Por otro lado, cuando otros creadores tomaban el mando, las cosas solían ir bien. Desde la ya mencionada “It”, que sigue siendo la película de terror más taquillera de todos los tiempos, hasta “The Shawshank Redemption”, hay muchos ejemplos de estas adaptaciones que combinan extremadamente bien con los guiones originales. Por ejemplo, “El resplandor” de Stanley Kubrick, una película que el propio King odiaba mucho.Sin embargo, la película sigue siendo un clásico del cine.
Tenemos un programa de televisión llamado Lizzie's Story, pero se puede argumentar que la película todavía vale la pena: una adaptación del trabajo de alguien que no es King. Con ese fin, en la misma entrevista con Rolling Stone, el autor compartió su opinión sobre las adaptaciones de su obra y destacó por qué tales interpretaciones podrían funcionar mejor si otras las adaptan:
“Las películas nunca han sido de mucho interés para mí. Las películas son películas. Simplemente las hacen. Si son buenas, genial. Si no lo son, no lo son. Pero las veo como un medio menos importante que la ficción. y la literatura, y un medio más efímero.”
Aunque no vale la pena repasar la lista completa de personas que podrían convertir el querido libro de King en una película, sin duda hay escritores y directores que podrían hacer algo convincente con este material. Así que quizás el libro favorito de King merezca otra oportunidad en otro medio, pero con un enfoque completamente diferente.
La historia es la siguiente: Era 1985, y La estrella de Hong Kong Jackie Chan, que había disfrutado de casi dos décadas de éxito cinematográfico en su país natal, quería ampliar su alcance en Estados Unidos. De hecho, Chan intentó infiltrarse en Estados Unidos en 1980 con “The Big Brawl” de Robert Clouse, pero aunque era muy respetado por los fanáticos de las artes marciales, “Brawl” nunca logró el éxito masivo que Chan deseaba. Chan ya había dirigido cuatro películas en 1985, pero todavía sentía que el director estadounidense podía traducir su sensibilidad combativa al público norteamericano con mayor precisión. Entonces, eligió al director James Glickenhaus (“El astrólogo”, “El exterminador”) para dirigir la película de acción de 1985 “El protector”.
Chan y Glickenhaus chocaron durante toda la producción, y Glickenhaus se negó a filmar las escenas de lucha de una manera aprobada por Chan. Al final de la producción, Chan reeditó la película él mismo y dirigió nuevas escenas con la esperanza de salvar el proyecto.
Fue su disgusto por “The Protector” lo que impulsó a Chan a hacer su primera película, “Police Story”, su quinto trabajo como director, en la que interpretó a un superpolicía llamado Kevin Chan Ka-Kui. Resultó ser una de las mejores películas de Chan y generó una larga serie de secuelas que fueron grandes éxitos en Hong Kong y bien recibidas en los Estados Unidos.
Puede resultar difícil para los lectores estadounidenses realizar un seguimiento de todas las partes de la serie Police Story, ya que se han publicado esporádicamente (y con títulos cambiantes) en Norteamérica. Por ejemplo, la película de 1996 “Supercop” es en realidad la película de 1992 “Police Story 3: Supercop”.
Estas películas se aprecian mejor en el orden en que fueron estrenadas. Para dejar las cosas claras, la siguiente lista clasificará todas las películas de “Detective Story” en orden, junto con sus títulos en EE. UU. y fechas de estreno.
Mire las películas de Police Story en orden de estreno
medios asiáticos
Aquí están las películas de “Police Story” en orden de estreno. Dada la dureza con la que se ha tratado el cine de acción de Hong Kong en los mercados internacionales, muchos de los títulos siguientes contendrán notas sobre cómo fueron editados y retitulados:
“novela policial” (1985) – Fue cortado en 13 minutos y lanzado como “Fuerza de policía de Jackie Chan” en los vídeos caseros estadounidenses de los años 1980. No se lanzó en su forma completa en Norteamérica en 1998 y se presentó con una nueva banda sonora.
“Historia policial 2” (1988) – La versión de Hong Kong dura 105 minutos, la versión japonesa dura 122 minutos y la versión estadounidense dura 95 minutos. La versión de 105 minutos fue lanzada en Estados Unidos en 1999 y se presenta con una nueva partitura musical.
Historia policial 3: Supercubo (1992) – estrenado en cines como “Super policía” (1996) en Norteamérica, recortado en 10 minutos y regrabado. La versión norteamericana también contiene nuevas canciones pop.
“Superpolicía 2” (1993) – papel Protagonizada por Michelle Yeohllamé a veces “Proyecto S.” Fue lanzado en Estados Unidos en DVD en 1999.
Historia policial 4: primer ataque (1996) – Estrenada en cines en los Estados Unidos como “El primer éxito de Jackie Chan” Fue grabado sin 20 minutos.
“Una nueva historia policial” (2004) – Publicado en DVD en EE. UU. en 2006. Se han realizado cortes mínimos.
“Historia policial 2013” (2013) – Fue lanzado en DVD en Estados Unidos en 2015 como “Historia policial: bloqueo”.
En el apogeo del cine grindhouse en la década de 1970, no era raro que los rápidos estudios estadounidenses compraran películas de artes marciales, las redujeran considerablemente y les cambiaran el título con impunidad. De hecho, algunas películas de artes marciales se estrenarán con varios títulos alternativos y varias veces, con la esperanza de engañar al público haciéndoles pensar que son nuevas.
Hollywood hizo la historia del policía sucio
cosecha de oro
Luego, para continuar el ciclo, los mismos estudios estadounidenses editan varias películas juntas para formar una nueva película híbrida sin sentido. La nueva película amalgama se estrenará con otro título alternativo. Habiendo hecho esto, puedo decir que archivar versiones de los años 70 de películas de acción chinas y de Hong Kong es frustrante y requiere mucha investigación y familiaridad con el género y los cineastas.
El cine de Hong Kong experimentó un auge estadounidense en la década de 1990, gracias en gran parte al auge del cine de Hong Kong. Apoyo a Quentin Tarantino. En 1995, Jackie Chan causó sensación en los Estados Unidos con el estreno de la película de Stanley Tong “Rumble in the Bronx”, lo que lo convirtió en una estrella internacional. Esto provocó un exceso de importaciones “remezcladas” a lo largo de la década de 1990, muchas de ellas de la serie “Police Story”, como se mencionó anteriormente. La película de 1997 “Operación Cóndor”, por nombrar sólo un ejemplo, fue la película de 1991 “Armor of the Gods 2: Operation Condor” que se presentó al público estadounidense sin contexto.
A pesar de la recién descubierta atención de Chan en los Estados Unidos, gran parte del torpe manejo de las películas de artes marciales seguía siendo un estándar de la industria. Los estudios estadounidenses no parecían preparados para proyectar íntegramente las películas de Chan, incluidas las películas de “Police Story”. No sería hasta la llegada de compañías de vídeos domésticos como Arrow Video y Criterion Collection que los actores de las películas wuxia chinas y de Hong Kong serían restaurados adecuadamente y recibirían un tratamiento de estrella.
Aquellos que piensan que la acción en Hong Kong es “barata” o “cursi” probablemente hayan sido destetados por copias acortadas, dobladas y mal cuidadas. De hecho, las películas de Chan son animadas, vívidas y emocionantes, y algunas de las mejores películas de acción que jamás hayas visto.
An hour-long interactive and immersive Disney+ story is coming to the Apple Vision Pro in the near future, according to an announcement from Marvel Studios. The Disney+ original is connected to the “What If…? animated series and it will be released as a new app for the Vision Pro.
What If…? reimagines events from the Marvel Cinematic Universe in unexpected ways, and with the Vision Pro experience, fans are able to step into the leading of an immersive story that transforms the space around them as they journey across realities.
There are multiversal variants of key Marvel characters, chances to learn mystic arts, and an opportunity to harness the power of the Infinity Stones. Marvel says that users will “cross between augmented and virtual reality” while going through the narrative adventure, interacting with the world using their hands and eyes.
The experience includes “breathtaking environments” of new and iconic MCU locations, with stunning visuals and support for spatial audio. There is no specific release date for “What If…? An Immersive Story,” but Marvel says that more information will be coming soon.
Apple today unveiled redesigned iPad Pro models featuring the M4 chip, Ultra Retina XDR OLED displays, a nano-texture display option, and more. The new iPad Pro offers a considerably thinner design and slightly larger 11- and 13-inch display size options. The 11-inch model is 5.3mm thick and weighs less than a pound, while the 13-inch model is just 5.1mm thick and weighs a quarter pound less …
Apple’s “Let Loose” event kicks off today at the unusual time of 7:00 a.m. Pacific Time, and we’re expecting to see an iPad-focused event with new iPad Pro and iPad Air models, updated Apple Pencil and Magic Keyboard accessories, and perhaps some other announcements. Apple is providing a live video stream on its website, on YouTube, and in the company’s TV app across various platforms. We…
Apple today announced that iOS 17.5 will be released to the public “soon,” following over a month of beta testing. While the software update is relatively minor, it does have a few new features and changes, as outlined in the list below. “The new Pride Radiance watch face and iPhone and iPad wallpapers will be available soon with watchOS 10.5, iOS 17.5, and iPadOS 17.5,” said Apple, in its…
Apple at its “Let Loose” event today announced a new Magic Keyboard for the latest iPad Pro models, with a thinner, lighter design. Apple says the Magic Keyboard has been redesigned to be thinner and lighter, while maintaing the same floating design. Two colors are available that match the new iPad Pro. New features include a function row with screen brightness controls, an aluminum…
Apple today held the first event of 2024, debuting new iPad Air and iPad Pro models and accompanying accessories. While the event was faster than normal and took 40 minutes, we’ve condensed it down even further for those who want a quick overview of everything that was announced. Subscribe to the MacRumors YouTube channel for more videos. We’ve also got a full recap of all of the coverage…
While the iPhone 16 series is still months away from launching, an early rumor about an all-new iPhone 17 model has now surfaced. In a research note with investment firm Haitong this week, analyst Jeff Pu said Apple is planning a so-called “iPhone 17 Slim” model that would replace the Plus model in the lineup. Pu said this model will feature around a 6.6-inch display, a slimmer design, an…
Apple will be holding its first event of the year this Tuesday, May 7 at 7 a.m. Pacific Time, with a live stream to be available on Apple.com and on YouTube. How long will the event be? In his newsletter today, Bloomberg’s Mark Gurman said the video will have a runtime of “around 35 minutes.” Apple is expected to announce new iPad Pro and iPad Air models, along with updated Apple Pencil…
If you’re increasingly wary of committing to a show for fear that it’ll join the ranks of Netflix‘s cancelled shows just as you’re getting hooked, you’re not alone. And a new show, the young-adult drama Penelope, is trying to do something about it.
Penelope stars Megan Stott from Little Fires Everywhere as a disaffected 16-year-old girl who leaves her family and her life behind to forge a new existence in the wilderness, learning to live off the land alone. It was written during the pandemic, but when the creators attempted to get it commissioned nobody chose to make it. So they decided to go the indie route instead. The show was a big hit at the Sundance festival, and Netflix has now snapped up the US distribution rights to the first eight-episode season.
The show is trying something that’s common in indie film-making but still relatively rare in streaming TV. Rather than get a big streamer such as Netflix to commission and pay for the show to be made, the show’s creators made the whole series themselves and then signed a short-term deal for Netflix to distribute it. That means if Netflix decides that season two isn’t right for the streamer, it shouldn’t prevent the second series from being made and shown elsewhere.
Speaking to The Hollywood Reporter, co-creator Mark Duplass explained: “we brought it [to streamers] and everybody was like, this is so beautiful and unique, so deeply connected to something that I’ve lost.”
And then they said that they couldn’t make it. So Duplass and director Mel Eslyn made it instead.
Why this kind of distribution deal could help cancel the cancel curse
The problem with getting streamers to pay for your programs is that all of your show’s eggs are in a single streamer’s basket. And that’s why we’re all familiar with the disappointment of a successful show’s “will they won’t they” drama when it ends without a new season being already confirmed. Netflix especially hasastronghistoryofdisappointingcancellations.
According to Duplass, Penelope is breaking new ground here. “From taking out the show and figuring out how we’re going to sell it or making the deals with our actors, no one knows how to do it… So there was actually this childlike fun. We were just making up new deal structures as we were going along.”
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By taking what they call a “piece by piece” model the creators can sell different streaming rights to different services in different parts of the world rather than trying to persuade Netflix that they can make a global hit. “We’ve basically absolved [them] of the responsibility to make us their flagship show,” Duplass says.
That’s particularly important when it comes to future seasons, because the show isn’t dependent on the priorities or spreadsheets of a single streaming provider. If Netflix passes on season two, there should be enough deals in place elsewhere to finance another season and to make it available to fans. So for example with this show the creators will retain the rights to the show everywhere but the US, including the rights for video on demand rentals.
“Ideally, we see how we do on Netflix,” Dupress explains. “In the event that it’s a blowout success, you might see a bigger scope for season two.” And if it’s quite successful rather than a mega-hit, “we might write it for a smaller scope, but at least we’re in the driver’s seat now as to whether we get to keep making this show.”
It also means that the showrunners have more control over their show: they don’t have to persuade a single provider that their show will be a big hit in multiple markets and potentially change it to make it more widely appealing. And Dupress is so convinced that the model is a good one that his studio has used it for three other shows: a documentary and two comedies.
Penelope is set to streaming this year on Netflix US, with other streamers to be confirmed in other countries.
Assassin’s Creed Mirage‘s director has said that he has ideas on how to extend the story of protagonist Basim.
Although it’s been previously confirmed that the latest Assassin’s Creed title won’t be getting any downloadable content (DLC), in a recent Reddit AMA, game director Stéphane Boudon revealed that the team still has some ideas on how to add to Basim’s story (via VGC).
When asked if the studio would ever think about making a DLC or new storyline content for the game, considering the positive reception, Boudon said: “We’re thrill[ed] by the reception of Mirage! Mirage [h]as been design[ed] as a standalone experience without any DLC plan.
“However, we have ideas on how we could extend the story of Basim, surely. But as of today, no post launch content is planned for Mirage.”
In terms of working on another game starring Basim, the game director said there’s more to tell with Basim, but the team would like to explore elsewhere.
“Telling the coming-of-age story of Basim was a blast for us so clearly yes, we still have a lot to say about Basim,” he said. “On the other hand, creating a game with that much constraints is a difficult exercise and as the team we would also love to explore new horizons and having more creative freedom.”
In the thread, Boudon explained that Ubisoft won’t release any more major updates for Mirage, but said the team will “keep monitoring the game and listening to player feedback.”
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Following its launch, the game received New Game Plus and later a new setting called Full Synchronisation Challenge mode, which offered a permadeath run of the entire game. These appear to be the only updates that Ubisoft will be adding post-launch.
Tech. Tech never changes. Well… okay… tech does a lot of changing – there’s exciting new gadgets released everyday – but one constant in the space is the unrelenting speed with which hardware and software updates roll out (and we really wanted to make a Fallout reference because the new show is fantastic, more on that below).
It’s a flurry that we know can be a struggle to keep up with. So if you feel a little out of the loop on this week’s biggest news, and want to get back up to speed, we’ve collected the seven most important tech stories of the last seven days in this one article to help you out.
Below you’ll find quickfire recaps on all of the latest goings on in the technology space including major Google Photos AI updates, our Fallout thoughts, and which phone is best for eclipse photography. Let’s get into it.
7. We launched a new podcast!
(Image credit: Future)
Of course the biggest tech news story of the week is we have a new podcast – very creatively called the TechRadar Podcast. We’ve taken all the tech chats we’d have on Zoom, Slack and at our desks and put them into a microphone – so you can expect more of the insightful, first-person experiential content we give you on the site in a new audio-and-video-based format.
In our first episode we give you a recap of the year in tech so far – discussing CES 2024 and AI highlights – and show off a demo of the Apple Vision Pro. The show is hosted by our Editor at Large Lance Ulanoff, with Josephine Watson (Managing Editor, Lifestyle), Alex Walker-Todd (Senior Phones Editor) and Matt Evans (Fitness, Wellness, and Wearables Editor) lending their expertise, too. And as a futher bonus we were joined by Tom, The Tech Chap.
It’s available to listen to right now on YouTube and Spotify, and it should be appearing in other podcast feeds over the next few days!
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These include the Photos app getting a version of Google’s AI-powered Magic Eraser, and Nearby Share getting speed and reliability upgrades. Copilot also got some improvements you try out now, such as plug-in support for third-party services.
That said, Copilot also got a downgrade for some users, as Windows Insiders are saying the AI helper now launches on startup automatically in Windows 11 preview builds – which many have said they find frustrating.
5. We saw how well smartphones captured the eclipse
(Image credit: Future / Lance Ulanoff)
Everyone thinks their flagship smartphone is best and they especially have opinions about the cameras. Editor at Large Lance Ulanoff has tried and tested a lot of these phones and their camera arrays, so he decided to put them to the ultimate celestial test: The US Solar Eclipse.
It was an amazing show – even if New York City didn’t get totality – and a great showcase for the optical zoom capabilities of the iPhone 15 Pro Max, Google Pixel 8 Pro, and Samsung Galaxy S23 Ultra. The only rule was no digital zoom.
The photos, which only worked because we used three tripods and an eclipse glasses lens as a filter, were way better than we expected. You might, though, be surprised by which phone did best.
4. Spotify’s playlist-making AI brought the party
(Image credit: Spotify)
Spotify has been steadily integrating more AI into its music streaming platform, and it’s now released a playlist-making bot for all Premium subscribers in the UK and Australia.
It’s in beta, currently – read: it’s a little rough around the edges – but the idea is you give the AI a prompt like “hard hitting beats that’ll help me ace my next workout” or “relaxing music to tide me over during allergy season” and it’ll spit out a selection of tracks.
There are some prompt restrictions, for instance you can’t make playlists for current events, for brands or use offensive language – but you can have a lot of fun with the tool. And if it doesn’t get things quite right you can add follow up prompts such as “more death metal” or “less upbeat” to fine-tune the selection. And of course you can also straight up delete tracks you hate.
3. Google gave away its Magic Editor – kinda
(Image credit: Google)
Google’s impressive AI image editing software, Magic Editor, is currently exclusive to paying Google One subscribers and Google Pixel 8 – or Pixel 8 Pro – phone owners, but this week Google announced that come May 15 all Google Photos users will have access to the tool for free.
Thanks to Magic Editor you can erase annoyances in your shot, reposition your subjects, cleverly adjust the lighting, and unblur your snaps to help make your favorite shots look even better – all you need is Google Photos and a smartphone with at least 3GB RAM and that’s running Android 8.0 / iOS 15 or higher.
Unfortunately, the free version only allows you to save 10 edited images a month but if you like the service you can pay for Google One or buy a Pixel phone to remove the restriction.
2. Fallout blew us away
(Image credit: JoJo Whilden/Prime Video)
Prime Video’s hotly anticipated Fallout show released this week, and it continues the golden age of video game adaptations we’ve seen in recent years through Netflix‘s Castlevania and Arcane, HBO’s The Last of Us, and even the big-screen takes on Sonic and Mario.
We watched the first four episodes, and found the ambitious adaptation is nothing less than “atomically entertaining” with a “satisfying blend of source material devotion and narrative originality.” Sure, there’s odd bump in the road, but these blemishes do little to spoil the luster of what is yet another fantastic video-game-to-TV adaption.
If you want to watch it yourself then you can binge the whole eight-episode first season on Prime Video right now.
1. Google launched its take on Apple’s Find My network
(Image credit: Google)
Android fans have been waiting for more than a year for Google’s rebooted Find My Device network – and this week it finally arrived. The feature, which is rolling out worldwide starting in the US and Canada, works in much the same way as Apple’s Find My network. Because it anonymously piggybacks millions of Android devices around the world, the network can show you precisely where your lost phone is – even if it’s offline.
If you have a Google Pixel 8 or Pixel 8 Pro, the network even helps you find your phone when it’s powered off. We’ve also just seen the arrival of the first Find My Device-compatible trackers, courtesy of Chipolo and Pebblebee, which attach to your wallet, keys or luggage. We might attach one to our cat too, just to foil its hide-and-seek plans.
Helldivers 2 is one of the biggest gaming surprises of 2024 so far. We’re only two months into its lifespan, but the longevity the PS5 game is showing is astounding when you consider the core gameplay loop is still relatively limited in scope, and it’s all thanks to how developer Arrowhead Game Studios is handling the live service nature and letting the players control the narrative. Or at least letting them think they’re in control.
For those reading who haven’t fought for managed democracy and defended Super Earth yet, the entire Helldivers 2 community is fighting a galactic war. Super Earth is our home and it’s under threat from a number of alien factions, primarily the Terminids, hyper-aggressive alien bugs, and the Automatons, a species of Terminator-esque robots. There’s reportedly a third alien race coming soon – the Illuminate – more on them later on.
Helldivers must embark on missions to repel the incoming onslaught from the enemy factions and slowly but surely, completing operations collectively helps liberate planets one by one. But rather than portraying a hand-crafted story like in Destiny 2 et al, Helldivers 2‘s narrative exists exclusively through the actions of players, the major orders instructed to us collectively, and a singular man named Joel, and it’s one of the most surprising contenders for best story games of the year so far already.
A&T, not D&D
(Image credit: Arrowhead Game Studios/Sony)
Joel is essentially the dungeon master at Arrowhead, the mastermind behind the ebbs and flows of this space armageddon. We know little about him other than his name, but he is both our collective enemy and the reason the war efforts have been so successful. This is because Joel decides where to send enemy reinforcements and which planets to focus on. He’s also the one dishing out the major orders – quests assigned to all players simultaneously that directs everyone to focus their efforts in a specific area of the galaxy.
For example, in early April the Automatons were wiped entirely from the map for a short period, before they returned with a vengeance to attack a plethora of planets in the Hydra, Andromeda, Lacaille, and Valdis sectors, further north from their original battlegrounds. The community must now band together to retake Cyberstan, a planet within the Valdis sector that is the home of the Cyborgs, a faction from the first Helldivers game that Automatons are supposedly direct descendants of. Intriguing already, right?
Robot Vietnam
(Image credit: Arrowhead Game Studios/Sony)
Prior to this major order however, we’ve achieved plenty of successes, and a couple of failures too. Malevelon Creek, a jungle planet many players likened to fighting in Vietnam, was under Automaton control for the longest time until democracy finally won. For some reason, Malevelon Creek felt slightly more difficult to deal with the bots on than some of the other surrounding planets, and thanks to its position on the galactic map, it was often the first place new players ended up when tackling the Automatons for the first time.
It quickly became infamous because of how intense it was, and the sheer number of trees and treacherous terrain meant dealing with robots, most of whom are armed with ranged weaponry, made it a nightmare. Not to mention their eerie robotic chatter piercing through the woods.
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However, before we eventually took it, we did lose it for a period of time, but not because Malevelon Creek fell. Instead, the planets around it were lost as most of the war efforts focused on the Terminids instead, which meant nobody could get to Malevelon Creek. Over 2,000 Helldivers were quite literally left behind, because they were on the planet when it was cut off. Their sacrifice was recognized and they are an inspiration to Helldivers across the galaxy.
Combined with the overall narrative of the war efforts, these player-effort-led stories mean Helldivers 2 is like nothing else in games right now. Thanks to the steady patches and updates, with buffs, nerfs, and new equipment, it will be a long time before the game gets stale. But that’s not all they add, because for every new tool or warbond at our disposal, our enemies grow in strength too.
Playground rumors
(Image credit: Arrowhead Game Studios/Sony)
A month ago, rumors of walking mechs being introduced for Helldivers to use were rife, before clips started surfacing online of players stumbling upon them randomly when planetside. Before too long, they were introduced to the game as a new stratagem. But then flying bugs started showing up out of nowhere – and are now a much more common foe. Elsewhere, as the war against the Automatons continued, they strengthened their efforts and, almost out of the blue, developed and started using gunships.
By far the best example of this school-playground-whispers-style of adding content is what’s happening right now with the Illuminate. Veterans from the first game will know the Illuminate to be an advanced alien race that originated as an aquatic species and developed into masters of stealth, strategy, and mass destruction.
Over a month ago, the occasional clip surfaced online of players being hit by a blue laser, but the community put it down to the flash of an explosion or graphical hiccups. But they kept happening. Then players would spot some blue light acting in a mysterious way, or they thought they’d spotted a cloaked figure half a mile away on their planet but by the time they investigated, the mysterious being had vanished.
(Image credit: Arrowhead Game Studios/Sony)
However, it’s now surely a matter of when – and not if – the Illuminate show up, because cloaked ships lingering in orbit above planets have been spotted, and there are a lot of them. There’s a high chance they’ve been here all along, waiting for their moment to strike, but there’s very little we can do; the ball is in their court. Rumor has it they’re waiting for Cyberstan to be retaken before they show their faces, but time will tell.
Strategies and tactics
Online communities – mostly the official subreddit – also play into the narrative by members posting infographics and strategies about the best way to win each given major order. Every time a new objective surfaces, so will a directive from various Helldivers 2 experts explaining the best path to success, determining which planets the majority of our focus should be on.
Again, it all plays into the narrative, and while not every major order can be won – Joel has to win every now and then to ensure the narrative and wider war, stay on track and perpetuate, so the players aren’t totally in control – there’s a real community spirit when everyone is working together in tandem.
I’ve played around 35 hours of Helldivers 2 so far – but I’m only level 26. Some players have surpassed level 100, and every time I’m partied up with one, it’s an honor to be led by such an experienced soldier. But it doesn’t bother me that I’m not the one leading the charge because it is just as fun reading up on the official subreddit every day, following the reports from elsewhere online, and seeing just how the galactic war is progressing, how the game’s story is being received, and then changed, by the players themselves.
But something big is coming, Helldivers, and we need to be ready. Godspeed.
Marvel has all but confirmed that Galactus will be the primary villain of its forthcoming Fantastic Four movie.
Today (April 4), the comic book giant ostensibly revealed that the planet-devouring deity would be the big bad of The Fantastic 4, which is set to launch in theaters in July 2025. The apparent announcement was surprisingly shadow-dropped on Marvel’s social media channels, where the Disney subsidiary revealed a brand-new poster depicting Johnny Storm/The Human Torch to celebrate 4-4 Day, aka April 4.
🔥🔥🔥🔥 #TheFantasticFour Celebrate 4-4 Day at: https://t.co/0L6vmfvKPN pic.twitter.com/byRvjcbsNfApril 4, 2024
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Okay, so how does this promotional art confirm that Galactus will feature in Marvel’s Fantastic Four reboot? It doesn’t, but the accompanying link to a page titled ‘Future Foundation’ does. Clicking on said link is supposed to take you to a Fantastic Four movie-based page but, at the time of writing at least, viewers have been greeted with a 404 page. However, if you click on the image of the supergroup’s helpful android Herbie, you’ll be redirected to the ‘Future Foundation’ page.
There, fans are welcomed as ‘delegates’ to the aforementioned webpage, which shows five key Fantastic Four-starring comic book issues that appear to be the biggest influences on the team’s Marvel Cinematic Universe (MCU) debut. Clicking on each comic book cover opens a new page where you can read said issues for free via Marvel Unlimited.
But I digress. The five issues in question – Fantastic Four #1 and #48 through #50 (all released in 1961) and Fantastic Four: Life Story #1 (published in May 2021) – suggest they’ll not only serve as the introductory inspiration to the group’s MCU arrival, but also that Galactus will by the film’s primary antagonist. Indeed, Fantastic Four issues #48 to #50 make up a three-part arc where Galactus arrives with the aim of consuming Earth to sustain his life force. Standing in his way are the Fantastic Four, who – spoilers – locate a supremely powerful weapon that scares off Galactus and keeps Earth safe from harm.
A Herald of darkness – and a 1960s setting
It’s increasingly likely that The Fantastic 4 will be set in the 1960s. (Image credit: Marvel Comics)
Galactus’ positioning as The Fantastic 4‘s villain-in-chief isn’t a complete surprise. Yesterday (April 3), Deadline reported that a gender-swapped version of The Silver Surfer – one of Galactus’ so-called Heralds (his servants, essentially) – will play a prominent role in the Marvel Phase 5 flick.
Julia Garner, who some readers might know as Ruth Langmore from Netflix‘s Ozark TV show, will portray the character. They’ll reportedly go by the name Shalla-Bal, an existing Marvel character with ties to the Silver Surfer in the comics. It seems, though, that Marvel will retool Shalla Bal as a multiversal iteration of Silver Surfer for the forthcoming movie. If this proves to be the case, it’ll be further proof that The Fantastic 4 is an MCU film that’s largely set in an alternate dimension – a storytelling device that fits into Marvel’s wider multiverse-centric plan for Phases 4 through 6.
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More evidence for this fan theory can be found in Marvel’s tease concerning the influence that Fantastic Four: Life Story will have on the movie’s plot. Indeed, #1 of this multi-comic story is set in the 1960s, which was already teased in The Fantastic 4‘s first MCU poster in mid-February. Considering the iconic quartet have been conspicuous by their absence in the MCU so far – there’s been no mention of them up to this point in any Marvel project – it would make sense that they exist in another universe. My guess? The group’s reality might be destroyed by Galactus and they’ll seek refuge in the MCU, aka on Earth-616, save this world from Galactus (who might follow them through whatever dimensional portal they use to escape), and decide to stay in this realm.
With production finally ramping up on The Fantastic 4 after years of intense rumors, it’s high time we learned more details – concrete or otherwise – about one of the most anticipated Marvel movies in years. Indeed, with Marvel finally confirming its Fantastic Four cast, release date, and new title (also in mid-February), as well as teasing what’ll inspire the superhero film, fans of the beloved superteam are certainly eating well.
It’ll be over a year before The Fantastic 4 is with us. In the meantime, you can watch the group’s other big-screen adventures on Disney Plus.
A new trailer Apple TV+ dropped Sunday for upcoming LA-noir detective series Sugar, starring Irish actor Colin Farrell, asks an important question: Who is John Sugar? Well, apparently he’s a tough dude who “does one thing and one thing only: Find the missing.”
A legendary film producer played by veteran actor James Cromwell says the line. And having cast members like Cromwell adds some serious gravitas to a moody and engrossing-looking series (as if Farrell was not enough).
You can see that trailer and the previous one below. They should whet your appetite for some good ol’ fashioned-yet-contemporary LA crime noir. It comes up from time to time to great acclaim (see LA Confidential among others).
Check out 2 Sugar detective series trailers before Colin Farrell’s show premieres Friday, March 5
The trailers for Sugar below don’t disappoint when it comes to note-perfect film noir dialogue, like you’d see in some James Cagney tough-guy detective series from the 1940s.
“Finding people that are lost — that part of the job I like,” Farrell’s narration says as he drives his convertible around Los Angeles after midight. “I’m really good at what I do. I don’t like hurting people [intercut brutal fight scenes]. But maybe I’ve been here too long. Tip the world on its side and everything loose lands in Los Angeles.”
Here’s how Apple TV+ describes the show:
Sugar is a contemporary, unique take on one of the most popular and significant genres in literary, motion picture and television history: the private detective story. Academy Award nominee Colin Farrell stars as John Sugar, an American private investigator on the heels of the mysterious disappearance of Olivia Siegel, the beloved granddaughter of legendary Hollywood producer Jonathan Siegel. As Sugar tries to determine what happened to Olivia, he will also unearth Siegel family secrets; some very recent, others long-buried.
Colin Farrell has had a long career, with roles in independent films and blockbusters, including The Batman. He received two Golden Globes plus a nomination for an Oscar for best man in The Banshees of Inisherin.
Sugar was created by Mark Protosevich, who worked on The Cell, I Am Legend and Thor. He executive produces along with Audrey Chon and Simon Kinberg from Genre Films (Invasion). Oscar-nominee Fernando Meirelles (City of God, Constant Gardner, Two Popes) directs Sugar.
Watch Sugar on Apple TV+ April 5
Sugar debuts with its first two episodes of eight on Friday, April 5, 2024 on Apple TV+. A new episode follows on Fridays.
The service is available by subscription for $9.99 with a seven-day free trial. You can also get it via any tier of the Apple One subscription bundle. For a limited time, customers who purchase and activate a new iPhone, iPad, Apple TV, Mac or iPod touch can enjoy three months of Apple TV+ for free.
After launching in November 2019, “Apple TV+ became the first all-original streaming service to launch around the world, and has premiered more original hits and received more award recognitions faster than any other streaming service. To date, Apple Original films, documentaries and series have been honored with 471 wins and 2,090 award nominations and counting,” the service said.
In addition to award-winning movies and TV shows (including breakout soccer comedy Ted Lasso), Apple TV+ offers a variety of documentaries, dramas, comedies, kids shows and more.
Cult of Mac writer Ed Hardy contributed to this report.
“Words are like harpoons,” UK physicist and astronomer Fred Hoyle told an interviewer in 1995. “Once they go in, they are very hard to pull out.” Hoyle, then 80 years old, was referring to the term Big Bang, which he had coined on 28 March 1949 to describe the origin of the Universe. Today, it is a household phrase, known to and routinely used by people who have no idea of how the Universe was born some 14 billion years ago. Ironically, Hoyle deeply disliked the idea of a Big Bang and remained, until his death in 2001, a staunch critic of mainstream Big Bang cosmology.
Several misconceptions linger concerning the origin and impact of the popular term. One is whether Hoyle introduced the nickname to ridicule or denigrate the small community of cosmologists who thought that the Universe had a violent beginning — a hypothesis that then seemed irrational. Another is that this group adopted ‘Big Bang’ eagerly, and it then migrated to other sciences and to everyday language. In reality, for decades, scientists ignored the catchy phrase, even as it spread in more-popular contexts.
This new map of the Universe suggests dark matter shaped the cosmos
The first cosmological theory of the Big Bang type dates back to 1931, when Belgian physicist and Catholic priest Georges Lemaître proposed a model based on the radioactive explosion of what he called a “primeval atom” at a fixed time in the past. He conceived that this primordial object was highly radioactive and so dense that it comprised all the matter, space and energy of the entire Universe. From the original explosion caused by radioactive decay, stars and galaxies would eventually form, he reasoned. Lemaître spoke metaphorically of his model as a “fireworks theory” of the Universe, the fireworks consisting of the decay products of the initial explosion.
However, Big Bang cosmology in its modern meaning — that the Universe was created in a flash of energy and has expanded and cooled down since — took off only in the late 1940s, with a series of papers by the Soviet–US nuclear physicist George Gamow and his US associates Ralph Alpher and Robert Herman. Gamow hypothesized that the early Universe must have been so hot and dense that it was filled with a primordial soup of radiation and nuclear particles, namely neutrons and protons. Under such conditions, those particles would gradually come together to form atomic nuclei as the temperature cooled. By following the thermonuclear processes that would have taken place in this fiery young Universe, Gamow and his collaborators tried to calculate the present abundance of chemical elements in an influential 1948 paper1.
Competing ideas
The same year, a radically different picture of the Universe was announced by Hoyle and Austrian-born cosmologists Hermann Bondi and Thomas Gold. Their steady-state theory assumed that, on a large scale, the Universe had always looked the same and would always do so, for eternity. According to Gamow, the idea of an ‘early Universe’ and an ‘old Universe’ were meaningless in a steady-state cosmology that posited a Universe with no beginning or end.
Over the next two decades, an epic controversy between these two incompatible systems evolved. It is often portrayed as a fight between the Big Bang theory and the steady-state theory, or even personalized as a battle between Gamow and Hoyle. But this is a misrepresentation.
Soviet–US nuclear physicist George Gamow was an early proponent of Big Bang cosmology.Credit: Bettmann/Getty
Both parties, and most other physicists of the time, accepted that the Universe was expanding — as US astronomer Edwin Hubble demonstrated in the late 1920s by observing that most galaxies are rushing away from our own. But the idea that is so familiar today, of the Universe beginning at one point in time, was widely seen as irrational. After all, how could the cause of the original explosion be explained, given that time only came into existence with it? In fact, Gamow’s theory of the early Universe played almost no part in this debate.
Rather, a bigger question at the time was whether the Universe was evolving in accordance with German physicist Albert Einstein’s general theory of relativity, which predicted that it was either expanding or contracting, not steady. Although Einstein’s theory doesn’t require a Big Bang, it does imply that the Universe looked different in the past than it does now. And an ever-expanding Universe does not necessarily entail the beginning of time. An expanding Universe could have blown up from a smaller precursor, Lemaître suggested in 1927.
An apt but innocent phrase
On 28 March 1949, Hoyle — a well-known popularizer of science — gave a radio talk to the BBC Third Programme, in which he contrasted these two views of the Universe. He referred to “the hypothesis that all the matter in the universe was created in one big bang at a particular time in the remote past”. This lecture was indeed the origin of the cosmological term ‘Big Bang’. A transcript of the talk was reproduced in full in the BBC’s The Listener magazine, and Hoyle mentioned it in his 1950 book The Nature of the Universe, which was based on a series of BBC broadcasts he made earlier the same year.
How dwarf galaxies lit up the Universe after the Big Bang
Although Hoyle resolutely dismissed the idea of a sudden origin of the Universe as unacceptable on both scientific and philosophical grounds, he later said that he did not mean it in ridiculing or mocking terms, such as was often stated. None of the few cosmologists in favour of the exploding Universe, such as Lemaître and Gamow, was offended by the term. Hoyle later explained that he needed visual metaphors in his broadcast to get across technical points to the public, and the casual coining of ‘Big Bang’ was one of them. He did not mean it to be derogatory or, for that matter, of any importance.
Hoyle’s ‘Big Bang’ was a new term as far as cosmology was concerned, but it was not in general contexts. The word ‘bang’ often refers to an ordinary explosion, say, of gunpowder, and a big bang might simply mean a very large and noisy explosion, something similar to Lemaître’s fireworks. And indeed, before March 1949, there were examples in the scientific literature of meteorologists and geophysicists using the term in their publications. Whereas they referred to real explosions, Hoyle’s Big Bang was purely metaphorical, in that he did not actually think that the Universe originated in a blast.
The Big Bang was not a big deal
For the next two decades, the catchy term that Hoyle had coined was largely ignored by physicists and astronomers. Lemaître never used ‘Big Bang’ and Gamow used it only once in his numerous publications on cosmology. One might think that at least Hoyle took it seriously and promoted his coinage, but he returned to it only in 1965, after a silence of 16 years. It took until 1957 before ‘Big Bang’ appeared in a research publication2, namely in a paper on the formation of elements in stars in Scientific Monthly by the US nuclear physicist William Fowler, a close collaborator of Hoyle and a future Nobel laureate.
How Einstein built on the past to make his breakthroughs
Before 1965, the cosmological Big Bang seems to have been referenced just a few dozen times, mostly in popular-science literature. I have counted 34 sources that mentioned the name and, of these, 23 are of a popular or general nature, 7 are scientific papers and 4 are philosophical studies. The authors include 16 people from the United States, 7 from the United Kingdom, one from Germany and one from Australia. None of the scientific papers appeared in astronomy journals.
Among those that used the term for the origin of the Universe was the US philosopher Norwood Russell Hanson, who in 1963 coined his own word for advocates of what he called the ‘Disneyoid picture’ of the cosmic explosion. He called them ‘big bangers’, a term which still can be found in the popular literature — in which the ultimate big banger is sometimes identified as God.
A popular misnomer
A watershed moment in the history of modern cosmology soon followed. In 1965, US physicists Arno Penzias and Robert Wilson’s report of the discovery of the cosmic microwave background — a faint bath of radio waves coming from all over the sky — was understood as a fossil remnant of radiation from the hot cosmic past. “Signals Imply a ‘Big Bang’ Universe” announced the New York Times on 21 May 1965. The Universe did indeed have a baby phase, as was suggested by Gamow and Lemaître. The cosmological battle had effectively come to an end, with the steady-state theory as the loser and the Big Bang theory emerging as a paradigm in cosmological research. Yet, for a while, physicists and astronomers hesitated to embrace Hoyle’s term.
Work by US physicists Arno Penzias and Robert Wilson vindicated the Big Bang theory.Credit: Bettmann/Getty
It took until March 1966 for the name to turn up in a Nature research article3. The Web of Science database lists only 11 scientific papers in the period 1965–69 with the name in their titles, followed by 30 papers in 1970–74 and 42 in 1975–79. Cosmology textbooks published in the early 1970s showed no unity with regard to the nomenclature. Some authors included the term Big Bang, some mentioned it only in passing and others avoided it altogether. They preferred to speak of the ‘standard model’ or the ‘theory of the hot universe’, instead of the undignified and admittedly misleading Big Bang metaphor.
Nonetheless, by the 1980s, the misnomer had become firmly entrenched in the literature and in common speech. The phrase has been adopted in many languages other than English, including French (théorie du Big Bang), Italian (teoria del Big Bang) and Swedish (Big Bang teorin). Germans have constructed their own version, namely Urknall, meaning ‘the original bang’, a word that is close to the Dutch oerknal. Later attempts to replace Hoyle’s term with alternative and more-appropriate names have failed miserably.
The many faces of the metaphor
By the 1990s, ‘Big Bang’ had migrated to commercial, political and artistic uses. During the 1950s and 1960s, the term frequently alluded to the danger of nuclear warfare as it did in UK playwright John Osborne’s play Look Back in Anger, first performed in 1956. The association of nuclear weapons and the explosive origin of the Universe can be found as early as 1948, before Hoyle coined his term. As its popularity increased, ‘Big Bang’ began being used to express a forceful beginning or radical change of almost any kind — such as the Bristol Sessions, a series of recording sessions in 1927, being referred to as the ‘Big Bang’ of modern country music.
In the United Kingdom, the term was widely used for a major transformation of the London Stock Exchange in 1986. “After the Big Bang tomorrow, the City will never be the same again,” wrote Sunday Express Magazine on 26 October that year. That use spread to the United States. In 1987, the linguistic journal American Speech included ‘Big Bang’ in its list of new words and defined ‘big banger’ as “one involved with the Big Bang on the London Stock Exchange”.
Today, searching online for the ‘Big Bang theory’ directs you first not to cosmology, but to a popular US sitcom. Seventy-five years on, the name that Hoyle so casually coined has indeed metamorphosed into a harpoon-like word: very hard to pull out once in.