to follow suit and add support for Dolby Atmos in their own Apple Music apps.
In his Power On newsletter today, Bloomberg’s Mark Gurman outlined some of the new products he expects Apple to announce at its “Let Loose” event on May 7. Subscribe to the MacRumors YouTube channel for more videos. First, Gurman now believes there is a “strong possibility” that the upcoming iPad Pro models will be equipped with Apple’s next-generation M4 chip, rather than the M3 chip that…
Bloomberg’s Mark Gurman today said that iOS 18 will “overhaul” many of Apple’s built-in apps, including Notes, Mail, Photos, and Fitness. Gurman did not reveal any specific new features planned for these apps. It was previously rumored that the Notes app will gain support for displaying more math equations, and a built-in option to record voice memos, but this is the first time we have…
Apple’s upcoming iPad Pro models will feature “by far the best OLED tablet panels on the market,” according to Display Supply Chain Consultants. Set to be announced on May 7, the OLED iPad Pro models will feature LTPO (a more power efficient form of OLED), a 120Hz ProMotion refresh rate, and a tandem stack and glass thinning that will bring “ultra-thin and light displays” that support high…
Apple has announced it will be holding a special event on Tuesday, May 7 at 7 a.m. Pacific Time (10 a.m. Eastern Time), with a live stream to be available on Apple.com and on YouTube as usual. The event invitation has a tagline of “Let Loose” and shows an artistic render of an Apple Pencil, suggesting that iPads will be a focus of the event. Subscribe to the MacRumors YouTube channel for more …
Apple is set to unveil iOS 18 during its WWDC keynote on June 10, so the software update is a little over six weeks away from being announced. Below, we recap rumored features and changes planned for the iPhone with iOS 18. iOS 18 will reportedly be the “biggest” update in the iPhone’s history, with new ChatGPT-inspired generative AI features, a more customizable Home Screen, and much more….
New iPads are coming, and Apple is holding a virtual event to introduce them! While it appears likely to be a relatively short video event, we should be seeing new iPad Pro and iPad Air models, some new accessories, and perhaps some additional surprises. Other Apple news and rumors this week included word that Apple is FINALLY planning to introduce a native Calculator app for the iPad later…
Movie sound production is a complex and painstaking process, requiring multiple teams of individuals with special skills to create and mix the dialogue, music, and sound effects that comprise a typical Dolby Atmos movie soundtrack.
How do I know this? I spent two days touring the Sony Pictures Studios lot in Culver City, California where Sony produces the soundtracks for its films. The reason I was at the studio was to see the new Sony TV lineup for 2024, along with the new Sony Dolby Atmos soundbars, but Sony also provided me and other tech writers with a behind-the-scenes look at the studio’s production processes.
During the visit, we were treated to demonstrations of Foley effects, ADR (Automated Dialogue Replacement) and soundtrack mixing. These, along with musical score composition, are the building blocks of soundtrack creation, and when executed well, add up to the detailed and dramatic soundscapes that can be fully appreciated when watching movies on the best Dolby Atmos soundbars and speakers.
A key takeaway from my visit was that movie soundtracks contain only fragments of “live” sound captured during the actual shooting process. Most of the soundtrack is created completely from scratch in the studio, with dialogue, footsteps, rustling leaves and wind, motor sounds, and explosions added after the fact. Another takeaway was that a typical soundtrack is comprised of a surprisingly wide array of audio elements, all of which ultimately get mixed into a seamless whole. I’ll step through the various processes I caught demonstrations of below.
Image 1 of 4
An antique tool used to create horse hoofbeat sounds(Image credit: Future)
Sony Pictures Foley artist Gary Hecker at work(Image credit: Future)
A closet used to store Foley artist tools of the trade(Image credit: Future)
More tools of the trade(Image credit: Future)
Foley effects
Before my Sony Pictures Studio tour, I thought many of the sounds you hear in modern movies were sourced from a library of digital audio samples. And while there is some of that going on, the vast majority of sounds are created by a Foley artist.
These sound magicians summon up an array of audio effects using plain, everyday objects in highly creative ways and maintain a vast library of said objects to aid them in that task. During the demo, Sony Studios Foley artist Gary Hecker performed the various sounds that went into a Western movie scene of a band of horses being driven through a forest. Hoofbeat sounds were created using what looked like an antique tool pounded on a dirt-covered surface, while other objects were used to generate rustling leaves and jostling spurs. Hecker created the whinnying sounds the horses made when halted with his own voice, and the effect was strikingly naturalistic.
After watching the scene’s various effects created one by one, they were edited together with sound processing added to make them louder and more dynamic, and the result was an authentic-sounding movie action scene. In another demo, the sound of Spider-Man shooting webs to leap from building to building was quickly created using a whip, and, after a bit of processing, the effect was convincingly Spider-Man-like.
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ADR
When an actor signs on to make a movie, part of the work involves the actual shooting of scenes, but another equally important part is overdubbing dialogue later in a process called ADR. As with other soundtrack elements, a scene’s dialogue is almost completely re-constructed in a studio to ensure it sounds clear and easy to understand. While no actors were on hand for Sony’s ADR demo, we got to see a studio where ADR is edited and hear examples of dialogue recorded post-shoot being inserted into a scene.
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The Spider-Man: No Way Home Dolby Atmos soundtrack mixing demo begins(Image credit: Sony Pictures Studios)
The sound mixer preparing to play Dolby Atmos height effects in isolation(Image credit: Future)
The overhead Dolby Atmos height speakers in the Japanese garden-themed soundtrack mixing studio(Image credit: Future)
Soundtrack mixing
After all the sound effects creation, ADR, and music scoring work is complete, the soundtrack is ready to be mixed. The large room – a space with Japanese garden-themed decor – where Sony’s soundtrack mixing demo took place was one of 14 mixing rooms at the studio, and was a medium-sized mixing room according to Sony. Even so, it had a total of 38 speakers for mixing soundtracks in Dolby Atmos. (We were told during the demo that all soundtracks are also later mixed in a smaller home theater-type space for an Atmos home video release.)
Using the Spider-Man: No Way Home (2021) soundtrack for the demo, Sony sound mixer Jeff Gross played the multiple tracks in the mix individually so we could hear them in isolation. The demo also alternated between a full soundtrack mix and just the Dolby Atmos height effects, allowing us to hear how much Atmos effects contribute to a soundtrack. Short version: a lot. Coming away from the experience, I had a renewed appreciation for immersive soundtrack formats like Dolby Atmos, and of the importance of reproducing Atmos soundtracks adequately at home.
It’s not every day you get to wander around a legendary Hollywood studio and watch people at work making movies. I may have been there to check out the new Sony TVs and soundbars, but I also got to experience movie soundtrack production, which is a more magical, intense, and involved process than I ever imagined.
Sony didn’t announce any new home theater audio gear at CES, so it was only a matter of time before the company would reveal its latest soundbars and speakers. Today, the company unveiled its new Bravia Theater line, a moniker that the company’s soundbars and living room speakers will carry for the foreseeable future. Sony is ditching the HT-XXXX naming scheme, which should be less confusing for all parties. For the initial offering, the company has two new Dolby Atmos soundbars, a four-speaker surround system and a wearable neckband speaker.
At the top of the list sits the Bravia Theater Bar 9. This is Sony’s new flagship soundbar, but the company says it’s 36-percent smaller than the former premium model, the HT-A7000. Inside, a 13-speaker setup includes three tweeters, four woofers, two beam tweeters, two up-firing and two side-firing drivers. The slightly smaller Bravia Theater Bar 8 houses 11 total speakers, lacking the the two beam tweeters from the Bar 9. Sony says the Bar 8 is 30-percent smaller than the unit it replaces, the HT-A5000.
Both soundbars feature very similar spec sheets, including support for Dolby Atmos, DTS:X, 360 Reality Audio and Hi-Res audio content. The pair will also gain IMAX Enhanced capabilities with a pending update, but that feature will require additional wireless rear speakers and a subwoofer. Connectivity is the same on both models with one HDMI input and one HDMI output (eARC). HDMI 2.1 is supported, so you can expect 4K/120 passthrough and all the other perks that standard affords.
Sony Bravia Theater Bar 8 (Sony)
There’s also a host of Sony-specific features on both soundbars. That list includes Sound Field Optimization for room calibration and 360 Spatial Sound that places virtual speakers around a space for more immersive audio via virtualization. Acoustic Center Sync combines the speakers of a Bravia TV with either of these soundbars for a more realistic cinema experience where it sounds like the audio is coming directly from the screen. The soundbars also support Voice Zoom 3 from Sony’s Bravia TVs, a tool that uses AI to recognize human voices and amplifies them so it’s always heard clearly.
The Bravia Theater Bar 9 and Bravia Theater Bar 8 are compatible with Sony’s current rear satellite speakers and subwoofers. Those include the SA-RS5 and SA-RS3S speakers and the SA-SW5 and SA-SW3 subs. Unfortunately, there’s no bundle option, so on top of a $1,400 (Bar 9) or a $1,000 (Bar 8) soundbar, you’ll have to shell out hundreds more for a better setup. At the very least, you’ll want a subwoofer, which will currently cost you either $350 (SW3) or $620 (SW5).
Sony Bravia Theater Quad (Sony)
And then there’s the Bravia Theater Quad. This four-speaker set replaces the HT-A9 that Sony introduced in 2021. Instead of four cylindrical units, the company opted for flat, square designs this time, which will allow you to mount them on a wall more easily. Like the A9, there’s a separate box that holds all of the necessary connections. You’ll get HDMI 2.1 here too, with one input and one output (eARC).
Inside of each speaker, there are four drivers: one tweeter, one mid-range, one woofer and one up-firing unit. That’s a total of 16 across the set, and Sony says you can add on either the SW3 or the SW5 subwoofer for more low-end thump. The Sony-developed features from the new Bravia Theater Bars are here as well, including 360 Spatial Sound, Sound Field Optimization, Acoustic Center Sync and Voice Zoom 3. Dolby Atmos, DTS:X, 360 Reality Audio and Hi-Res tunes are in the mix too, and IMAX Enhanced will arrive later via an update (you’ll need a sub to use it). The Bravia Theater Quad is the priciest of the bunch, setting you back $2,500 for the initial set without a bundled subwoofer.
Lastly, Sony has a new neckband speaker for “open-air yet personal listening.” The Bravia Theater U ($300) supports Dolby Atmos when paired with a compatible Bravia TV. Two of the company’s X-balanced speakers power the device, which supports 360 Reality Audio on its own. There’s also 12-hour battery life, multipoint Bluetooth and a built-in mic for calls.
Sony says the Bravia Theater Bar 9 and Bar 8 will be available for preorder this spring from Amazon and other retailers. Ditto for the Bravia Theater U. The Bravia Theater Quad is available for preorder now.
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The Jabra Elite 10 is the Danish brand’s flagship premium wireless earbuds. They’re its most expensive pair of headphones to date, borrowing smarts from the company’s headset and hearing aid businesses to help it deliver incredibly clear call quality and effective Active Noise Cancellation.
As its most advanced pair of buds yet, the Elite 10s pack in a lot of premium features, like Dolby Atmos with head tracking and multipoint pairing, in a unique new oval design that sits on the outside of your ears, making them incredibly comfortable – even when wearing them for long periods.
But being a premium pair of buds means that the Elite 10 has a lot of competition among the best wireless earbuds. When compared to rivals like Sony‘s, Bose’s or Apple‘s top earbud offerings, it falls short of being the absolute best for sound quality. That said, it’s priced slightly less than its closest competitors so if you want comfortable spatial audio while on the go and are not bothered by best-in-class ANC and hi-res audio quality, the Elite 10 could be a great alternative.
Jabra Elite 10 review: Price and release date
(Image credit: Future)
Announced on August 31, 2023
Became available to buy in September 2023
Priced at $249 / £229 / AU$379
Jabra first announced the Elite 10 back in August 2023 alongside a more fitness-focused model called the Jabra Elite 8 Active, which sells for $199 / £199 / AU$329. As its flagship earbuds, the Elite 10 costs more than its sporty offering at $249 in the US, £229 in the UK and AU$379 in Australia. This means it’s also more expensive than its predecessor’s, the Elite 7 Pro, launch price of $199 / £199 / AU$299.
The jump in cost means the Elite 10s are going head-to-head with the biggest players, but they undercut the competition in the premium market on price. They’re less than both Sony’s WF-1000XM5 ($299 / £259 / AU$499) and the Technics EAH-AZ80 ($299 / £259 / AU$499) that launched at the end of 2023. And they are squarely in line with two premium releases from 2022: Apple’s AirPods Pro 2 and the Bose QuietComfort Earbuds 2, which cost $249 / £229 / AU$399 and $199 / £199 / AU$299, respectively, at the time of writing.
Jabra Elite 10 review: Specs
(Image credit: Future)
Swipe to scroll horizontally
Drivers
10mm dynamic driver
Battery life
Up to 21 hours
Weight
5.7g each bud
Waterproofing
IP57
Codecs
AAC; SBC
Connectivity
Bluetooth 5.3
Jabra Elite 10 review: Features
(Image credit: Future)
Immersive Dolby Atmos with head tracking
ANC is decent but not best-in-class
Crystal clear call quality
Since launching its first pair of wireless earbuds in 2016, the Elite Sport, Jabra has released seven generations of buds, and the Elite 10 is its most advanced yet. It’s the step-up from the Elite 7 Pro, which had targeted the lower to mid-range market but still had premium features like ANC, adjustable EQ settings, an IP57 rating and wireless charging. The Elite 10 builds upon all of its predecessor’s features, and Jabra has a few more tricks up its sleeve to make sure it can hold its own among the market’s premium offerings.
The newest feature to be included in the buds is also a first for Jabra earbuds: support for Dolby Atmos with head tracking. This makes the buds have a wider soundstage when turned on and listening to Atmos content that’s like hearing each instrument in a track as if they’re placed all around you. When head tracking is turned on, this virtual soundstage moves with you but I found this to have a slight delay when you readjusted your head to a new position. I found it worked better when watching a show or movie rather than listening to music. Conveniently, you can toggle both spatial audio and head tracking on and off in the Jabra Sound+ app as well as adjust the HearThrough mode, Advanced ANC, EQ settings and more.
Outside of the app, you can also control the Jabra Elite 10 by pressing the buttons on the buds themselves. Pressing the surface of the left bud will rotate through HearThrough and ANC, while pressing the right can pause and play a song (you can switch to different variations of this in the app). Tapping the right bud twice skips tracks, while holding down either button increases (right) and decreases (left) the volume. Holding down both at the same time also activates pairing mode.
As for other features, there’s also in-ear detection, automatic muting settings, Bluetooth Multipoint pairing for listening to two devices at the same time, voice assistant support that lets you control your buds with voice commands and FindMy for when you’ve misplaced them. And while the Elite 10’s six hours of battery life (21 hours with the case) does outlast Bose’s QuietComfort Ultra Earbuds, it’s beat by Sony’s WF-1000XM5s.
One of the biggest standout features for me is the Elite 10’s exceptionally clear call quality, especially while out and about, and that’s down to the six mics inside them. Jabra says that the external mics are active all the time, while the internal mics activate when wind is detected. The extra mics make the Elite 10’s call quality far better than the AirPods Pro 2, which only has two mics. Jabra’s Advanced ANC is also on by default during calls to help cancel out unwanted background noises, which is a feature that was improved on in a March 26 software update (Jabra claims that the update helps cancel background noises twice as easily). There’s also an adjustable sidetone setting so you can hear your voice more, which is not something we see a lot of.
Just like Apple’s Adaptive Noise Control, Jabra’s Advanced ANC uses scanning tech and noise leakage detection to automatically adjust the ANC to your surroundings. It’s the brand’s most advanced ANC mode, and is claimed to deliver two times more noise cancellation than its standard ANC. And it does work, cancelling out the screeching banshees along the Northern Line of the London Underground. However, compared to the Sony WF-1000XM5 and Bose QuietComfort Ultra Earbuds, it doesn’t quite match up.
Features score: 4 / 5
Jabra Elite 10 review: Sound quality
(Image credit: Future)
A balanced listen, with some minor adjustments
No hi-res support (only AAC and SBC)
Immersive Dolby Atmos tracks
There’s a strong confidence to the Jabra Elite 10’s sound performance. If I were to summarize it in one word, I’d say it was effectively balanced. From the trebles to the mid-range and through to bass, the sound is tonally steady when streaming via Apple Music on a FiiO M11S (keep in mind there’s only support for AAC and SBC).
But when listening with a keener ear to a more bass-heavy track like Black Eye by Allie X, there was a lack of oomph that I’m used to hearing. This was easily improved upon by adjusting the EQ settings but for an out of box listen, the Elite 10 wasn’t completely ready to go. I found this again when testing the bud’s treble. Again, tracks like Rains Again by Solji benefited from a slight EQ adjustment to really come alive for me personally.
As a whole, I’d say the earbud’s audio quality is still generally great, it’s just not exceptional, especially when compared to the likes of the AirPods Pro 2, which offers a more dynamic listen. Even with smaller drivers, the Sony WF-1000XM5 can deliver an “agile, meaty and fun listen” that’s packed with enthusiasm. If you’re an audiophile looking for flawless hi-res sound quality, I’d recommend looking to its rivals for a more detailed listen.
Sound quality score: 3.5 / 5
Jabra Elite 10 review: Design
(Image credit: Future)
Proprietary ‘ComfortFit’ technology
Ergonomic, uniquely designed earpieces
Jabra found during the research and development of its latest earbuds range – the Elite 10 and Elite 8 Active – that comfort was the most valued feature by most people. A survey conducted by the company saw 47% of participants valued comfort over all else, with sound quality and battery life coming next. For this reason, Jabra has developed what it calls ‘ComfortFit’ technology, which is a new type of unique oval-shaped design.
Jabra calls it “EarGels” and the best way I can describe the semi-open fit is that instead of sitting completely inside your ear canals – like the in-ear monitors in our best wired headphones guide – the buds sit in the outside of your ear, snugged up inside the middle part of your ear. Jabra says it scanned 62,000 ears to get the unique shape and the results are effective, as they’re some of the comfiest earbuds I’ve worn to date (the silicon is softer than the plastic used in the AirPods Pro 2).
The design of the buds’ earpieces is similar to that of the Sony WF-1000XM5, which we’ve found to fit most people – and the same is true for the Elite 10s. The only time I briefly had trouble with the fit was while out, when I could feel them coming loose from walking around and moving my head, but a quick readjust made them feel secure again.
Aside from the unique oval shaped buds, the Elite 10s have a simple design that you can personalize by choosing from one of five different colors, including cocoa, cream, black, matte black and titanium black. The case is slightly bulkier than the likes of the AirPods Pro 2 but this is quickly outweighed by the softer materials used for the buds. The Elite 10s also don’t have poky stems that dig into the bottom of your ear, making them a lot more comfortable to wear for longer periods of time.
Design score: 5 / 5
Jabra Elite 10 review: Value
(Image credit: Future)
Cheaper than premium rivals
ANC and sound quality can be beaten
There are trade-offs when it comes to earbuds. If you want ANC, don’t expect flawless sound quality. If you want a portable earbud design, then they’re not going to be as comfortable as a pair of over-ear headphones. And so it goes without the Elite 10.
The ANC is by no means the best in the business (instead we’d recommend looking at the Bose QuietComfort Ultra Earbuds) but the comfort is the best I’ve experienced in a while and the call quality was far better than the AirPods Pro 2 I tested them against. The sound performance is also not going to beat the Technics EAH-AZ80 but if you value other features like spatial audio and a good control app more highly, the Jabra Elite 10 offers a great middle ground.
Value score: 4 / 5
Should I buy the Jabra Elite 10?
(Image credit: Future)
Swipe to scroll horizontally
Attributes
Notes
Score
Features
Wide-ranging premium features that work and give more all-round control.
4/5
Sound quality
A sonically balanced performance but it’s not best-in-class.
3.5/5
Design
A unique oval design that allows for a supremely comfortable fit.
5/5
Value
Undercuts the current leaders in the premium earbuds market.
4/5
Buy it if…
Don’t buy it if…
Jabra Elite 10 review: Also consider
Swipe to scroll horizontally
Header Cell – Column 0
Jabra Elite 10
AirPods Pro 2
Sony WF-1000XM5
Price
$249 / £229 / AU$379
$249 / £229 / AU$399
$299 / £259 / AU$499
Drivers
10mm dynamic drivers
11mm dynamic drivers
8.4mm dynamic drivers
Active Noise Cancellation
Yes
Yes
Yes
Battery life
Up to 27 hours with case
Up to 30 hours with case
Up to 24 hours with case
Weight
5.7g each bud
5.3g each bud
4.2g each bud
Waterproofing
IP57
IP54
IPX4
Codecs
AAC; SBC
AAC; SBC
SBC; AAC; LDAC; LC3
Connectivity
Bluetooth 5.3
Bluetooth 5.3
Bluetooth 5.3
How I tested the Jabra Elite 10
(Image credit: Future)
Tested for more than two weeks and compared to AirPods Pro 2
Streamed music from Apple Music, Spotify and Deezer
iPhone 13, MacBook Pro and FiiO M11S as source players
I tested the Jabra Elite 10s for more than two weeks, during which time I alternated between connecting them to my phone, laptop and a digital audio player. I used them mostly at home to listen to music, make phone calls and watch the odd show, but also took them out with me while commuting to test the ANC.
To test the sound quality, I listened to a playlist that we test earbuds with at TechRadar. I did this with both the ANC on and off. In addition to music, I also listened to podcasts and watched a YouTube video to see how the audio quality compared between sources.
To keep my overall judgement of the earbuds fair, I also conducted a blind listening test, comparing them to the AirPods Pro 2 while streaming music via two iPhones on Apple Music and Spotify simultaneously.
In 2024, Samsung is introducing its first OLED TVs smaller than 55-inches, as part of the Samsung S90D model range. These 42-inch (US only) and 48-inch (US & UK) TVs won’t use the bright QD-OLED panel type that earned the Samsung S90C our TV of the Year Award for 2023, but instead will use the same kind of OLED panel you’ll find in LG’s OLEDs. And as with all Samsung TVs, these models will lack Dolby Vision HDR, which is a real concern for us, because Dolby Vision’s biggest advantage is making HDR look great on less bright screens.
After spending some time the 48-inch Samsung S90D, I needn’t have worried. Not only do its images feel bright and rich, the screen seems to be able to handle challenging HDR scenes well, and even offers impressive sound. Given the other impressive specs on offer as well, it looks like it could be an extremely strong challenger to the best 48-inch TVs.
I was able to test the 48-inch S90D armed with my own own choice of movies, plus the Spears & Munsill test disc that we can’t live without when testing TVs. Throwing on Alien, I could immediately see that the TV has a lot of talent with nuance in dark scenes. As Kane descends into the threatening bowels of the alien spaceship, the parts that should be truly inky black hit that mark (as you’d expect from an OLED), but you can subtle, very dark texture in the areas near the light patches.
And speaking of the light patches, the 48-inch S90D certainly felt bright enough to deliver high-quality HDR. Typically, 42- and 48-inch OLEDs are always less bright than 55-inch and larger OLEDs, due the tight fit of the pixels – but we’ve already heard that the smaller models in this year’s LG C4 OLED TV will be brighter than previous years, and given that the Samsung uses the same screen, I’m guessing this is similarly bright.
It’s rich in color with big, bold tones – but the colors also feel controlled and realistic. Vibrant and punchy, but comfortably on the right side of natural – skin tones in Oppenheimer looked true-to-life, and the level of detail did justice to that 70mm original film.
(Image credit: Future)
No Dolby Vision, no problem?
I really worried about the lack of Dolby Vision on this TVs, but I threw some especially challenging HDR video at it to try to show its flaws, and it borderline made a fool of me.
First, some background on why Dolby Vision is important, and what I was worrying about in the first place. When films are mastered for release, the look is perfected for a particular brightness. This can be as high as 10,000 nits, though 1,000 nits is the most common for home video release. What this means is that if you have a video mastered for 1,000 nits playing on a screen capable of 1,000 nits of brightness, you’ll see the video’s HDR as was intended.
(Image credit: Future)
So what happens if you play a video mastered for 1,000 nits on TV with a maximum brightness of around 700 nits (which is probably roughly what we’re talking for this Samsung)? The full HDR range has to be compressed into a smaller HDR range, and this process is called ‘tone mapping’.
Tone mapping can be done smartly, or dumbly. The dumb version would be to just take everything above a certain HDR level and squish it all down to the maximum of what the TV can handle. This results in lots of lost nuance in highlights – so, for example, what should be a fluffy, layered cloud becomes just a big smear of uniform white.
The smart approach is adjust down the brightness of tones across the whole range, but it’s easy to get this wrong and end up with lost detail in dark tones, or to still lose convincing highlights. The most advanced processing in the best TVs can actually adjust tone mapping on different parts of the screen at the same time, to avoid these problems.
A huge advantage of Dolby Vision, HDR10+ (which the Samsung S90D supports, but is less commonly used) and HDR formats is that they include tone mapping data, to ensure results closer to the original intention. That’s why we’ve always considered it so important to have Dolby Vision on the best OLED TVs – because most models still struggle to hit 1,000 nits of brightness, so they’ll need to perform tone mapping with more HDR content.
(Image credit: Future)
Which is a lot of build-up for me to say: from my experience so far, the tone mapping on the S90D appears to be so good, Dolby Vision is unnecessary. I tested it with the same video being shown in 10,000-nit HDR10 (which requires aggressive tone mapping), 1,000-nit HDR10 (which requires more gentle tone mapping), and 10,000-nit HDR10+ (where the tone mapping is handled by the HDR format for best results).
The difference between all three was minimal. Not quite zero – the 10,000-nit HDR10 video did has slightly more washed out white tones in difficult circumstances (like the clouds example above, or snowy scenes) – but close enough to quell my concerns about this aspect of the TVs.
Obviously, we’ll reserve final judgment until we can get this model in for an in-depth review, and ideally we’ll compare it directly with the Dolby Vision-supporting LG C4 at the same size, since they use the same underlying screen tech. But for me, the lack of Dolby Vision doesn’t seem to be an issue at all.
It all sounds good
I was also impressed with the sound of the TV. It doesn’t have a fancy array of speakers around the edge, in the way that the larger S90D models, or the Samsung S95D and Samsung QN90D, do – but I found it to be capable of impressive height, solid chest-out depth, and a surprising dynamic range with the ‘Amplify’ mode turned on, while still feeling fairly natural. It didn’t have a ton of width, but that’s forgivable. It certainly felt like you could get away without a soundbar from my first listen.
(Image credit: Future)
Other useful info to know about the Samsung S90D includes that it has a 144Hz screen, with support for 4K 120Hz or 144Hz gaming on all four HDMI ports, as well as variable refresh rate and auto low latency mode. It has Samsung’s Game Bar menu to make it easy to customizing the settings, too – it will likely be a strong contender for our list of the best gaming TVs.
Samsung’s new processor is included, and it supports a wireless connection to certain Samsung Dolby Atmos soundbars, and includes Samsung Q-Symphony support to combine its speakers with the soundbar’s, if you do choose to add one.
We don’t have prices yet – it appears that this size is launching a little after the larger models in the range. But I’m looking forward to spending more time with it.
If you’re looking to improve the sound on your TV, one of the easiest ways is to add one of the best soundbars.
These days, soundbars include more features than ever before. One of the most popular is Dolby Atmos. Some soundbars, such as the Samsung HW-Q990C, have evolved from a simple bar to an entire wireless surround sound package, creating a fully immersive experience without a complicated setup.
However, some of us don’t have the space for these mammoth soundbar systems and instead require a smaller, all-in-one package. But, do you have to sacrifice Dolby Atmos sound to save on space?
Thankfully, the answer is no. Some of the best Dolby Atmos soundbars are standalone bars compact enough to suit most living situations. Below, I’ve listed three soundbars that compromise on space, but not sound.
As a bonus, these Dolby Atmos soundbars are budget-friendly – meaning you can expect to pay under $500 / £500. There are cheaper soundbar options, but you’re not likely to get Dolby Atmos (and if you are, it won’t be at its most effective) with those models.
Sony HT-S2000
(Image credit: Future)
The Sony HT-S2000 is the most budget-friendly soundbar in this list, as we’ve seen prices fall to $349 / £299, but that doesn’t mean it’s a slouch when it comes to performance. Across the board, the HT-S2000 utilizes Sony’s design prowess to get the best from a budget bar.
At 31.5 x 2.5 x 5.25 inches (800 X 64 X 124 mm), the HT-S2000 is a compact soundbar, but during our tests, we found it delivered clear and refined dialogue and spacious sound. Despite a lack of upward-firing speakers, the HT-S2000 worked wonders with Dolby Atmos and DTS:X soundtracks, harnessing some excellent processing to create a solid virtual surround sound.
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The HT-S2000 is a little limited in features – there’s no built-in Wi-Fi, which means wireless music streaming is limited to Bluetooth quality. But it’s an easy-to-use, simple-to-setup soundbar that will suit anyone looking to boost their TV’s built-in sound.
Sonos Beam (Gen 2)
(Image credit: Future)
Sonos doesn’t just make some of the best wireless speakers, it also has an accomplished soundbar range, led by the Sonos Arc. However, this large, more premium soundbar won’t suit everyone. Thankfully, its more compact and affordable sibling, the Sonos Beam (Gen 2), doesn’t lack for performance.
It may be small in stature, sitting at 25.6 x 2.7 x 3.9 inches (651 x 69 x 100mm), but the Beam (Gen 2) delivers room-filling sound thanks to its wide soundstage. It is Dolby Atmos compatible and although its handling of Atmos wasn’t quite as impressive as other Atmos soundbars during our test, it still delivers an excellent sense of height and surround for a compact soundbar with no upward-firing speakers.
Music playback is where the Beam (Gen 2) really shines. It offers hi-res audio compatibility and Wi-Fi streaming, which, combined with the Beam’s overall sonic performance, yields a clean, punchy, well-controlled sound. You can expect to pay $499 / £499 / AU$799 for the Beam (Gen 2), but come holiday sales season, the Beam is almost always on offer for less.
Bose Smart Soundbar 600
(Image credit: Future)
An alternative to the Sonos Beam (Gen 2), the Bose Smart Soundbar 600 is priced the same ($499 / £499 / AU$799) and is subject to similar seasonal discounts as that model. It’s even a strikingly similar size, clocking in at 25.5 x 2.2 x 4 inches (649 x 56 x 104mm). However, the Bose 600 offers one thing the other two soundbars on this list don’t: upward-firing speakers.
As a result, the Bose 600 presents Dolby Atmos soundtracks with a real sense of atmosphere and immersion – or as we said in our review “easily scaling up to match the onscreen action, and also extending above and beyond it”. The Bose 600 has excellent dialogue clarity as well.
It’s not all perfect with Bose’s soundbar, as it does lack bass, but it does what it can with the size it’s given. The Bose 600’s design is another strong point, with a sturdy metal enclosure that feels like it’s built to last. It also comes with built-in Wi-Fi for music streaming and, of the three soundbars listed here, will arguably give you the best Dolby Atmos presentation.
The XGIMI Horizon Ultra proves that projector technology is now so good that you really don’t need to spend the earth in order to get a fantastic viewing experience. While the 4K long-throw projector might be pretty pricey, in projector terms it’s a steal at $1,699 / £1,749 / AU$3,499.
Despite the lack of native Netflix support that plagues all smart projectors, the XGIMI Horizon Ultra is a fantastic projector that punches well above its weight in terms of picture quality. It has a plethora of ports, onboard Dolby audio and image adaptation technology that makes it a breeze to use. 4K images are incredibly sharp and crisp, and the colors are vibrant and accurate. The blacks are deep and HDR performance brilliant, with great brightness even in well-lit conditions.
This small, functional package is portable and stylish and would suit any home as a portable or stationary projector for fun, entertaining, and serious content consumption. It’s the world’s first long-throw projector with Dolby Vision support, and also a great companion to devices like the Apple TV 4K.
In gaming mode, it can even be used for casual console play, although it’ll be limited to 60Hz and pros will find the 18ms latency intolerable. Considering the best 4K projectors usually cost north of $3–4,000 / £3-4,000 / AU$4–5,000, the XGIMI Horizon Ultra is a serious bit of kit and a very solid upgrade to the Horizon Pro.
XGIMI Horizon Ultra 4K review: Price and release date
(Image credit: Future)
Release date: August 2023
Price: $1,699 / £1,749 / AU$3,499
The XGIMI Horizon Ultra was released on August 31, 2023. It’s available in the US, the UK and Australia for £1,749 / $1,699 / AU$3,499, respectively, directly from XGIMI’s website, which also serves a couple of other territories including Canada. It’s available at the same price from Amazon, although buying it from XGIMI directly gets you a free XGIMI 4K streaming stick (not tested here) included.
XGIMI Horizon Ultra 4K review: Specs
Swipe to scroll horizontally
Screen sizes supported:
40 – 200 inches
Brightness (specified):
2300 ISO Lumens
HDR support:
HDR10, HLG, Dolby Vision
Optical technology:
Dual Light (LED+Laser)
Smart TV:
Android TV 11
Connections:
2 x HDMI (1 with eARC), USB x 2, 3.5mm, Optical
Dimensions:
(H x W x D) :265 x 224 x 170mm
Weight:
5.2kg (11.4 pounds)
XGIMI Horizon Ultra 4K review: Design and Features
(Image credit: Future)
Very elegant and unique styling
Strong selection of ports
Intelligent Screen Adaption for ease of use
Out of the box, the XGIMI Horizon Ultra really catches the eye in terms of styling. Compared to its predecessor, the Horizon Pro – a rather uninspiring black box – the flow cover facade and the cream PU leather exterior really make the Ultra stand out. That’s less alluring if you want a projector to be subtle and out-of-sight, but otherwise, the Ultra won’t look out of place perched on any coffee table, stand, shelf, or anywhere else for that matter. Both materials feel premium to the touch, if a little liable to scuffing. As a long-throw projector, there’s a good chance you’ll have it on display, and the Ultra will definitely turn heads for all the right reasons. The Ultra is also pretty tiny, measuring just 26 x 22 x 17cm (H x W x D), meaning it doesn’t take up too much space and can be hidden if you really need it to be. Given that lovely design though, I can’t imagine why you would. It also weighs just 5.2kg (11 pounds), so it’s pretty easy to move around.
The unique design continues with the motorized facade, which moves up and down when you power the projector on (or off), revealing the projector array when in use and hiding it when it’s off. I love this unique touch, as it gives the projector the faintest sense of life and personality. The “Misty Gold” design, as XGIMI refers to it, is very classy and a far cry from the usual dull, grey, soulless boxes that projectors usually manifest themselves as.
One fairly obvious omission that I can see is the lack of legs or any kind of stand. The Ultra sits completely flat on whatever surface it is placed on, with no recourse for angling it or adjusting the height. This is offset somewhat by the excellent keystone correction we’ll come to shortly, but I think it would really benefit from some legs or an adjustable base, just to make positioning it a bit more intuitive. XGIMI is planning to release a stand next year.
Given the price, the UItra has a surprisingly comprehensive array of ports. Notably, two HDMI slots including one that supports eARC. This means you can plug it straight into a soundbar, AVR or my personal favorite, stereo HomePods, for potent sound that matches the visuals. This is a feature home cinema enthusiasts will love, but if you don’t want to fix yourself to a home theater setup, the Ultra also boasts two 12W Harman Kardon speakers. The onboard speakers support DTS-HD and DTS-Studio Sound in the form of DTS-Virtual: X, Dolby Audio, Dolby Digital, and Dolby Digital Plus. In short, it’ll support basically any audio format you could wish for with speakers that can easily fill a room. I was really impressed with these, and their clarity is evident as soon as you switch on the projector. True audiophiles will want to use more expensive audio equipment, but for everybody else, those speakers will be marvelous.
There’s also an optical audio port, 3.5mm headphone port, two USB ports, Bluetooth 5.2, and Wi-Fi 6. The latter is important because the Ultra is a smart projector, so reliable, snappy Wi-Fi is paramount when it comes to surfing for content and streaming it. In my experience, the Wi-Fi speeds have been consistent and good, with no buffering or lag to speak of throughout testing.
(Image credit: Future)
The Ultra boasts a long-throw image size of between 40 and 200 inches, although XGIMI says the “best viewing experience” is enjoyed somewhere between 60 and 120 inches. Any bigger than that, and you might see some drop off in quality. The other caveat, of course, is that you’re going to need quite a large room to get the projector far enough away from your wall or screen, with a throw ratio of 1.2-1.5:1.
The Ultra’s party piece feature is its ISA 3.0 technology. Intelligent Screen Adaption was one of my favorite features of the Horizon Pro, and this iteration brings some cool upgrades. ISA essentially ensures that wherever you place the Ultra, and wherever you point it, the picture is cast as a perfectly oriented rectangle calibrated for the surface. The Auto Keystone process kicks in as soon as you switch it on, or can be triggered manually from the menu. This will automatically adjust the corners of your display to give you the best picture. It can also detect and avoid obstacles like plants or shelves, and its intelligent wall color adaption adjusts the colors accordingly, so you don’t necessarily need a screen to enjoy the best picture. The final ISA feature is eye protection, which disables the picture if an object (such as a child or a pet) is detected in front of the fiery combo of lasers and LEDs, preventing injury. It’s this ISA 3.0 tech that makes the lack of feet and adjustment less of an issue. Autofocus and optical zoom are also present, and when all are set to automatic, you can pick up the projector and move it around at will, getting a perfectly oriented picture every time you place the projector down.
Being a smart projector, the Ultra runs Android TV 11. Getting a 4K projector with Dolby Vision and smart capabilities built-in is quite the package, and the operating system pulls its weight. Personally, I’m fully invested in the Apple ecosystem, so I found some of the OS a bit clunky, but Google users will feel right at home. Overall the interface is snappy, certainly more so than any TV OS, and offers a good variety of content sources including Amazon Prime and YouTube. The glaring omission is Netflix, which the streaming giant doesn’t license for projectors. This means the Ultra isn’t at a disadvantage versus rivals, but most users will probably be pretty miffed to find the world’s most popular streaming service isn’t supported natively on their fancy $1,700 projector. The box comes with a leaflet detailing a workaround, which is fine, but it doesn’t support Dolby Vision content. If you want Netflix in all its HDR glory, you’ll need an extra smart TV stick or an Apple TV 4K plugged into its HDMI socket.
The Ultra comes with a well-built and handy remote that includes voice control, the only thing that’s lacking is a play/pause button.
Design and Features score: 4.5/5
XGIMI Horizon Ultra 4k review: Picture Quality
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(Image credit: Future)
(Image credit: Future)
(Image credit: Future)
Stunning detail
Brilliant colours
Excellent brightness
I’d like to say that the Ultra’s picture quality is impressive for a plug-and-play smart projector that only costs $1,700 (pocket change in projector land), but it’s not. It’s impressive period. I was absolutely blown away by how crisp and clear the 4K viewing experience was. The hybrid dual light really puts a shift in to deliver expansive colors and great brightness. At dusk and with a light on the picture was clearer and more vibrant than our 4K TV, even projected onto a painted wall, rather than a screen.
On paper, the Horizon Ultra puts out 4K video with 2300 ISO Lumens of brightness. It also uses both LED and Laser technology, and the results are pretty astonishing.
Out of the box, you can simply turn on the environment and color adaption settings and let the projector do all the work for you, so how does that perform?
Firing up Amazon’s We are Newcastle United, the Ultra stuns with razer sharp details and true-to-life colors I didn’t think a $1,700 projector could manage. The 2300 ISO lumens brightness should see users through in almost any lighting conditions. Darker content, like the exploding space scenes of Apple’s Foundation, definitely stretches the projector’s lower end of color, but I was viewing during the day with floor-to-ceiling windows and plenty of light. Even then, everything was clear and visible, the daytime brightness working overtime to ensure everything was clearly illuminated.
Disable the automatic color settings and take manual control, however, and the Ultra really starts to shine. Literally. There’s a plethora of modes for different viewing scenarios, including classics like movies and sports, as well as a gaming mode. These all have individual settings for motion blur and HDR. There’s a high-performance mode, but the noise from the fan is oppressively loud. The most interesting one is the “brilliant” setting, which enables awesome performance in daylight. When you whack the brightness up to nine or 10, the Ultra gives off the low-light performance of a TV, with every inch visible even in the darkest scenes. It took me a while to wrap my head around these settings, but once you start making adjustments the results are fantastic.
(Image credit: Future)
In dark rooms and scenes that call upon color, the Ultra delivers absolutely mind-blowing clarity and colors that really pop off the wall. If you want to use it during the day or as a replacement for a TV, simply crank up the settings and watch it shine. Arguably more impressive is the auto brightness which adjusts to changing light conditions. Having completed some testing in daylight, I closed my curtains, expecting to see the color change, but the image remained perfectly static in terms of brightness, adjusting in real-time, which is epic. Lighting is often the downfall of a projector, but the Ultra offers two excellent choices. There are the smart auto-adjusting settings that let you take a back seat at the expense of some performance, or there’s a deep vein of controls that will let you squeeze every lumen of performance from within. Thanks to precise calibration, there’s not a lighting scenario or type of content that will cause the Ultra to stumble.
When it comes to detail, the Ultra uses pixel shifting and XDR technology. In layman’s terms, it pumps out enough pixels for Full HD, then shifts them (four times each frame) to generate a 4K image. The technology is incredible and the results are a flawless 4K image that even purists wouldn’t sniff at. Watching Dune in HDR was like being back at the IMAX cinema where I first saw it. I’m exaggerating slightly, of course, but the viewing experience is leaps and bounds ahead of any 4K TV.
The projector is locked to 60Hz, and viewing some Forza Motorsport gameplay on YouTube, I was impressed by how smooth it was, there was no tearing or any sort of distortion. From a viewing perspective, the Ultra would be perfect for playing games, and there’s even a low-latency mode that reduces input lag to 18ms if you’re mirroring a gaming device like a smartphone.
Picture quality is the crux of any projector worth its salt and I was blown away by the Ultra’s performance. It certainly knocks my old go-to, the Horizon Pro, out of the park, and that was no slouch. My wife and I are in the throes of transforming our entire living room to incorporate the Ultra as our daily media driver in place of our 4K TV, such is our confidence in its performance.
Adding a screen will bring even more to the equation, eliminating any imperfections of a painted wall and giving you the perfect blank canvas to project onto. However, I’d argue that a big draw of the Ultra is that you don’t need a screen to get the best experience.
Picture Quality score: 4.5/5
XGIMI Horizon Ultra 4k review: Value
(Image credit: Future)
Seems like a steal given the picture quality
There are brighter options out there
Styling is a big plus
When you consider our top picks for the best 4K projector on the market, the Horizon Ultra stacks up very well in terms of value. Our four-star favorite, the Epson Pro Cinema LS12000 is an eye-watering $4,999, more than twice the price of the Ultra. It does offer a 120Hz refresh rate, but it’s not that much brighter, offers the same resolution, and has a much smaller projection size of 130 inches. Our number two pick, the BenQ TK700STi is brighter and cheaper, but again falls behind on projection size. What’s more, neither supports Dolby Vision and both look like they were designed by an accountant. The Ultra costs more than the BenQ, which is probably the closest alternative, but a plethora of features such as the Intelligent Screen Adaption suite and the LED + Laser combo definitely sets it apart.
Value score: 4.5/5
Swipe to scroll horizontally
Attributes
Notes
Rating
Design and Features
The unique styling really sets it apart, Intelligent Screen Adaptation is a game-changer. Potent speakers, too.
4.5 / 5
Picture Quality
Immense color and detail, plus excellent performance in all lighting conditions.
4.5 / 5
Value
Well priced in its market and the only long-throw Dolby Vision option, but certainly not the cheapest 4K option.
4.5 / 5
Should you buy the XGIMI Horizon Ultra 4k?
(Image credit: Future)
Buy it if…
Don’t buy it if…
XGIMI Horizon Ultra 4k review: Also consider
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Comparison: 4K projectors
BenQ W1800
Optoma Technology UHD55
BenQ W2710i
Price:
$1,379
$1,799
$1,699
Screen sizes supported:
60-200 inches
300 inches
200 inches
Brightness (specified):
2000 ANSI Lumens
3,600 Lumen
2,200 lumens
HDR support
HDR 10, HLG
HDR10, HLG
HDR10, HDR10+, HLG
Optical technology:
DLP with lamp lighting
DLP with lamp lighting
DLP with lamp lighting
Smart TV:
N/A
Android
Android
Connections:
2x HDMI 2.0
2 x HDMI 2.0
HDMI 2.0 x 3
How I tested the XGIMI Horizon Ultra 4k
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(Image credit: Future)
(Image credit: Future)
Tested at home using a variety of content and different lighting conditions
Used a variety of media sources including Amazon Prime, Apple TV, and more
I have experience with multiple XGIMI projector offerings and wider home theater
I put the XGIMI Horizon Ultra through its paces in my own home. That means it saw lots of different lightning (as much as Scotland allows), including daylight, dusk, and night. I also tried the projector with different levels of ambient lighting, to get the full spectrum of color. Most testing was done against a plain wall, as well as a screen. I tested the projector using a combination of Dolby Vision, HDR, and 4K content. This is the third XGIMI projector I’ve owned, and I’ve been testing home theater, audio, and displays for a number of years.
The Bose Smart 600 soundbar is easily one of the best soundbars we’ve ever tested, giving you Dolby Atmos sound and plenty of wireless streaming options in a compact size, all for an affordable price.
With the arrival of the Amazon Big Spring Sale, the Bose Smart 600 soundbar just got more affordable as it’s on sale for a brilliant $449 (was $499) at Amazon. It’s not just the Bose Smart 600 soundbar either – Amazon is offering larger discounts across a range of Bose products.
In our review of the Bose Smart Soundbar 600, we said “it offers up consistently exciting sound when watching movies and TV”, praising its clear dialogue and wide soundstage that presents Dolby Atmos and surround sound effects well “extending above and beyond” the action on screen.
Movies and TV shows aren’t only where the Bose 600’s strength lies, it’s also an excellent performer with music. With plenty of wireless music streaming support from some of the best music streaming services such as Spotify, Amazon Music and more, we said the “imaging it manages with stereo music is surprisingly wide and precise”.
Overall, the Bose 600 is also a solidly-built, compact bar, measuring 27 x 2 x 4 (inches), that is ideal for those lacking in space but not wanting to lose out on sound.
Introducing the ULTIMEA Thor T60 Triple Laser Projector TV, a groundbreaking product in the realm of home entertainment. This television set stands out in the market with its unique Tri-Color Laser Engine, 4000 ANSI lumens brightness level, and 4K UHD resolution. The ULTIMEA Thor T60 is not just a television; it’s a comprehensive entertainment system providing a high-quality, immersive experience for viewers.
The Thor T60’s Tri-Color Laser Engine sets it apart from other televisions on the market. This advanced technology provides high color purity and excels in color gamut, accuracy, contrast, and brightness. Compared to DLC light machines and single-color laser engines, the Tri-Color Laser Engine offers a superior visual experience.
Early bird incentives are now available for the state-of-the-art project from roughly $3799 or £3059 (depending on current exchange rates), offering a considerable discount of approximately 37% off the standard retail price, while the Kickstarter crowd funding is under way.
4K triple laser projector TV
The Thor T60 boasts a 4000 ANSI lumens brightness level, which enhances the clarity and vibrancy of the images displayed on the screen. This high brightness level, combined with the TV’s 4K UHD resolution, ensures that viewers can enjoy detailed, sharp, and lifelike visuals.
For gaming enthusiasts, the Thor T60 offers a low latency mode. With a delay of only 10-25 ms and an Auto Low Latency Mode (ALLM), the TV automatically switches to low-latency mode when a gaming console is connected. This feature enhances the gaming experience by reducing lag and ensuring smooth gameplay.
ULTIMEA’s RangeMX Technology and AI precision further enhance the Thor T60’s performance. These technologies allow the TV to achieve a 120% BT.2020 color gamut range, resulting in more vibrant and accurate colors. The TV also uses HCTC 3.0 Tech, which provides 30% brighter visuals and a 4000:1 contrast ratio for richer colors and detailed images.
If the ULTIMEA Thor T60 campaign successfully raises its required pledge goal and fullfilment progresses smoothly, worldwide shipping is expected to take place sometime around November 2023. To learn more about the ULTIMEA Thor T60 triple laser projector TV project review the promotional video below.
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The Thor T60 features IDDW technology, which eliminates speckle artifacts in the Tri-Color Laser Engine projection. This technology ensures clear visuals, free from any distortions or disruptions. For viewers who seek an immersive cinematic experience, the Thor T60 supports Dolby Vision and HDR10. These technologies provide greater depth, contrast, and a wide spectrum of colors, enhancing the overall viewing experience.
The TV is equipped with ULTIMEA’s AI Image Engine, which offers multiple viewing modes and intelligently adjusts color contrast based on the content being played. This feature ensures that viewers always get the best possible picture quality, regardless of the type of content they are watching. To further enhance the viewing experience, the Thor T60 uses MEMC dynamic compensation and Motion Interpolation Technology. These technologies reduce blur and jitter in fast-moving scenes, ensuring smooth and clear visuals.
The Thor T60 also supports 3D viewing and comes with 3D glasses. This feature provides a more immersive viewing experience, making viewers feel as if they are part of the action on screen. In terms of audio quality, the Thor T60 supports Dolby Atmos, Dolby Audio, and DTS HD. These technologies provide cinema-grade surround sound, enhancing the overall viewing experience.
The ULTIMEA Thor T60 Triple Laser TV is a comprehensive entertainment system that offers a high-quality, immersive viewing experience. Its unique features and advanced technologies make it a standout product in the market. Whether you’re a movie enthusiast, a gamer, or simply someone who enjoys high-quality visuals and sound, the Thor T60 is a television set worth considering.
For a complete list of all available project pledges, stretch goals, extra media and feature breakdown for the triple laser projector TV, jump over to the official ULTIMEA Thor T60 crowd funding campaign page by investigating the link below.
Source : Kickstarter
Disclaimer: Participating in Kickstarter campaigns involves inherent risks. While many projects successfully meet their goals, others may fail to deliver due to numerous challenges. Always conduct thorough research and exercise caution when pledging your hard-earned money.
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