Now that spring is officially here, Hulu has started ushering in its wave of new titles to the platform – you can see everything new on Hulu in April 2024 here. Hulu’s broad range of genres is one of the reasons why it’s one of the best streaming services, and these four new arrivals with over 90% on Rotten Tomatoes prove that.
These all make for perfect watch parties depending on what genre you’re most likely to lean toward, including a drama, a thriller, a horror/ sci-fi, and a coming-of-age rom com.
There’s no doubt that each of these new arrivals will brighten up Hulu’s catalog of entertainment. Here are the four movies we think are worth the watch this April.
Little Women (2019)
RT score: 95% Director: Greta Gerwig Runtime: 135 minutes Age rating: PG Available to stream from: April 22
Greta Gerwig’s cinematic take on Louisa May Alcott’s novel makes a lot of smart changes, backed by different generations of talented actresses giving it their all. It follows the March sisters (Saoirse Ronan, Emma Watson, Florence Pugh, and Eliza Scanlen) as they grown from young girls into independent women, exploring the laughter, struggles, and tribulations they encounter. Gerwig does a fantastic job at putting the next generation of Hollywood actresses at the forefront of the story, with the support from legends like Laura Dern and Meryl Streep giving the movie its depth.
Take Shelter
RT score: 92% Director: Jeff Nichols Runtime: 124 minutes Age rating: R Available to stream from: April 1
Michael Shannon and Jessica Chastain assume the leads in Jeff Nichol’s thriller. Set in a small town in Ohio, Curtis (Shannon) lives with his wife Samantha (Chastain) and their hearing-impaired daughter Hannah (Tova Stewart), a happy family unit living peacefully despite facing financial struggles. However, Curtis’s mental illness takes a turn for the worse when he starts having dreams about a threatening apocalypse. This prompts him to start building a storm shelter that puts even more financial strain on his family, and causes tension throughout the community.
Get the hottest deals available in your inbox plus news, reviews, opinion, analysis and more from the TechRadar team.
The Host (2006)
RT score: 93% Director: Bong Joon Ho Runtime: 119 minutes Age rating: R Available to stream from: April 1
Before Bong Joon Ho won big at the Oscars with Parasite (2020) there was The Host, another horror from Ho with a score over 90% on Rotten Tomatoes. In his 2006 sci-fi horror, an American military base in South Korea releases toxic chemicals into the River Han – only for a mutant sea monster to emerge years later and attack the people of the city. Local vendor Park Kang-du (played by Parasite‘s Song Kang-ho) finds himself in a threatening position when his daughter is abducted by the creature, so he gathers his family to set out to save her.
Yes, God, Yes (2019)
RT score: 92% Director: Karen Maine Runtime: 78 minutes Age rating: R Available to stream from: April 22
Yes, God, Yes is a great option for short-viewing with stars from familiar Netflix original shows – Natalie Dyer from Stranger Things, and Alisha Boe from 13 Reasons Why. This coming-of-age comedy is set in the early 2000s and follows Catholic schoolgirl Alice (Dyer). After an AOL chat turns racy, Alice discovers her sexual side and finds she can’t suppress these feelings, which becomes more difficult as her devout Christian counterparts consistently condemn such feelings.
Apple TV+ now offers almost 30 more popular and classic movies for a limited time.
Last month, Apple added over 50 movies to its back catalog of content for a limited period – the biggest addition of content to its library to date. For April, the company has added many more titles, including:
42
Anchorman: The Legend of Ron Burgundy
Armageddon
Arrival
Bridesmaids
Bridge of Spies
Clueless
Contagion
Crazy Rich Asians
Crazy Stupid Love
Dunkirk
Forest Gump
Free State of Jones
Ghostbusters
Inception
John Wick
John Wick 2
John Wick: Chapter 3 – Parabellum
Mission: Impossible – Ghost Protocol
Sherlock Holmes
Taken
The Departed
The Godfather
The Godfather: Part II
The Heat
The Italian Job
The Town
Transformers: Dark of the Moon
Transformers
“Transformers: Dark of the Moon” is available in 3D on Apple Vision Pro. The movies are available for just four or eight weeks, depending on the title. Subscribers can access the movies in the “New to Apple TV+ This Month” section in the Apple TV app.
A first look at iOS 18’s rumored visionOS-style redesign may have been revealed by a new image of the Camera app. Alleged iOS 18 design resource. MacRumors received the above iPhone frame template from an anonymous source who claims they obtained it from an iOS engineer. It will allegedly be included as part of the Apple Design Resources for iOS 18, which helps developers visually design apps …
Apple has yet to release the first beta of iOS 17.5 for the iPhone, but two changes are already expected with the upcoming software update. iOS 17.5 will likely allow iPhone users in the EU to download apps directly from the websites of eligible developers, and the update might include some changes to how Apple ID recovery contacts work. More details about these potential changes follow. W…
Apple today added a handful of devices to its public-facing vintage and obsolete products list, including some older iPhone and iPad models. Apple now considers the iPhone 6 Plus to be “obsolete” worldwide, meaning that Apple Stores and Apple Authorized Service Providers no longer offer repairs or other hardware service for the device. Apple says it considers a product “obsolete” once seven…
Nearly one year after it launched in the U.S., the Apple Card’s high-yield savings account will be receiving its first-ever interest rate decrease. Starting on April 3, the Apple Card savings account’s annual percentage yield (APY) will be lowered to 4.4%, according to data on Apple’s backend discovered by MacRumors contributor Aaron Perris. The account currently has a 4.5% APY. 4.4% will …
Best Buy is discounting a large collection of M3 MacBook Pro computers today, including both the 14-inch and 16-inch versions of the laptop. Every deal in this sale requires you to have a My Best Buy Plus or Total membership, although non-members can still get solid second-best prices on these MacBook Pro models. Note: MacRumors is an affiliate partner with Best Buy. When you click a link and…
Apple’s WWDC 2024 dates have been announced, giving us timing for the unveiling of the company’s next round of major operating system updates and likely some other announcements. This week also saw some disappointing news on the iPad front, with update timing for the iPad Pro and iPad Air pushed back from previous rumors. We did hear some new tidbits about what might be coming in iOS 18 and…
Apple TV+ has dozens of classic films for subscribers to watch. And it just added to the collection. Photo: Apple TV+
Apple TV+ subscribers can enjoy a collection classic movies, with over two dozen that were just added in April. The list includes three John Wick films, the original Ghostbusters, a pair of Transformers movies and more.
There were already a selection classic movies on the streaming service, plus all the content Apple TV+ itself produced.
Timeless entertainment for you to enjoy
Almost every film or TV show that appears on Apple TV+ was created just for the streaming service. But it’s not 100% Apple original programs — the service also makes additions of classic movies. It’s at least a partial answer to criticism that TV+ has a smaller library than most of its rivals. (Small but top quality.)
Recently, a new slate of movies has appeared on Apple TV+ at the beginning of each month. And if there’s one on the list you’d like to watch, don’t dawdle: they are individually labeled as staying on the series through the end of April or May.
But there are sometimes holdovers. That’s true for a collection of 27 that was already on the service that includes three Star Trek movies, Mad Max: Fury Road, 200 and Minority Report.
All the classic movies added to Apple TV+ in April:
42
Anchorman: the Legend of Ron Burgundy
Armageddon
Arrival
Bridesmaids
Bridge of Spies
Clueless
Contagion
Crazy Rich Asians
Crazy Stupid Love
Dunkirk
Forrest Gump
Free State of Jones
Ghostbusters
Inception
John Wick
John Wick Chapter 2
John Wick 3
Mission Impossible: 4
Sherlock Holmes
Taken
The Departed
The Godfather
The Godfather Part II
The Heat
The Italian Job
The Town
Transformers
Transformers: Dark of the Moon
There were 29 classic movies added to Apple TV+ in April 2024. Screenshot: Apple TV+
Watch these films now on Apple TV+
Watching any of these classic films comes with a subscription to Apple TV+. The service is $9.99 per month with a seven-day free trial. You can also get it via any tier of the Apple One subscription bundle.
And Apple’s streaming video service also includes much more, of course. Apple produces an array of generally highly rated movies and series of its own. There are comedies, musicals, children’s shows, nature documentaries, etc.
April 2024 is looking to be an exciting month for streaming – especially if you’re a Max subscriber. Not only is Max one of the best streaming services, but it’s a movie buff’s best friend, and these four Oscar winners are essentially to every watch list.
We’ve selected four movies coming to Max in April 2024 with Oscar wins to their names, including a rom-com set in Tokyo, a Darren Aronofsky thriller, a biopic from the mind of David Fincher, and an A24 drama that made a big impression on movie fans this year.
These four films show that Max is very fond of Oscar winners – and you can find more of them in our list of best Max movies.
Lost in Translation (2003)
Director: Sofia Coppola Runtime: 102 minutes Age rating: R Available on: April 1
Sofia Coppola earned her first Oscar win with her feature Lost in Translation, taking home the award for Best Original Screenplay. Leading the story is Bob Harris (Bill Murray), a fading Hollywood actor in a midlife crisis when he travels to Tokyo to film a whisky commercial. He meets Charlotte (Scarlett Johansson), a college graduate who is left by herself while her husband is on a job in the same city. Though their ages and lifestyles differ drastically, they start spending more time together to deal with the cultural barriers around them and their individual feelings of loss.
Black Swan (2010)
Director: Darren Aronofsky Runtime: 108 minutes Age rating: R Available on: April 1
Natalie Portman was named Best Actress at the 2011 Academy Awards for her thrilling performance as Nina, a ballerina whose life revolves around the art of dance. She’s cast as the lead in a production of Swan Lake and is perfect for the White Swan role, while a competitive newcomer Lily (Mila Kunis) is everything needed for the role of the Black Swan. Their rivalry turns into a menacing relationship, and that mixed with the pressure of Nina’s controlling mother, Nina forms a deeper connection with her dark side.
Get the hottest deals available in your inbox plus news, reviews, opinion, analysis and more from the TechRadar team.
The Social Network (2010)
Director: David Fincher Runtime: 120 minutes Age rating: PG-13 Available on: April 1
Another entry on our list that was awarded for its writing talents with a Best Adapted Screenplay Oscar for Aaron Sorkin, in addition to Oscars for Best Original Score and Best Film Editing. The Social Network is a David Fincher masterpiece that recounts the events of how Facebook become a social and cultural phenomenon. Jesse Eisenberg plays Mark Zuckerberg, a Harvard student and computer whiz who, out of spite, creates a project that will change the face of communication. And it turns out that the spite has barely begun…
The Zone of Interest
Director: Jonathan Glazer Runtime: 106 minutes Age rating: PG-13 Available on: April 5
The most recent entry in our list earned two Oscar wins at the 2024 Academy Awards, walking away with Best Sound and Best International Feature Film. With Jonathan Glazer in the director’s seat, The Zone of Interest takes us to German-occupied Poland in 1943 and centres around SS officer and Auschwitz commander Rudolf (Christian Friedel) and his wife, Hedwig (Sandra Hüller). It’s a brutal look at the banality of evil, filling every inch of space around the idyllic life they’re building with the reality of the horrors.
Horror lovers with a Netflix need to know that a handful of scary movies are about to get slashed from the service, but look at it as your perfect opportunity to catch them before they leave, because there are some serious good options here, and we’ve picked out four below.
Our list contains two supernatural horrors, a modern psychological horror, and a prequel movie from a popular horror movie series. So no matter what area of genre you’re most drawn to, there are plenty of options for you to choose from – and even better if you’re looking to dive deeper into different horror subgenres. Train to Busan is an especially strong highlight here – it’s good enough to have a claim to being among the best Netflix movies of any kind. Though, obviously, not for long…
Train to Busan (2016)
Director: Yeon Sang-ho Runtime: 118 minutes Age rating: R Leaving on: April 20
Train to Busan is a zombie horror movie from the mind of Korean director Yeon Sang-ho that has received exceptional ratings. When a father (Gong Yoo) and his daughter board the train from Seoul to Busan, the apocalypse begins at the same time of their departure. The zombie outbreak reaches the carriages of the train and the safety of the passengers is on the line, so now they must fight for their lives and each other as the human population becomes increasingly threatened. It’s scary, it’s tense, it’s emotionally affecting, it’s great.
Malignant (2021)
Director: James Wan Runtime: 111 minutes Age rating: R Leaving on: April 26
James Wan’s horror stars Annabelle Wallis as Madison, who experiences gory daily visions of people being murdered. Soon, she learns that her visions are more than just fragments of her imagination and are happening in reality, and are linked to her mysterious past. This movie is absolutely bonkers, and features some truly wild physical acting that’s hard to believe is real (but it really was done by a person) – to say any more would give things away.
30 Days of Night (2007)
Director: David Slade Runtime: 113 minutes Age rating: R Leaving on: April 30
Get the hottest deals available in your inbox plus news, reviews, opinion, analysis and more from the TechRadar team.
Set in Barrow, Alaska, the residents of this remote town experience a month of darkness that occurs each year. While most of its population move south during this time, some decide to stay including Sheriff Eben (Josh Hartnett) and his wife Stella (Melissa George). Not all is as it seems as the month-long twilight hits, and the town is suddenly inundated with hungry vampires looking to feed. Now, the remaining townspeople must go into hiding and find a way to survive the month until the dawn breaks.
The First Purge (2018)
Director: Gerard McMurray Runtime: 97 minutes Age rating: R Leaving on: April 30
There’s no denying that The Purge series has cemented itself as a modern staple horror film franchise, with five movies and a television series. Like any movie franchise these days, the story must start somewhere, and The First Purge serves as a prequel to the events of the series. To reduce the crime rate to below one percent, a political party called the New Founding Fathers of America imposes a social experiment – one that allows citizens to let out their anger by legalizing all crime for 12 hours all in the confines of Staten Island. News of the experiment spreads quickly, and the whole nation finds itself participating.
There’s a good reason why Hulu is one of the best streaming services out there, and it’s thanks to the wide range of movies and shows on there. But just as new movies and shows are set to arrive, Hulu are also preparing to remove another load of titles in April 2024.
Many of the movies leaving Hulu this month are releases from the 2020s, including dark comedy satire The Menu (2022) where Ralph Fiennes gives a gripping performance as an enigmatic restaurant chef. Ridley Scott’s multi-perspective epic The Last Duel (2021) will also come to the end of its course on Hulu, and its stellar ensemble cast (Matt Damon, Adam Driver, Jodie Comer) is not one to miss.
Some of these movies rank among the best Hulu movies, and some are leaving much sooner in the month than others, so make sure you don’t miss out on something great!
Everything leaving Hulu in April 2024
Leaving April 1
Savage Salvation (2022)
Leaving April 2
The Menu (2022)
Get the hottest deals available in your inbox plus news, reviews, opinion, analysis and more from the TechRadar team.
Leaving April 4
Monster Family 2: Nobody’s Perfect (2021)
Leaving April 5
Son of Bigfoot (2017)
Leaving April 6
Beast of Burden (2018)
Mr. Right (2015)
The Program (2015)
Leaving April 8
The War With Grandpa (2020)
Leaving April 14
Black Death (2010)
Drunk Stoned Brilliant Dead: The Story of the National Lampoon (2015)
Apple TV+ may not pack in as many movies and TV shows as other major streaming platforms, but what it showcases rates highest for quality on IMDb, according to a new report.
Apple TV+ tops quality ratings in 19 genre categories on the movie-database site, including drama, comedy, action, biography and children’s content. But its relatively small catalogue helps keep it from ranking high on value for its price.
Apple TV+ top all streamers for quality content per IMDb ratings
Apple TV+ offers best-quality content rated by IMDb but also has the smallest library of content among several major streamers, a detailed survey from Self Financial found.
Other streamers the survey rated: Netflix, Amazon Prime Video, Disney+ (including Hulu), Max (formerly HBO Max), Paramount+ and Peacock.
These findings echo what JustWatch found in averaging critics’ scores of content in mid-2023. Apple TV+ has the best stuff, not the most stuff. And its rise based on that strategy continues.
Top quality, low quantity
Apple TV+ tops the list for quality content. Photo: Self Financial
Apple TV+ movies and series averaged a rating of 7.01 out of 10 (7.3/10 for family content), topping Self’s list for the third year in a row.
In fact, Apple TV+ came out on top in 19 of 27 genre categories. But in 11 of those, its rating carried an asterisk because it offers fewer than 15 titles in each of them.
And to that point, Apple TV+’s catalogue remains small compared to services like Amazon, Netflix and Hulu. The biggest, Amazon Prime Video, pushes 14,511 titles (it acquired MGM in 2022, for one thing). Netflix carries 6,643. And Apple TV+? Just 277, according to the survey.
What about value?
The Self survey also examined value offered for the cost of service. If found that Amazon’s Prime Video, which has surpassed Netlix in size but hasn’t increased prices like other services have, takes the value crown.
Prime Video offers the most movies rated “Excellent” on IMDb per $1 spent, at 42 (and 557 rated “Good”). However, Netflix still rates higheset for TV value, offering 60 “Excellent” shows and 241 “Good” shows for every $1.
Apple TV+ offers best quality including 4K content
When it comes to quanity of content, Apple TV+ brings up the rear. Photo: Self Financial
With a much smaller catalogue, Apple TV+ rated lower on value, understandably. It simply has few titles per dollar spent across the board.
However, the service took top honors for having the top audience ratings for its 4K movies and TV series (7.18/10). The hit comedy Ted Lasso accounts for some of that, with its 8.8 rating.
For comparison, Netflix comes in at a 4K content rating of 6.53. Prime Video comes in last at 5.93.
Apple TV+ is available by subscription for $9.99 with a seven-day free trial. You can also get it via any tier of the Apple One subscription bundle. For a limited time, customers who purchase and activate a new iPhone, iPad, Apple TV, Mac or iPod touch can enjoy three months of Apple TV+ for free.
After launching in November 2019, “Apple TV+ became the first all-original streaming service to launch around the world, and has premiered more original hits and received more award recognitions faster than any other streaming service. To date, Apple Original films, documentaries and series have been honored with 471 wins and 2,090 award nominations and counting,” the service said.
In addition to award-winning movies and TV shows (including breakout soccer comedy Ted Lasso), Apple TV+ offers a variety of documentaries, dramas, comedies, kids shows and more.
Since the 1950s, scientists have had a pretty good idea of how muscles work. The protein at the centre of the action is myosin, a molecular motor that ratchets itself along rope-like strands of actin proteins — grasping, pulling, releasing and grasping again — to make muscle cells contract.
The basics were first explained in a pair of landmark papers in Nature1,2, and they have been confirmed and elaborated on by detailed molecular maps of myosin and its partners. Researchers think that myosin generates force by cocking back the long lever-like arm that is attached to the motor portion of the protein.
The only hitch is that scientists had never seen this fleeting pre-stroke state — until now.
In a preprint published in January3, researchers used a cutting-edge structural biology technique to record this moment, which lasts just milliseconds in living cells.
‘The entire protein universe’: AI predicts shape of nearly every known protein
“It’s one of the things in the textbook you sort of gloss over,” says Stephen Muench, a structural biologist at the University of Leeds, UK, who co-led the study. “These are experiments that people wanted to do 40 years ago, but they just never had the technology.”
That technology — called time-resolved cryo-electron microscopy (cryo-EM) — now has structural biologists thinking like cinematographers, turning still snapshots of life’s molecular machinery into motion pictures that reveal how it works.
Muench and his colleagues’ myosin movie isn’t feature-length; it consists of just two frames showing different stages of the molecular motion. Yet it confirmed a decades-old theory and settled debates over the order of the steps in myosin’s choreography. Other researchers are focusing their new-found director’s eye on understanding cell-signalling systems, including those underlying opioid overdoses, the gene-editing juggernaut CRISPR–Cas9 and other molecular machines that have been mostly studied with highly detailed, yet static structural maps.
Researchers have been able to capture images of individual myosin proteins as they pull on an actin filament during muscle contraction, confirming key details of the motion. First, myosin becomes cocked or primed, then it attaches to actin and its lever arm swings in a power stroke that slides the filament by about 34 nanometres.Credit: Sean McMillan
“The big picture is to move away, as much as possible, from this single, static snapshot,” says Georgios Skiniotis, a structural biologist at Stanford University in California, whose team used the technique to record the activation of a type of cell-signalling molecule called a G-protein-coupled receptor (GPCR)4. “I want the movie.”
Freeze frame
To underscore the power of cryo-EM, Skiniotis and others like to draw a comparison with one of the first motion pictures ever made. In the 1870s, photographer Eadweard Muybridge used high-speed photography technology, which was cutting edge at the time, to capture a series of still images of a galloping horse. They showed, for the first time, that all four of the animal’s hooves leave the ground at once — something that the human eye could not distinguish.
Similar insights, Skiniotis says, will come from applying the same idea to protein structures. “I want to get a dynamic picture.”
The ability to map proteins and other biomolecules down to the location of individual atoms has transformed biology, underpinning advances in gene editing, drug discovery and revolutionary artificial-intelligence tools such as AlphaFold, which can predict protein structures. But the mostly static images delivered by X-ray crystallography and cryo-EM, the two technologies responsible for the lion’s share of determined protein structures, belie the dynamic nature of life’s molecules.
“Biomolecules are not made up of rocks,” says Sonya Hanson, a computational biophysicist at the Flatiron Institute in New York City. They exist in water and are constantly in motion. “They’re more like jelly,” adds Muench.
The secret lives of cells — as never seen before
Biologists often say that “structure determines function”, but that’s not quite right, says Ulrich Lorenz, a molecular physicist at the Swiss Federal Institute of Technology in Lausanne (EPFL). The protein poses captured by most structural studies are energetically stable ‘equilibrium’ states that provide limited clues to the short-lived, unstable confirmations that are key to chemical reactions and other functions performed by molecular machines. “Structure allows you to infer function, but only incompletely and imperfectly, and you’re missing all of the details,” says Lorenz.
Cryo-EM is a great way to get at the details, but capturing these fleeting states requires careful preparation. Protein samples are pipetted onto a grid and then flash frozen with liquid ethane. They are then imaged using powerful electron beams that record snapshots of individual molecules (sophisticated software classifies and morphs these pictures into structural maps). The samples swim in water before being frozen, so any chemical reaction that can happen in a test tube can, in theory, be frozen in place on a cryo-EM grid — if researchers can catch it quickly enough.
That’s one of the first big challenges says Joachim Frank, a structural biologist at Columbia University in New York City who shared the 2017 Nobel Prize in Chemistry for his work on cryo-EM. “Even for very dexterous people, it takes a few seconds.” In that time, any chemical reactions — and the intermediate structures that mediate the reactions — might be long gone before freezing. “This is the gap we want to fill,” says Frank.
Caught in translation
Frank’s team has attempted to solve this problem using a microfluidic chip. The device quickly mixes two protein solutions, allows them to react for a specified time period and then delivers reaction droplets onto a cryo-EM grid that is instantly frozen.
This year, Frank’s team used their device to study a bacterial enzyme that rescues ribosomes, the cell’s protein-making factories, if they stall in response to antibiotics or other stresses. The enzyme, called HflX, helps to recycle stuck ribosomes by popping their two subunits apart.
Frank’s team captured three images of HflX bound to the ribosome, over a span of 140 milliseconds, which show how it splits the ribosome like someone carefully removing the shell from an oyster. The enzyme breaks a dozen or so molecular bridges that hold a ribosome’s two subunits together, one by one, until just two are left and the ribosome pops open5. “The most surprising thing to me is that it’s a very orderly process,” Frank says. “You would think the ribosome is being split and that’s it.”
Muench and his colleagues, including Charlie Scarff, a structural biologist at the University of Leeds, and Howard White, a kineticist at Eastern Virginia Medical School in Norfolk, Virginia also used a microfluidic chip to make their myosin movie by quickly mixing myosin and actin3.
‘It will change everything’: DeepMind’s AI makes gigantic leap in solving protein structures
But the molecular motor is so fast that, to slow things down ever further, they used a mutated version of myosin that operates about ten times slower than normal. This allowed the team to determine two structures, 110 milliseconds apart, that showed the swing of myosin’s lever-like arm. The structures also showed that a by-product of the chemical reaction that powers the motor — the breakdown of a cellular fuel called ATP — exits the protein’s active site before the lever swings and not after. “That is ending decades of conjecture,” says Scarff.
With this new model in mind, Scarff, whose specialty is myosin, and Muench are planning to use time-resolved cryo-EM to study how myosin dynamics are affected by certain drugs and mutations that are known to cause heart disease.
Microfluidic chips aren’t the only way researchers are putting time stamps on protein structures. A team led by Bridget Carragher, a structural biologist and the technical director at the Chan Zuckerberg Imaging Institute in Redwood City, California, developed a ‘spray and mix’ approach that involves shooting tiny volumes of reacting samples onto a grid before flash-freezing them6.
In another set-up — developed by structural physiologist Edward Twomey at Johns Hopkins University School of Medicine in Baltimore, Maryland, and his team — a flash of light triggers light-sensitive chemical reactions, which are stopped by flash-freezing7. Lorenz’s kit, meanwhile, takes already frozen samples and uses laser pulses to reanimate them for a few microseconds before they refreeze, all under the gaze of an electron microscope8.
‘Limitations everywhere’
The different approaches have their pros and cons. Carragher’s spray and mix approach uses minute sample volumes, which should be easy to obtain for most proteins; Twomey says his ‘open-source’ light-triggered device is relatively inexpensive and can be built for a few thousand dollars; and Lorenz says his laser-pulse system has the potential to record many more fleeting events than other time-resolved cryo-EM technologies — down to a tenth of a microsecond.
Revolutionary cryo-EM is taking over structural biology
But these techniques are not yet ready to be rolled out. Currently, there are no commercial suppliers of time-resolved cryo-EM technology, limiting its reach, says Rouslan Efremov, a structural biologist at the VIB-VUB Center for Structural Biology in Brussels. “All these things are fussy and hard to control and they haven’t really caught on,” adds Carragher.
Holger Stark, a structural biologist at the Max Planck Institute for Multidisciplinary Sciences in Göttingen, Germany, says that current forms of time-resolved cryo-EM might be useful for some molecular machines that operate on the basis of large-scale movements — for example, the ribosome. However, the technology is not ready for use on just any biological system. “You have to cherry pick your subject,” he says. “We have limitations everywhere.”
Despite the shortcomings, there are plenty of interesting questions for researchers to start addressing now using these techniques. Twomey is using time-resolved cryo-EM to study Cas9, the DNA-cutting enzyme behind CRISPR gene editing, and says the insights could help to make more efficient gene-editing systems.
Lorenz used his laser-melting method to show how a plant virus swells up after it infects a cell to release its genetic material7 (see ‘Viral blow-up’). He is now studying other viral entry molecules such as HIV’s envelope protein. “We have these static structures, but we don’t know how the system makes it from one state to the other, and how the machinery works,” he says.
Source: Ref.8
Skiniotis’s team is investigating GPCRs, including one called the β-adrenergic receptor, which has been implicated in asthma. Their work4 shows how activating the receptor triggers it to shed its partner G-protein, a key step in propagating signals in cells.
The researchers are now studying the same process in a GPCR called the µ-opioid receptor, which is activated by morphine and fentanyl among other drugs. In preliminary unpublished results, they have found that the dynamics of the receptor help to explain why some drugs such as fentanyl are so potent in promoting G-protein activation, while others aren’t. Such insights, says Skiniotis, are glimpses of unseen biology that molecular movies promise to reveal. Just don’t forget the popcorn.
An important part of how we test TVs at TechRadar is subjective testing. That’s the part of the process where our reviewers run the best TVs through tests looking at picture quality, sound quality, gaming features, smart TV features and more. To test picture quality, we use 4K Blu-ray and streaming, HD Blu-ray and streaming and lower-resolution sources such as DVD.
The specific movies, TV shows, and other media we use are important for our picture quality tests. We’ll use the same scenes for reference across every TV or projector because we know what to look out for when it comes to contrast, black levels, color accuracy, motion, brightness and more using these scenes. And it’s not just picture quality – we’ll also use some of these movie scenes to test the TV’s built-in audio quality.
The movies and scenes we use vary from reviewer to reviewer (apart from one disc that I’ll get into later) but will have been carefully picked as references because they can quickly show a TV’s strengths and weaknesses on the criteria listed above.
Here are the four movies (a mixture of both SDR and HDR across discs and streaming) that I use whenever I’m testing a new TV, along with a bonus disc at the end that no reviewer can live without.
1. The Batman
The Batman (pictured) is excellent for showing black level and shadow detail. (Image credit: Future)
For me, The Batman, the 2022 movie starring Robert Pattinson and Zoë Kravitz, is an excellent resource for testing several aspects of a TV’s picture. An extremely grainy, dark and gritty movie, The Batman used “available natural light” and is “an urban noir film”, according to cinematographer Greg Fraisier ACS ASC (via Cinematography World). The film is also mastered at a very dim 400 nits (most movies are mastered at 1,000 nits).
The Batman is a no-brainer for testing shadow detail and black levels on a TV. If a set can reveal the details and textures in such a dark movie by keeping dark tones accurate, it’s a big positive. Much of the movie takes place at night, so it’s also great for testing black uniformity – the ability to evenly display dark tones across the screen. This is usually no problem for the best OLED TVs but can be a real issue for edge-lit LED TVs such as the Samsung CU8000, for instance, which makes black areas in images appear gray and cloudy instead.
There’s a noticeable amount of grain in The Batman – an intentional choice by the director – but the movie still aims to maintain true-to-life skin tones and textures. That’s why I use it to test a TV’s digital processing to see if it reduces grain too much, giving the image an artificially clean look – something that typically happens in picture modes such as Standard and Vivid.
Along with picture quality, The Batman is excellent for testing audio. The speech is a bit mumbled (again, maybe intentionally?), so it’s a great disc to test dialogue clarity. There’s also the brilliant Batmobile chase scene, which can test the power and weight of a TV’s built-in audio, primarily through the rumble of the Batmobile’s roaring engine.
2. Top Gun: Maverick
Top Gun: Maverick (pictured) is good for showcasing daylight scenes and skin tones. (Image credit: Future)
Top Gun: Maverick, the sequel to 1986’s Top Gun (both starring Tom Cruise), is almost polar opposite to The Batman. Both of these 4K Blu-rays are excellent for evaluating skin tones and a TV’s ability to display true-to-life textures. But a lot of Maverick is shot during the day, so it lets me see how a TV handles those characteristics in a well-lit scene.
The main reason I use Maverick, though, is to test motion. In 2018, Tom Cruise commented on TV motion settings, saying “it takes the cinematic look out of any image and makes it look like a soap opera shot on a cheap video camera” (via BBC News). He made these comments whilst shooting Top Gun Maverick, so clearly natural-looking cinematic fast-paced action was what he was aiming for.
Maverick is filled with plenty of long, panning shots – across landscapes, following cascading, rolling jets and even boats and motorcycles. There are also plenty of intense flight scenes including the first ‘dogfight’ training mission, which I use a lot. This sequence lets me easily see if motion looks smooth or choppy on a TV. When using Filmmaker Mode (generally the most accurate TV picture preset), motion smoothing settings get turned off and that’s a real challenge for TVs. More premium models tend to handle this fine, whereas more budget sets, contrary to what Mr. Cruise says, need a bit of motion help via blur and judder reduction adjustments.
Again, this disc is one I use not just for picture quality tests but audio as well because, you guessed it, jet engines make a fantastic workout for a TV’s built-in speakers. Also, it has many shots of jets flying across the screen, which tests the TV’s soundstage (the wider the better), virtual surround sound, and the positioning of sound effects relative to the on-screen action.
3. Star Wars: The Last Jedi
Star Wars: The Last Jedi demonstrates color, particularly in the scene pictured above. (Image credit: Future)
Despite what many people think of Star Wars: The Last Jedi, it is a wonderfully shot and beautiful-looking movie. Details, motion, contrast – you name it, this movie has it. However, I use it for one test in particular: color.
In the ‘throne room’ fight scene between Rey, Kylo Ren and the red-suited guards late in the movie, so much dynamic and punchy color appears on screen and it really tests a TV’s color rendition. In particular, this scene uses the color red (the guards’ armor, the walls of the room, Kylo Ren’s lightsaber) and it can reveal a TV’s color strengths and weaknesses. Budget models often display a more faded and dull hue whereas more premium sets provide the eye-catching red I’m looking for, though without oversaturation.
The lightsabers are another excellent test for color. Several scenes make these the focal point of the shot and can be very useful for showing a TV’s effectiveness in displaying HDR highlights. TVs I’ve tested that have handled this successfully include OLEDs such as the Panasonic MZ2000, Philips OLED808 and LG G3.
4. The Amazing Spider-Man
The Amazing Spider-Man (pictured) DVD is good for showing a TV’s upscaling. (Image credit: Future)
This choice is less about the movie itself and more about a legacy format: DVD. The Amazing Spider-Man is a superb-looking movie, but not all 4K TVs handle it equally. Textures can appear soft and fuzzy – unsurprising considering the picture needs to be heavily upscaled.
A good 4K TV will provide blur-free upscaling and sharpen textures to give more life and punch to the picture. On larger screens such as the best 65-inch TVs, 4K upscaling of a standard-definition image will never be perfect, but a good TV should be able to make a DVD watchable.
The Amazing Spider-Man is a colorful, fast-paced movie with plenty of alternating day and night sequences, so it covers all the picture quality testing bases. More importantly, the DVD version tests a TV’s upscaling to see if it can bring a vivid visual punch to the movie even from a lower-resolution source.
Bonus disc: Spears & Munsil UHD Benchmark 4K Blu-ray
The Spears & Munsil 4K Blu-ray (demo footage pictured) is a testing essential. (Image credit: Future)
Many readers will be unaware of Spears & Munsil UHD Benchmark 4K Blu-ray, but it is an essential disc for TV reviewers. Spread across three discs, it is designed to test every performance aspect of a TV. The UHD Benchmark features test patterns for color gamut, grayscale, sharpness, motion, skin tones and much more, and for me is a must-have.
A section I regularly use is the demonstration material, a 7-minute reel of footage mastered in all HDR formats – HDR10, HDR10+, Dolby Vision – that highlights every area of a TV’s picture performance mentioned above. Snowy scenes reveal how a TV handles vibrant whites, night landscapes show its ability to reproduce a truly black sky, while animal shots contain intricate textures and details in feathers and scales.
This disc will enable home theater enthusiasts to calibrate their TVs for the absolute best picture and is highly recommended.
The most recent chapter in our collective love affair with 3D movies came and went quickly, with set manufacturers scrambling to add the feature to the best TVs around 2010, and then retreating completely from 3D support soon after. In a few short years, it was over. During that era, I amassed a sizeable collection of Blu-ray 3D discs, and they now sit filed away in a remote corner of my media cabinet, a reminder of that time and a potent source of nostalgia.
It may have disappeared from TVs, but 3D never really went away. Movies on Blu-ray 3D continue to trickle out, though if you want to view them in that format you need to watch them on the best 4K projectors, some of which still support 3D. You can also catch movies in theaters in 3D, with the most recent blockbuster showcase for the format being the Avatar sequel, Avatar: The Way of Water.
Now, there’s another way to watch movies in 3D at home: the Apple Vision Pro mixed reality headset. Movies in 3D can be purchased on the Vision Pro’s Apple TV app, and an extensive collection of titles are available to stream on its Disney Plus app. Three titles – these are Avatar, Avatar: The Way of Water, and Titanic – are also available in those apps in a “motion-graded” High Frame Rate (HFR) format, which is how they were shown in Imax theaters – The Way of Water on its initial release, and Avatar and Titanic in re-release.
Pixelworks, the company behind the TrueCut motion grading technology used for the post-production of all three movies, recently lent me a headset so I could check out motion-graded 3D on the Apple Vision Pro, which is currently the only source for home 3D movie releases other than Blu-ray disc. It was a treat to spend time with Apple’s pricey, elaborate mixed reality headset, which you can read all about in our Apple Vision Pro review. Playing movies in 3D format is just one of the many things the Apple Vision Pro can do, and it does it exceptionally well.
Blu-ray 3D disc collection animation highlights (Image credit: Future)
Looking back on 3D TVs
Having spent many hours watching 3D movies with my kids during the 3D TV heyday – plenty of the releases were animated ones, and they were at the prime age to enjoy them – I’m well aware of what good – and mediocre – 3D looks like. Perhaps the best example of 3D animation I know of is Coraline, based on the book by Neil Gaiman and directed by Henry Selick (Coraline, incidentally, is getting a 3D theatrical re-release in summer 2024 to celebrate its 15th birthday). That disc got plenty of play in my house, and it’s one I would regularly use to test 3D TVs.
Another successful example of 3D cinema is the original Avatar, which looked fantastic in theaters and on Blu-ray. Aside from watching Martin Scorcese’s Hugo, another 3D triumph, it would be 13 years before I found myself absorbed by a 3D movie, and that was when I watched Avatar: The Way of Water at an IMAX theater. But in the case of Avatar: The Way of Water, 3D was only one thing that made the experience impressive. Another, equally important, one was its motion-graded Cinematic HFR presentation.
TrueCut Motion: how it works
Unlike typical movies shown with a 24 frames-per-second (fps) frame rate, movies motion-graded using Pixelworks’ technology display at a higher, 48 fps rate. HFR’s main benefit is it eliminates the judder and blur artifacts accompanying fast-motion scenes captured at 24 fps. But boosting the frame rate to 48fps can also give movies an overly fluid and unnatural look, especially in quiet scenes with no action.
With TrueCut motion grading, the filmmaker can selectively vary frame rates on a scene-by-scene basis in post-production, using a higher rate for fast-action scenes, and a standard 24 fps rate for more typical ones. This process will give viewers the best of both worlds: crisp, blur- and judder-free images in shots with action, and a natural sense of motion when the action slows down.
The Apple Vision Pro is bulky, but less uncomfortable than I expected (Image credit: Future)
Enter the virtual theater
To compare motion-graded and non-motion-graded movies on the Apple Vision Pro, I first watched a downloaded version of No Time to Die, the most recent entry in the James Bond film franchise. No Time to Die is a movie with action scenes galore, and it’s one I’ve used many times to evaluate a TV’s motion handling. So, why not also on Apple’s mixed-reality headset?
Watching a scene where the camera pans slowly across a cemetery on a rough, hilly landscape, the image showed plenty of motion blur and a significant loss of detail. In a subsequent scene where Bond and Madeline race in a car through city streets with assassins in hot pursuit, buildings in the background also had a blurred quality that made the image look overly soft.
It would have been an ideal comparison if a motion-graded version of No Time to Die were available (it’s not), but I instead had to make do with watching a download of the motion-graded version of the original Avatar.
Same as when I watched it in a theater, and on 3D TVs back in the day, Avatar on the Apple Vision Pro had excellent 3D depth, and I was easily immersed in its 3D world. TrueCut motion grading made the film’s almost non-stop action scenes look consistently crisp, with the Na’vi and the creatures they rode upon and the intricately rendered jungle backgrounds looking equally solid and detailed. I also didn’t feel the action was happening unnaturally fast, which would have quickly whisked me out of the 3D world.
Checking out other 3D movies in the Disney Plus app, Avatar: The Way of Water was a highlight, with eye-popping 3D effects and fantastic picture contrast made possible by the Apple Vision Pro’s powerfully bright display. It looked better than I remembered from my theater experience, though the motion wasn’t as consistently natural across scenes as in the re-mastered Avatar.
An example of the ‘active shutter’ 3D glasses used with 3D TVs and projectors (Image credit: Future)
The new 3D – same as the old, but with a twist
I may harbor nostalgia for 3D movies, but I can’t say I’ve missed them terribly since the last 3D boom fizzled out. Avatar: The Way of Water was a welcome throwback, but one 3D blockbuster doesn’t equal a 3D revival.
Fortunately for movie fans, motion-graded Cinematic HFR is catching on. Following Avatar, its sequel, and Titanic being shown in theaters in the format, Argylle and Kung Fu Panda 4 from DreamWorks Animation have been released in Cinematic HFR. That indicates steady progress for the format, especially since both Argylle and Kung Fu Panda 4 are from studios other than Disney.
I’ve had fun watching 3D movies on the Apple Vision Pro, though there admittedly is something a bit alienating about sitting in a chair wearing a headset for extended periods. But then again, 3D movies have always involved wearing some form of awkward eyewear that removed you from everyday existence, and maybe that’s their ultimate appeal.