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Los únicos actores importantes que aún viven de la película Police Woman de 1974

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El drama policial floreció en la década de 1970 (Posteriormente fue parodiado en la década de 1980.) Gracias a “Dragnet”, cuando al guionista de televisión Robert L. Collins se le ocurrió lo que se consideró una idea genial al final de la administración de Richard M. Nixon: ¿Qué pasaría si en lugar de “policía”, “policía”?mujer“Muéstranos”, dijo NBC, y Collins respondió con la estridente “Mujer policía”, protagonizada por Angie Dickinson como la sargento Susan “Pepper” Anderson.

'Police Woman' fue tan progresista como se podría esperar de un drama de una hora de duración en la década de 1970, cuando era raro tener drama en él. cualquier El tipo encabezado por una mujer. Una vez a la semana, Dickinson adopta un carácter casi feminista como agente de la ley con habilidades superiores y predilección por usar camisas y pantalones ajustados. Al menos una vez fue de incógnito en traje de baño. Como se quejó ante la prensa años después, a los escritores les gustaba que su personaje entrara en acción en la ducha.

A pesar de estas concesiones a los espectadores acérrimos, la serie todavía ha tenido un impacto positivo en las fuerzas del orden, ya que ha llevado a un aumento significativo de solicitudes de mujeres para los departamentos de policía del país (aunque vale la pena señalar que, Según la Oficina de Asistencia Jurídica(A partir de 2023, las mujeres representan sólo el 12% de todos los oficiales jurados). Y aunque nunca superó los ratings de Nielsen fuera de su primera temporada, tuvo un desempeño bastante bueno hasta que fue trasladado a un horario inadecuado para su cuarta y última temporada.

Puede que “Mujer Policía” haya sido una gran estrella para Dickinson, pero lo logró gracias a la camaradería de su grupo. Pepper de Dickinson tuvo una gran química con el recientemente fallecido Earl Holliman como el sargento de armas Bill Crowley, así como con el dúo encubierto de Pete Royster de Charles Dirkop y Joe Stiles de Ed Bernard.

Dado que el programa ha estado fuera del aire durante 46 años, no debería sorprender que hayamos perdido a más personas que Holliman. ¡Pero te alegrará saber que dos de los jugadores habituales de la serie todavía están con nosotros!

Ed Bernard (Joe Estilos)

Si nunca has visto “Mujer policía”, la descripción más precisa que puedo hacer es que era una “Los ángeles de Charlie” más sobria. Las investigaciones encubiertas realizadas sobre Pepper y sus asociados solían ser asuntos serios, pero nunca se confundiría la serie con Dragnet, y mucho menos con Serpico. Fue una visualización sin estrés durante su emisión inicial en NBC y hoy en día se reproduce como un campamento. Esta es mi manera de decir que el personaje de Ed Bernard, Joe Stiles, no era la idea que nadie tenía de un detective duro como, digamos, John Roundtree.

Cuando “La mujer policía” terminó su carrera en 1978, Bernard pasó directamente a interpretar al director Jim Willis en la popular serie de baloncesto de secundaria de Bruce Paltrow, “La sombra blanca”. Unos años más tarde, consiguió un papel regular como el teniente Bill Giles en la serie “Hardcastle and McCormick”. Después de eso, se conformó con apariciones puntuales como oficial de policía o juez en películas y programas como “Doogie Howser, MD”, “Homeward Bound: The Incredible Journey” y “NYPD Blue”. Su último papel fue el de Moody Brown en Cold Case de 2005, por lo que parece que Bernard, de 85 años, se ha retirado de la actuación.

Angie Dickinson (Sargento Susan “Pepper” Anderson)

Angie Dickinson es, sin exagerar, una leyenda de Hollywood. La exreina de belleza ingresó a la televisión cuando tenía poco más de 20 años con apariciones en programas como “Death Valley Days”, “Gunsmoke” y “Wagon Train”. Hizo su debut cinematográfico en la película de 1954 “Lucky Me” y consiguió su primer papel protagónico junto a James Arness en la película de 1956 “Gun the Man Down”. Interpretó al valiente jugador Feathers junto a John Wayne. La obra maestra del oeste de Howard Hawks “Rio Bravo” Esto la convirtió de la noche a la mañana en una estrella de cine de pleno derecho. Luego apareció como Beatrice, la esposa de Frank Sinatra, en “Ocean's 11”, la mujer fatal en el clásico de Don Siegel “The Killers” y un tipo diferente de dama peligrosa en la mala “Point Blank” de John Boorman.

Después de un período de altibajos a principios de la década de 1970, Dickinson buscaba algo estable y de alto perfil. Este proyecto resultó ser “Mujer Policía”. Como se señaló, el sargento. Susan “Pepper” Anderson era un símbolo sexual y una aspirante a figura en un momento en que el movimiento feminista se estaba calentando en Estados Unidos. Dickinson también recibió tres nominaciones al Primetime Emmy por su interpretación de Pepper, que, exasperantemente, sería la última vez que recibiría premios importantes (teníamos a Janet Leigh nominada por ella en el thriller de Brian De Palma). “Vestida para matar”.

Dickinson continuó actuando en cine y televisión durante los años 1980 y 2000. Sus apariciones televisivas notables incluyeron series como “The Larry Sanders Show”, “Ellen” y “Saturday Night Live” (que presentó en 1987), mientras que en el cine fue memorable en “Even Cowgirls Get the Blues”, “Sabrina ”, e “Incluso “Las vaqueras se deprimen” y “Sabrina”. “Paga adelante”. Su última actuación en la película de Hallmark “Mending Fences” fue en 2009. Desde entonces, la mujer de 93 años ha disfrutado de la vida y ocasionalmente entrevista a personas afortunadas como yo.



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Las series Highlander y Police Academy tienen una desafortunada cosa en común

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Es muy raro en el mercado cinematográfico actual dominado por la propiedad intelectual. Para ver una película original que genera una franquicia de larga duración. Por supuesto, estas no siempre son imágenes en movimiento. enteramente creativo. Pero aunque tienden a derivar de fórmulas narrativas que han funcionado en el pasado, al menos están escritas desde cero sin mucha ayuda de una novela, un cómic, un videojuego o, hoy en día, la historia del origen de una marca popular. .

Así que aplaudo a Gregory Weeden y Paul Maslansky por tener la audacia creativa de lanzar dos series de gran éxito: “Highlander” y “Police Academy”, respectivamente. El primero les dio a los fanáticos cuatro entregas distintas a lo largo de 14 años, mientras que el segundo lanzó seis entradas una vez al año entre 1984 y 1989 (y una séptima entrega en Late in the Day con gran parte del mismo elenco en 1994).

“Loca Academia de Policía” en particular fue el espíritu de la época, popularizado por el equipo ZAZ de David Zucker, Jim Abrahams y Jerry Zucker (“¡Avión!”) (“¡Avión!”) sin ser en sí misma una parodia. Las películas eran esencialmente variaciones obscenas de las comedias mudas Keystone Cops del director Mack Sennett y, por alguna razón, definitivamente conectaron con los cinéfilos. Lo más importante para Warner Bros., que estrenó las siete películas, fue que se produjeron a bajo costo y generaron mucho dinero en taquilla. La primera película costó un total de 4,8 millones de dólares y recaudó 149,8 millones de dólares en todo el mundo. Toda la serie de películas ha recaudado un total de 537,8 millones de dólares en todo el mundo, pero con los ingresos brutos individuales disminuyendo y los presupuestos aumentando, WB perdió el apetito por las imperturbables payasadas de Ley y orden del equipo.

“Highlander” está protagonizada por Christopher Lambert y Sean Connery como guerreros inmortalesfue un negocio diferente a nivel comercial, ya que perdió dinero teatralmente al recaudar 12,8 millones de dólares en todo el mundo con un presupuesto de 19 millones de dólares. Las secuelas también obtuvieron malos resultados en taquilla. Sin embargo, fueron muy populares en vídeo y cable, y dieron lugar a una serie de televisión, una película animada, novelas y cómics.

Entonces, ¿qué podría ser “desafortunado” en dos series de películas que hicieron ganar mucho dinero a sus creadores?

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El orden correcto para ver la serie Police Story de Jackie Chan

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La historia es la siguiente: Era 1985, y La estrella de Hong Kong Jackie Chan, que había disfrutado de casi dos décadas de éxito cinematográfico en su país natal, quería ampliar su alcance en Estados Unidos. De hecho, Chan intentó infiltrarse en Estados Unidos en 1980 con “The Big Brawl” de Robert Clouse, pero aunque era muy respetado por los fanáticos de las artes marciales, “Brawl” nunca logró el éxito masivo que Chan deseaba. Chan ya había dirigido cuatro películas en 1985, pero todavía sentía que el director estadounidense podía traducir su sensibilidad combativa al público norteamericano con mayor precisión. Entonces, eligió al director James Glickenhaus (“El astrólogo”, “El exterminador”) para dirigir la película de acción de 1985 “El protector”.

Chan y Glickenhaus chocaron durante toda la producción, y Glickenhaus se negó a filmar las escenas de lucha de una manera aprobada por Chan. Al final de la producción, Chan reeditó la película él mismo y dirigió nuevas escenas con la esperanza de salvar el proyecto.

Fue su disgusto por “The Protector” lo que impulsó a Chan a hacer su primera película, “Police Story”, su quinto trabajo como director, en la que interpretó a un superpolicía llamado Kevin Chan Ka-Kui. Resultó ser una de las mejores películas de Chan y generó una larga serie de secuelas que fueron grandes éxitos en Hong Kong y bien recibidas en los Estados Unidos.

Puede resultar difícil para los lectores estadounidenses realizar un seguimiento de todas las partes de la serie Police Story, ya que se han publicado esporádicamente (y con títulos cambiantes) en Norteamérica. Por ejemplo, la película de 1996 “Supercop” es en realidad la película de 1992 “Police Story 3: Supercop”.

Estas películas se aprecian mejor en el orden en que fueron estrenadas. Para dejar las cosas claras, la siguiente lista clasificará todas las películas de “Detective Story” en orden, junto con sus títulos en EE. UU. y fechas de estreno.

Mire las películas de Police Story en orden de estreno

Aquí están las películas de “Police Story” en orden de estreno. Dada la dureza con la que se ha tratado el cine de acción de Hong Kong en los mercados internacionales, muchos de los títulos siguientes contendrán notas sobre cómo fueron editados y retitulados:

  • “novela policial” (1985) – Fue cortado en 13 minutos y lanzado como “Fuerza de policía de Jackie Chan” en los vídeos caseros estadounidenses de los años 1980. No se lanzó en su forma completa en Norteamérica en 1998 y se presentó con una nueva banda sonora.
  • “Historia policial 2” (1988) – La versión de Hong Kong dura 105 minutos, la versión japonesa dura 122 minutos y la versión estadounidense dura 95 minutos. La versión de 105 minutos fue lanzada en Estados Unidos en 1999 y se presenta con una nueva partitura musical.
  • Historia policial 3: Supercubo (1992) – estrenado en cines como “Super policía” (1996) en Norteamérica, recortado en 10 minutos y regrabado. La versión norteamericana también contiene nuevas canciones pop.
  • “Superpolicía 2” (1993) – papel Protagonizada por Michelle Yeohllamé a veces “Proyecto S.” Fue lanzado en Estados Unidos en DVD en 1999.
  • Historia policial 4: primer ataque (1996) – Estrenada en cines en los Estados Unidos como “El primer éxito de Jackie Chan” Fue grabado sin 20 minutos.
  • “Una nueva historia policial” (2004) – Publicado en DVD en EE. UU. en 2006. Se han realizado cortes mínimos.
  • “Historia policial 2013” (2013) – Fue lanzado en DVD en Estados Unidos en 2015 como “Historia policial: bloqueo”.

En el apogeo del cine grindhouse en la década de 1970, no era raro que los rápidos estudios estadounidenses compraran películas de artes marciales, las redujeran considerablemente y les cambiaran el título con impunidad. De hecho, algunas películas de artes marciales se estrenarán con varios títulos alternativos y varias veces, con la esperanza de engañar al público haciéndoles pensar que son nuevas.

Hollywood hizo la historia del policía sucio

Luego, para continuar el ciclo, los mismos estudios estadounidenses editan varias películas juntas para formar una nueva película híbrida sin sentido. La nueva película amalgama se estrenará con otro título alternativo. Habiendo hecho esto, puedo decir que archivar versiones de los años 70 de películas de acción chinas y de Hong Kong es frustrante y requiere mucha investigación y familiaridad con el género y los cineastas.

El cine de Hong Kong experimentó un auge estadounidense en la década de 1990, gracias en gran parte al auge del cine de Hong Kong. Apoyo a Quentin Tarantino. En 1995, Jackie Chan causó sensación en los Estados Unidos con el estreno de la película de Stanley Tong “Rumble in the Bronx”, lo que lo convirtió en una estrella internacional. Esto provocó un exceso de importaciones “remezcladas” a lo largo de la década de 1990, muchas de ellas de la serie “Police Story”, como se mencionó anteriormente. La película de 1997 “Operación Cóndor”, por nombrar sólo un ejemplo, fue la película de 1991 “Armor of the Gods 2: Operation Condor” que se presentó al público estadounidense sin contexto.

A pesar de la recién descubierta atención de Chan en los Estados Unidos, gran parte del torpe manejo de las películas de artes marciales seguía siendo un estándar de la industria. Los estudios estadounidenses no parecían preparados para proyectar íntegramente las películas de Chan, incluidas las películas de “Police Story”. No sería hasta la llegada de compañías de vídeos domésticos como Arrow Video y Criterion Collection que los actores de las películas wuxia chinas y de Hong Kong serían restaurados adecuadamente y recibirían un tratamiento de estrella.

Aquellos que piensan que la acción en Hong Kong es “barata” o “cursi” probablemente hayan sido destetados por copias acortadas, dobladas y mal cuidadas. De hecho, las películas de Chan son animadas, vívidas y emocionantes, y algunas de las mejores películas de acción que jamás hayas visto.

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Climate protestors clash with police outside Tesla’s German gigafactory

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Climate protestors in Germany broke through police barricades on Friday, amid clashes between activists and law enforcement. The protestors either made it onto (according to protestors) or near (according to local police) the grounds of a Tesla gigafactory in Grünheide, Germany, near Berlin. It’s part of a planned five-day demonstration ahead of a local government vote next week to determine whether Tesla’s plant can expand.

Wired flagged social media videos showing activists, many of whom have been camping out in treehouses in nearby forest encampments, running toward a Tesla building on the site. In addition, the German newspaper Welt said at least one person participating was injured. Police reportedly police used pepper spray and batons to try to thwart the crowd, and there were at least some arrests.

A spokesperson for one of the groups participating in the protests told Wired that they broke the police barriers and stormed the Tesla grounds. “Eight hundred people have entered the premises of the gigafactory,” Lucia Mende of Disrupt Tesla said. However, local police posted on X (Musk’s social media platform) that the activists only reached a field facing the site. “We have been able to prevent them from entering so far,” they posted.

GRUENHEIDE, GERMANY - MAY 10: Police confront environmental activists in a forest near the Tesla Gigafactory electric car factory on May 10, 2024 near Gruenheide, Germany. Activists have come from across Germany to demand a stop to plans by Tesla to expand the factory, which would involve cutting down at least 50 hectares of trees. Some locals also support the protest, citing stress to local groundwater reserves from the factory. (Photo by Axel Schmidt/Getty Images)GRUENHEIDE, GERMANY - MAY 10: Police confront environmental activists in a forest near the Tesla Gigafactory electric car factory on May 10, 2024 near Gruenheide, Germany. Activists have come from across Germany to demand a stop to plans by Tesla to expand the factory, which would involve cutting down at least 50 hectares of trees. Some locals also support the protest, citing stress to local groundwater reserves from the factory. (Photo by Axel Schmidt/Getty Images)

Axel Schmidt via Getty Images

At least at first glance, it’s easy to wonder why activists are pouring so much energy into fighting Tesla. After all, despite Musk’s increasingly unhinged right-wing conspiracy-mongering and Nazi-catering on X, other automakers pushing gas-guzzling cars seem like more appropriate targets (not to mention the fossil fuel companies spending big bucks on anti-climate-reform disinformation). However, several factors make the issues at the heart of the protests less simplistic.

A (nonbinding) vote in February showed Grünheide residents opposed the expansion by almost a two-to-one ratio. If for no other reason, the local government having a chance to brush aside the overwhelming will of the voters in the name of capitalism is enough to raise the eyebrows of anyone who balks at minority rule.

Wired notes the area is also one of the most water-scarce in Germany, and residents worry the gigafactory will drain the resource, leaving much less for the humans who live there. The plant could also pollute local water supplies.

Those fears appear to have merit: The plant is licensed to use 1.4 million cubic meters of water annually, and a separate Wired report from Tuesday noted that’s enough to supply for a large town. As for the contamination fears, Tesla was fined in 2019 by the EPA for several hazardous waste violations at a California factory. The company paid a grand total of $31,000 to settle. (Tesla had a market cap of almost $76 billion in 2019.)

But some of the groups protesting have concerns that go much farther than those more immediate issues affecting the locals, instead taking issue with the entire electric vehicle movement. “Companies like Tesla are there to save the car industry, they’re not there to save the climate,” Esther Kamm, spokesperson for Turn Off the Tap on Tesla told Wired.

Another activist, who only gave Wired the name Mara, described the factory as the result of “green capitalism.” She views the EV movement as little more than a theatrical performance in the name of profit. “This has been completely thought up by such companies to have more growth, even in times of an environmental crisis,” she said.

I wouldn’t exactly say flipping the bird to the EV movement is a “workable” solution to the very real and pressing climate crisis. Regardless of your thoughts on the matter, the world needs to move quickly to fend off climate change’s most ravaging effects, and the scientific consensus is that the planned shift to EVs will need to play a central role.

Tesla reportedly told its employees at the factory to work from home on Friday, shutting down the plants for the planned protests. As for Friday’s protests, Welt reports that the situation had calmed by afternoon — at least for now.



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Women in Blue crime series tells the tale of a female police force

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Did you know Mexico established an all-female police force decades ago? Well, now you do, thanks to the first look Apple dropped Friday for the Women in Blue crime series (aka Las Azules). The new Spanish-language, 10-part drama is set in 1970 against the backdrop of a serial killer’s spree.

Created by International Emmy Award winner Fernando Rovzar and featuring Ariel Award nominee Bárbara Mori, the show debuts July 31 on Apple TV+.

Women in Blue (Las Azules) crime drama series debuts on Apple TV+ July 31

So, based on real events, the new Women in Blue (Las Azules) crime-drama series tells the “thrilling true stories of Mexico’s first female police force.” In addition to Mori, it stars Ximena Sariñana, Natalia Téllez and Amorita Rasgado.

See the streamer’s more-detailed description below. It includes what underlied the country’s surprising move to create the force more than 50 years ago.

Set in 1970 and inspired by true events, Women in Blue tells the story of four women who defy the ultraconservative norms of the time and join Mexico’s first female police force. Only to discover that their squad is a publicity stunt to distract the media from a brutal serial killer.

As the body count grows, María (Bárbara Mori), whose determination to catch the killer becomes an obsession, Gabina (Amorita Rasgado), whose father is a renowned cop, Ángeles (Ximena Sariñana), a brilliant fingerprint analyst, and Valentina (Natalia Téllez), a young rebel, set up a secret investigation to achieve what no male officer has been able to do and bring the serial killer to justice.

That sounds intriguing. And if you can’t hang with dialogue in Spanish, turn on the subtitles. You might learn something.

All-Hispanic cast and crew

All members of the new show’s cast and crew are Hispanic. In addition to Mori (Perdidos en la noche, La Negociadora), the show stars Sariñana, Téllez, Rasgado, Miguel Rodarte, Leonardo Sbaraglia, Christian Tappan and Horacio García Rojas.

International Emmy Award-winning showrunner and director Fernando Rovzar (Monarca, Sr. Ávila) created the show with Pablo Aramendi (Tijuana, Los elegidos).

Lemon Studio produces the series for Apple TV+. Executive producers: Fernando Rovzar, Emmy Award nominee Wendy Riss (Yellowstone, The Killing), Erica Sánchez Su (Monarca, La Venganza de las Juanas), Sandra Solares (Point Break, Y tu mamá también) and International Emmy Award winner Billy Rovzar (Monarca, Control Z).

Watch dramas on Apple TV+

Women in Blue makes its debut with two episodes on Wednesday, July 31, on Apple TV+. One episode follows weekly through September 25. It joins a host of other dramatic films and shows.

The service is available by subscription for $9.99 with a seven-day free trial. You can also get it via any tier of the Apple One subscription bundle. For a limited time, customers who purchase and activate a new iPhone, iPad, Apple TV, Mac or iPod touch can enjoy three months of Apple TV+ for free.

After launching in November 2019, “Apple TV+ became the first all-original streaming service to launch around the world, and has premiered more original hits and received more award recognitions faster than any other streaming service. To date, Apple Original films, documentaries and series have been honored with 471 wins and 2,090 award nominations and counting,” the service said.

In addition to award-winning movies and TV shows (including breakout soccer comedy Ted Lasso), Apple TV+ offers a variety of documentaries, dramas, comedies, kids shows and more.

Watch on Apple TV

Source: Apple TV+



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Long-lost photos reveal details of world’s first police crime lab

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A photographic archive has been discovered in Lyon, France, that adds precious detail to what we know about the founding of the world’s first police crime laboratory in 1910 and its creator, Edmond Locard, a pioneer of forensic science.

The huge collection, which comprises more than 20,000 glass photographic plates that document the laboratory’s pioneering scientific methods, crime scenes and Locard’s personal correspondence, is thrilling historians at a time when many consider that forensic science has lost its way. “There is a movement to look back to the past for guidance as to how to renew the science of policing,” says Amos Frappa, a historian affiliated with the Sociological Research Centre on Law and Criminal Institutions in Paris, who is overseeing the analysis of the images.

In the late nineteenth and early twentieth centuries, many people in Europe and beyond were thinking about how criminals might be accurately identified by using techniques such as fingerprint, blood and skeletal analysis. Locard was the first person to create the semblance of forensic science. He established the first scientific lab that came under the aegis of the police, and that was dedicated to studying ‘traces’ of criminal activity collected from crime scenes.

Garage find

The collection of photographic plates almost didn’t survive. It languished for decades in a garage belonging to the National Forensic Police Department in Ecully, a Lyon suburb. In 2005, the glass plates were rescued from the garage and stored in Lyon’s municipal archives. But at the time, the Lyon archives lacked the resources to treat the collection properly, says director Louis Faivre d’Arcier. It wasn’t until 2017 that an inspection revealed that the plates’ gelatine layer containing the image information was, in many cases, infected with mould. After a sorting and decontamination project in 2022, conservators saved around two-thirds of the plates.

Left: attooed woman by the first name of Marie-Clémentine, 20 February 1934, from the collection of glass plates of the Lyon police laboratory; Right: Guided-hand technique for the identification of handwriting, undated.

Left: A tattooed woman named Marie-Clémentine in 1934; Edmond Locard’s team used tattoos as a way of identifying potential criminals. Right: Handwriting analysis as a means of identification was investigated but later spurned by Locard, who deemed it unreliable.Credit: Archives municipales de Lyon

The mammoth task of digitizing the contents of the fragile plates, which are mostly unindexed and disordered, became possible only when a local publisher and historian of funerary practices, Nicolas Delestre, offered to finance it. In collaboration with the municipal archives, his team developed a photographic protocol to capture as much information from the plates as possible. The digitization will be completed this spring, to coincide with the publication of Frappa’s French-language biography of Locard. The slow rebuilding of the indexes continues.

Locard, who worked in the early to mid-twentieth century, is famous for his maxim, which is usually formulated in English as “Every contact leaves a trace.” Trained as a forensic pathologist, he turned to the study of trace evidence after a French political scandal called the Dreyfus affair, in which a Jewish army officer called Alfred Dreyfus was falsely accused of espionage. During the affair, Locard’s mentor Alphonse Bertillon, who had invented a method of identifying people through bodily measurements, was called on as a handwriting specialist, despite having no expertise in the field. He wrongly identified Dreyfus as the author of an incriminating note.

Locard, seeing other countries adopt fingerprint identification, embraced that method instead. In 1910, he set up his laboratory in the attic of Lyon’s main courthouse, and gradually expanded his scientific analyses to include traces such as blood, hair, dust and pollen.

Sherlock Holmes connection

This much was known from published sources, but the photographic archive offers details about the social and intellectual milieu that produced Locard, onthe scientific networks in which he was embedded, and on how his thinking evolved as he experimented and made errors. His exchanges with contemporaries in countries including Germany, Switzerland, Italy and the United States shaped his approach, which might be why he did not consider himself a founder of a new field. But Locard’s ideas — his scientific methods and his insistence on meticulously studying crime scenes — fell on fertile ground in Lyon’s police chiefs and judges, who, unlike their Parisian counterparts, accepted the evidence that such approaches generated. “Lyon was a receptacle,” says Frappa.

Edmond Locard using a Leitz photographic bench in the 1920s.

Edmond Locard using a photographic bench in the 1920s.Credit: Archives municipales de Lyon

The new collection reveals Locard’s team at work. It captures their equipment and experiments, and the forensic traces they analysed. The close-knit group socialized together, received international visitors and investigated myriad means by which people could be identified. One way was to look at people’s tattoos, and the collection contains a large set of tattoo images. Locard took inspiration from many sources, including the Lyon-based Lumière brothers, who were pioneers of cinematography, and the creator of the fictional detective Sherlock Holmes, Arthur Conan Doyle, with whom he corresponded. In time, Locard discarded some techniques — notably, handwriting analysis — deeming them unreliable.

Since 2009, when a report from the US National Research Council found that many modern forensic techniques were inadequately grounded in science, the discipline has struggled to reorient itself. “By the late 20th century, it’s fair to say that forensic science had become an adjunct of law enforcement without allegiance to science,” says Simon Cole, who studies criminology, law and society at the University of California, Irvine, and directs the US National Registry of Exonerations. Cole has written about the problems with fingerprint identification, and last year reported on the fallibility of microscopic hair comparison. These techniques are routinely used to investigate crimes in the United States and elsewhere, and the evidence they generate is admissible in court.

Modern troubles

The 2009 report suggested that improving forensic science would require larger labs in which diverse specialists were insulated from each other and from the police to prevent bias. The trouble with that view, says Olivier Ribaux, director of the School of Criminal Sciences at the University of Lausanne in Switzerland, is that, when considering the potentially infinite number of traces that a crime scene can generate, some subjective selection by humans is inevitable. To ensure that this selection is as informative and as unbiased as possible, the forensic scientist must understand a trace in its context — as Locard’s maxim in French originally implied. “The problem with the big labs is that they have severed the connection with the crime scene,” Ribaux says.

He favours an alternative model in which smaller labs employ generalists, who can oversee specialists in certain fields, such as ballistics and DNA, but can also offer a more holistic view of a case. These generalists would work closely with the police — a return to Locard’s approach, in other words. But the two aren’t mutually exclusive, Ribaux says. They are just snapshots of the ongoing debate about how the field should reinvent itself.

That debate will surely be fuelled by the emerging portrait of Locard, sometimes dubbed the French Sherlock Holmes, whom Frappa describes as “a man so visionary he predicted, correctly, that he would be forgotten”.

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How Police Checks Benefit Everyone: 5 Everyday Scenarios

Hey there, folks! Today, we’re diving into the world of police checks, and believe it or not, they can be pretty darn handy in a bunch of everyday situations. You might think, “Why do I need to know this?” Well, stick around, and you’ll find out just how these checks can make our lives safer and more comfortable. 

So, grab a cup of coffee, settle in, and let’s explore the importance of police check in detail.

1. Job Applications and Interviews

When you’re on the job hunt, you know the drill – sending out those resumes, acing interviews, and hoping for the golden opportunity to come your way. But did you know that most employers have a little secret up their sleeves? Yup, it’s called a police check. This nifty tool helps employers get the lowdown on your criminal history, if any.

Why do they do it? Well, it’s not about snooping into your personal life. It’s about creating a safe and trustworthy workspace for everyone. Imagine you’re the boss, and you’ve got a team of folks working together daily. You’d want to make sure that everyone can focus on their tasks without worrying about safety concerns.

2. Renting an Apartment

Finding the perfect place to call home can be a real adventure. You’re hunting for the right neighbourhood, the right size, and the right price. And guess what? Landlords are on their experience, too – making sure they’re renting to someone trustworthy and responsible.

This is where police checks swoop in to save the day. When you apply to rent an apartment, landlords often use police checks to get a glimpse of your criminal history. Now, don’t get nervous – it’s not about judging your character; it’s about ensuring that their property is in good hands.

3. Adopting a Furry Friend:

Who can resist those adorable puppy eyes or the soft purring of a kitten? When you adopt a furry companion, animal shelters and rescue organisations use police checks to ensure you’re ready to provide a safe and loving environment for your new buddy.

It’s all about protecting our four-legged friends from any potential harm or neglect. These checks help guarantee that the animals they rescue are placed in homes where they’ll be cherished family members. 

4. Volunteering for Good Causes

Are you feeling the urge to give back to your community? That’s fantastic! Volunteering can be incredibly rewarding. But, just like with job applications, many volunteer organisations use police checks to screen potential volunteers.

Why do they do this? Well, it’s all about creating a safe and secure environment for volunteers and those they’re helping. Whether you’re tutoring kids, serving meals to people experiencing homelessness, or working at a local charity, knowing that everyone involved has been vetted through police checks ensures that you can focus on the task at hand – making a positive impact in your community.

5. Starting a Small Business

Entrepreneurs, listen up! If you’re dreaming of starting your own small business, you’ll likely encounter police checks, too. Banks and investors often request these checks when considering whether to fund your startup.

Why? Because it’s all about building trust. When asking for financial support, you want to show that you’re a responsible and trustworthy business owner. Police checks demonstrate that you’re operating within the bounds of the law and committed to running a legitimate and ethical enterprise.

This trust helps you secure funding and fosters positive relationships with business partners and customers. It sets you up for success in the long run and ensures that your business thrives in an environment of integrity and accountability.

Conclusion

So, there you have it, folks! Police checks aren’t just bureaucratic red tape. They’re tools that help make our lives safer, more secure, and filled with opportunities. Whether you’re seeking a job, a home, a pet, a way to give back, or starting a business, police checks play a pivotal role in ensuring that you can pursue your dreams with confidence and security. So, the next time you encounter one, just remember it’s all part of creating a better, safer community for us all.

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Police in Philadelphia are searching for two men who robbed nail salons disguised as Muslim women.

Authorities say two male armed robbers disguised in women’s Muslim clothing robbed two Asian-owned nail businesses in Philadelphia on Saturday.

Police in Philadelphia published CCTV footage from inside each of the nail shops on Monday, alleging that two masked black male suspects held all of the staff at gunpoint.

According to police, the first incident occurred around 4:30 p.m. at the Happy Family Nail Salon and Spa, located at 1100 W. Girard Ave. Three hours later, the second robbery occurred at Nails In The City, 2401 Aramingo Ave.

In each robbery, the two suspects donned what police characterized as “women’s Muslim garb with masks.” Employees’ wallets and IDs were all stolen. The thieves also took money from the cash registers.

According to authorities, one employee at the second nail salon was wounded in the leg while pursuing the perpetrators. She was hospitalized and was classified in stable condition.

Salon employees spoke with FOX29 Philadelphia, appealing with the burglars to stop targeting their establishments.

“Please put a stop to it. “We work hard to make money,” one worker, who chose to remain unnamed, explained.

One suspect was described as a Black male, 6 feet tall with a stocky build, wearing a black and white print Muslim attire, an orange face mask, gray gloves, black pants, black and white Nike sneakers, and gray and white mechanic-style gloves.

The second suspect was described as a black male, 5 feet 10 inches tall, with a skinny build, and dressed in cheetah or leopard print Muslim clothing, a blue or purple face mask, black jeans, white sneakers, and gray and white mechanic-style gloves.

During a press conference on Monday, Philadelphia District Attorney Larry Krasner told reporters that both nail salon robberies are under investigation.

As of Tuesday morning, no arrests had been made.

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Abu Dhabi Police: A Force for Good

The Abu Dhabi Police is one of the most respected and trusted law enforcement agencies in the world. It is responsible for maintaining law and order, protecting the public, and preventing crime in the Emirate of Abu Dhabi. The Abu Dhabi Police is also committed to providing excellent customer service and upholding the highest standards of professionalism.

History

The Abu Dhabi Police was founded in 1968, with a small force of just 80 officers. Since then, it has grown into a modern, well-equipped force with over 36,000 personnel. The Abu Dhabi Police is divided into a number of specialized departments, including:

  • Traffic and Patrols Directorate
  • Criminal Investigation Department
  • Special Operations Department
  • Coast Guard
  • Security and Protection Department
  • Forensic Science Department
  • Community Police Department
  • Human Resources Department
  • Finance Department
  • Information Technology Department

Mission and Vision

The mission of the Abu Dhabi Police is to “provide a safe and secure environment for all members of the community.” Its vision is to be “a leading police force that is committed to excellence in service delivery, innovation, and community partnership.”

Technology

The Abu Dhabi Police is committed to using technology to improve its efficiency and effectiveness. It has a state-of-the-art command and control center, and uses a variety of sophisticated equipment, such as:

  • Drones
  • Facial recognition software
  • Artificial intelligence
  • License plate recognition cameras
  • Body-worn cameras
  • Smart traffic lights

The Abu Dhabi Police is also a pioneer in the use of artificial intelligence. It is currently developing a number of AI-powered applications, such as a system that can predict crime hotspots and a system that can identify suspects from CCTV footage.

Professionalism and Dedication

The Abu Dhabi Police is known for its high level of professionalism and dedication. Its officers are well-trained and equipped, and they are always willing to go the extra mile to help the public. The Abu Dhabi Police is also committed to community policing, and it works closely with the community to prevent crime and solve problems.

The Abu Dhabi Police is committed to community policing. This means that it works closely with the community to prevent crime and solve problems. The Abu Dhabi Police has a number of community policing programs, such as:

  • The Safe City initiative
  • The Neighborhood Watch program
  • The School Safety program
  • The Traffic Safety program
  • The Victim Support program

Awards and Recognition

The Abu Dhabi Police has been recognized for its excellence in service delivery and innovation. In 2020, it was awarded the “Best Police Force in the Arab World” by the World Police Prize. It has also been awarded the “International Police Innovation Award” by the International Association of Chiefs of Police.

Conclusion

The Abu Dhabi Police is a force for good in the Emirate of Abu Dhabi. It is committed to keeping the Emirate safe and secure, and it is always working to improve its services. The Abu Dhabi Police is a valued member of the community, and it is an important part of what makes Abu Dhabi a safe and prosperous place to live.

In addition to the above, here are some other things that the Abu Dhabi Police does to keep the Emirate safe and secure:

  • It conducts regular patrols of the streets and highways.
  • It investigates crimes and apprehends criminals.
  • It provides security for public events and places.
  • It educates the public about crime prevention.
  • It works with other law enforcement agencies to share information and coordinate efforts.
  • It is always looking for new ways to improve its services and keep the Emirate safe.

The Abu Dhabi Police is a valuable asset to the Emirate of Abu Dhabi. It is committed to providing a safe and secure environment for all members of the community, and it is always working to improve its services.

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Dallas Police Department has released video of a shootout involving an illegal immigrant who fatally shot his housemate.

The Dallas Police Department has released body camera footage of the shootout and apprehension of an illegal immigrant suspected of killing his roommate in broad daylight and injuring a police officer.

Officers Derek Williams and Christopher Mazin allegedly witnessed the suspect, later identified as 45-year-old Juan Vicente Zavala Lopez, firing at a man in a vehicle as they passed by a business located at 4847 Scyene Road last Thursday.

The officers responded promptly, parked at a nearby business, and exited with their weapons drawn, according to authorities.

As he drove out of the parking lot, Zavala Lopez allegedly fired multiple shots at the officers, striking a patrol car. Officers retaliated with gunfire and reentered their vehicle to pursue.

On Second Avenue, the officers were pursuing Zavala Lopez when he abruptly made a U-turn and drove back at the officers, who had stopped and evacuated their vehicle. The police department’s body camera footage shows Officer Williams exchanging gunfire with a suspect in a white vehicle.

According to investigators, Williams was struck on the right side of his ballistic vest. The patrol vehicle was struck by additional bullets.

The injured officer was transported to a nearby hospital for treatment before being released. Monday’s press conference by Police Chief Eddie Garcia revealed that Officer Mazin was unharmed.

Ruperto Mondragon Salgado, 60, the victim of the initial shooting, died at the site. Another passenger in the vehicle was unharmed.

A search for the suspect led to a Lewisville, Texas, residence. To apprehend the suspect, the Dallas Police Fugitive Unit coordinated with Dallas Police SWAT and Lewisville Police.

Zavala Lopez was apprehended after being discovered in a cabin on the property. He has been charged with murder, one count of aggravated assault, and four additional counts of aggravated assault against a peace officer for the initial gunshot.

The initial gunshot, according to Garcia, appeared to be a domestic dispute between two roommates.

Currently, Zavala Lopez is being held in the Dallas County Jail on bonds exceeding $1 million.

Garcia stated that Zavala Lopez illegally entered the nation and is being held by Immigration and Customs Enforcement (ICE). In addition to facing charges in California, Zavala Lopez has a lengthy criminal history, having been deported nine times and spending 18 months in a Texas state prison, according to the police superintendent.