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“No utilicen mi página de fans para intimidar o insultar a nadie” – Toyin Abraham lanza fuertes advertencias a los fans fervientes

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La galardonada actriz y superproducción de taquilla, Toyin Abraham Ajeyemi, ha emitido una advertencia a sus fervientes fans sobre su reacción negativa hacia sus trolls.

Toyin Abraham recurrió a su historia de Instagram para apelar y advertir contra la creación de una página de fans en su nombre para dejar de intimidar o maldecir a nadie.

La madre de dos hijos les contó a sus fans cómo Dios la está fortaleciendo y que no se ve afectada por ninguna maldición, abuso o acoso por parte de los trolls.

“Por favor no utilicen la página de fans creada a mi nombre para intimidar o maldecir a nadie, dejen que la gente me intimide, maldiga y maltrate mientras quieran o deseen. El Señor es mi fuerza y ​​siempre será mi fuerza por favor.

Kemi Filani recuerda que Toyin Abraham dejó de disparar cuando le escribió una carta abierta a Funke Akindele sobre su rivalidad que los afectó tanto a nivel personal como en sus carreras.

Habló de cómo las guerras de fans causaron conflictos innecesarios y la felicitó por alcanzar la marca número mil millones en el cine.

Toyin Abraham luego atacó a los internautas que acudieron a su sección de comentarios para trollear a Funke Akindele.

Un troll acudió a la sección de comentarios de Toyin y dijo que su rival Funke Akindele reharía su publicación en 12 horas. Una persona elegante @sleek_young hizo este comentario.

Esto no le cayó nada bien a la premiada actriz quien inmediatamente reprendió al troll.

A principios de este mes, Toyin Abraham anunció el lanzamiento de la quinta entrega de su película Alakada titulada Alakada Bahd and Boujue.

El anuncio provocó reacciones encontradas entre los internautas, ya que se produjo pocos días después de que Funke Akindele anunciara su alineación de diciembre, etiquetada como “Everybody Loves Geneva” Finding Me.

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Great news for 4K Blu-ray fans – 2 big stores will now stock discs

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With streaming services bundling up and raising prices, investing in DVDs or 4K Blu-rays is starting to sound like a good idea; it lets you watch the title whenever you’d like and avoid making a recurring purchase.

And if you already collect Blu-rays, have a collection, or are inclined to try them, we have some good news. Thanks to Studio Distribution Services, which handles the physical releases for Universal Pictures and Warner Bros, you’ll soon be able to buy 4K UHD, Blu-ray, and DVDs at 132 Fred Meyer grocery stores and 170 GameStop stores in the United States, along with GameStop.com.

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‘We learned our lesson’: Marvel admits it’s made too many movies and TV shows for fans to keep up with

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Marvel has confirmed that it will make fewer movies and TV shows moving forward after a “rough” few years of theatrical flops and favoring quantity over quality.

Speaking to Empire Magazine, studio co-president Louis D’Esposito admitted that the Disney subsidiary had “learned its lesson” after it saturated the superhero genre market with projects that didn’t live up to fans’ lofty expectations. The comic book giant is now looking to reduce its output in theaters and on Disney Plus with the aim of regaining audiences’ trust after a period of diminishing box-office returns, poorly reviewed productions, and other criticisms.



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Today in Apple history: Early iPad rumor gets Apple fans buzzing

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April 13: Today in Apple history: Early iPad rumor gets Apple fans buzzing April 13, 2005: The tech world gets excited when a sketchy rumor suggests Apple is building a tablet computer.

The Chinese-language report claims Quanta will build a 15-inch touchscreen tablet PC with detachable keyboard. Apple will supposedly ship the device in the first quarter of 2006. Things don’t turn out quite like that, but the rumor offers the first hint about Apple’s secret iPad project.

The first iPad rumor?

The idea of developing a tablet fascinated Apple co-founder Steve Jobs for a long time, although he denied it when asked by journalist Walt Mossberg in May 2003.

“We have no plans to make a tablet,” Jobs said at the time.

However, a tablet appealed to Jobs’ love of minimalism, since it was basically a screen with nothing else.

The iPad: Inspired by Alan Kay’s Dynabook

Alan Kay's Dynabook concept was for a personal computer simple enough for children to use.
Alan Kay’s Dynabook concept was for a personal computer simple enough for children to use.
Photo: Alan Kay

In particular, Jobs was inspired by the Dynabook, a concept dreamed up in 1968 by Xerox PARC (and later Apple) engineer Alan Kay.

During Jobs’ absence from Apple, the company experimented with tablet-like mobile devices in the form of the Newton MessagePad (which Jobs ultimately canceled upon his return to Cupertino).

However, by the early 2000s, Apple began working on the iPad, or at least thinking a lot more about the tablet computer form factor.

In March 2004, the company surveyed select customers, claiming it was considering relaunching the Newton. In actuality, Apple was gathering data about demand for future mobile devices.

Apple patent shows iPad-like ‘electronic device’

An Apple patent from 2004 shows designs for an iPad-like device.
An Apple patent from 2004 shows designs for an iPad-like device.
Photo: USPTO/Apple

That exact same month, the company filed a design patent application for an “electronic device” that looks virtually identical to the iPad that shipped a few years later (with the exception of the smaller display, which looked more like the iPad mini). The patent application listed both Jobs and Apple design chief Jony Ive as inventors.

Apple ultimately opted to develop a touch interface smartphone, the iPhone, before revisiting the iPad concept. It’s not clear whether there was any truth to the Quanta rumor about a possible tablet computer. Perhaps Apple was sourcing components it was unable to put together in its Industrial Design lab back in Cupertino.

Still, this rumor got a lot of people buzzing about a possible Apple tablet back in 2005. Another five years passed before Apple introduced the iPad. However, this rumor revealed definite excitement about what Apple might do with a tablet.

What was the first report you heard about the iPad? Leave your comments below.



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Can ‘Constellation’ finale satisfy sci-fi fans?

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Apple TV+ pumped up its reputation as a hub for thought-provoking and visually stunning science fiction with Constellation, a series that’s part sci-fi, part horror and part family drama. The intricately plotted space thriller’s season finale airs Wednesday. And, as the season concludes, the show must clear a high bar to make the ending ring true.

After all, hit TV mysteries like Lost disappointed lots fans with their finales. And those same sci-fi fans (and their kids) are sick of being disappointed.

Apple TV+ space thriller Constellation must stick a tough landing in season finale

Apple TV+ hit series Constellation makes for an unusual blend of genres, merging elements of space adventure, horror, mystery and family drama. Drawing inspiration from quantum physics, the narrative visits different timelines across possible universal dimensions.

The show’s characters unknowingly shift dimensions while the viewing audience is expected to keep up. It’s complex and, at times, almost unbelievably confounding.

The series is flat-out weird, actually. After its start with a relatively straightforward-seeming space collision, the show immediately challenged all of us non-physicists.

Right away, it became a bit of a nightmare for me. Almost from the beginning, questions about when and how Constellation would answer its mysteries started to mushroom beyond seemingly possible explanations.

Like no other spacefaring TV or film story I can recall, this one seems to imply space makes those who return from it insane (though a colleague pointed out that 1940s sci-fi story Scanners Live in Vain explores a similar theme). Constellation brings the crazy, in part, by adding darkly atmospheric situations and horror tropes to hard-core science. Sure, space is dangerous. But maybe it’s also maddening.

Can a TV show reach this high, implying a multidimensional reality, without falling on its face? And if I ask this question in another dimension, does it seem less ludicrous?

Other dimension-crossing shows take themselves lightly, mostly

Constellation is not the first show to cross dimensions with varying levels of success. See Dr. Who, Fringe, Sliders, The Man in the High Castle and others, plus plenty of movies. But with Constellation, there’s an underlying seriousness that makes me nervous. When a show takes itself seriously, won’t it be hard to watch if it fails to adequately explain its plot? (There’s already talk of a second season of Constellation, by the way.)

In other words, when a show plays with quantum mechanics, with chraracters crossing dimensions and striving to understand the underlying confusion, it had better be revelatory. It should at least try to explain how things shown on the show are happening. If somebody wakes up at the end, implying in a cliched way it was all a dream or a coma, well, that won’t be acceptable.

Peter Harness created the show. Directors Michelle MacLaren, Oliver Hirschbiegel and Joseph Cedar brought it to life. Can they nail the Constellation season one finale?

Crossing realities with Constellation

Constellation on Apple TV+
Don’t miss that tagline: “Reality is a conspiracy.”
Photo: Apple

Constellation tells the story of Jo Ericsson (played by Noomi Rapace), a Swedish astronaut on an International Space Station crew. Among other endeavors, they seem to be working on a mysterious NASA experiment. But a collision in space in the opening episode leads to disaster.

The show’s nonlinear narrative jumps between Ericsson’s time on the ISS and her life after she returns to Earth. Despite knowing that she survives her ordeal in space, viewers are kept on the edge of their seats as her harrowing experiences unfurl. She comes home telling one story, yet everyone seems to believe another. And later, still other narratives crowd in.

She believes she went on a spacewalk and found a dead female cosmonaut crashed into the ISS. (The corpse drifts off into space.) But no one else finds her story of a dead Soviet credible. At the time, I joked with colleagues that the dead Russian woman would actually turn out to be Ericcson herself. That’s how weird the show seemed, and it still does. But after watching subsequent episodes of Constellation, it seems more likely the cosmonaut’s death was covered up. I wonder if it could be Irina Lysenko (Barbara Sukowa), now a top Rosocosmos administrator (in at least one reality; maybe in another one she died).

And that’s just one loose end the Constellation season one finale needs to clear up.

Back on Earth with her husband, Magnus (James D’Arcy), and daughter, Alice — spookily played by twin sisters Rosie and Davina Coleman — Ericsson’s memories trick her. They hint at disconnects between her current reality and her past. Why does her husband believe she despises him? Isn’t their Volvo red, not blue? Why does the European Space Agency director think he and Ericsson are in love? Something is horribly wrong.

Soon enough, Jo’s disorientation gets worse. And it becomes clear it’s not just her. It seems to affect everyone who ever ventured into space. They’re asked to take pills to combat the trouble. Ericsson finds out those pills aren’t just the vitamins they’re claimed to be. They’re antipsychotics. In her case, at least, it’s lithium.

And the show goes further, showing Ericsson in a scene where she sees people who can’t see her. They appear to be in different dimensions.

A mysterious NASA experiment

One of the central mysteries in Constellation revolves around a NASA experiment that Ericsson and her team appear to be working on aboard ISS before the collision.

Led by a former astronaut and Nobel Prize-winning physicist Henry Caldera (Jonathan Banks), the test is shrouded in secrecy. Apparently, it seeks a new state of matter that can exist only in a zero-gravity environment. And it may prove alternative realities, where an object can exist in two places at once.

But did the experiment even occur? It depends on which reality we’re talking about.

And Caldera, a veteran of the (fictional) Apollo 18 mission, appears to be caught in multiple dimensions. He is the scientist Henry, desperate to advance his tests on ISS. But in another, he is “Bud,” who seems like Henry’s disenchanted doppelgänger who has given up on everything and lives in a crappy Los Angeles apartment. Henry saved the Apollo crew from disaster while Bud lives in the hell of believing he let them die.

Which reality is true, or are they both true? Constellation suggests the latter. So the show seems to hope your head will explode.

And by the way, the word “caldera” refers to an explosively volcanic environment. So there’s that. And Banks plays up to that as Bud, almost like he wants to erupt and destroy a certain someone.

In any case, whatever’s going on seems to have a profound impact on Ericsson and her perceptions of reality, along with her family’s.

Can the show pull off an ending that pleases fans? Well, that’s a tall order. But we can expect revelations in the Constellation season finale.

Watch Constellation season one on Apple TV+

Constellation is a welcome addition to Apple TV+’s growing roster of original sci-fi shows like Silo, Foundation, Invasion and For All Mankind. Apple TV+  is available by subscription for $9.99 with a seven-day free trial. You can also get it via any tier of the Apple One subscription bundle. For a limited time, customers who purchase and activate a new iPhone, iPad, Apple TV, Mac or iPod touch can enjoy three months of Apple TV+ for free.

After launching in November 2019, “Apple TV+ became the first all-original streaming service to launch around the world, and has premiered more original hits and received more award recognitions faster than any other streaming service. To date, Apple Original films, documentaries and series have been honored with 471 wins and 2,090 award nominations and counting,” the service said.

In addition to award-winning movies and TV shows (including breakout soccer comedy Ted Lasso), Apple TV+ offers a variety of documentaries, dramas, comedies, kids shows and more.

Watch on Apple TV



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A must-play for tactics fans

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Series like Final Fantasy Tactics, Fire Emblem and Tactics Ogre (which got a lovely remaster in 2022) tend to dominate the conversation around SRPGs. And rightly so. However, with its latest release – Unicorn Overlord – developer Vanillaware is taking cues from older titles in a way that pays tribute to the classics while also providing something fresh and engaging for 2024. And after being completely engrossed by this beautiful mash-up of old and new, Unicorn Overlord feels like a must-play for strategy game fans.

Vanillaware isn’t shy about where it drew inspiration for Unicorn Overlord. Instead of typical grid-based battlefields, the game plays a lot like Ogre Battle 64, which has you commanding a handful of smaller squads that you maneuver around the map to intercept enemy forces and capture strongholds. Each squad has a captain who lends a passive bonus with party sizes that grow to five over the course of the game. But because you don’t have direct control over individual characters during fights, you need to be crafty about setting them up for success.

Unicorn Overlord features beautifully hand-drawn characters that reminds you of tactics games from the past.

Screenshot by Sam Rutherford/Vanillaware

Strategy is dictated not only by the position of each squad but also by which classes you choose and the actions you set (e.g. setting a command to attack the lowest health enemy or only hitting an opponent that’s already been debuffed). This results in gameplay that feels like fantasy football but for war. Look at you, you’re the general now. Except it’s better because you can see how well your art of war plays out, like when your archers take out flying enemies such as gryfons and wyverns that are naturally susceptible to their attacks.

But the strategizing doesn’t stop there, because outside of combat, there are other ways to manipulate battles. You can commandeer siege units like catapults and ballistas to rain damage down on opposing units before they get close. Alternatively, you can spend Valor points (which are earned by defeating enemies) to buff friendly combatants (haste, extra stamina, etc.) or soften up foes with targeted strikes like a cavalry charge. Then there’s all the various equipment and loot you’ll gather, which adds another layer of customization to your army.

Combat centers around skirmishes between squads of up to five characters each.

Screenshot by Sam Rutherford/Vanillaware

On top of straightforward spec bumps, you can give units additional turns or alter their abilities by adding poison damage to a spear or other weapon. And when you get everything set up just right, the results are devastating. One of my favorite combos was giving an archer and swordsman fire-based attacks to afflict a burn on enemies. Then I followed this up with a mage that ignites every burning opponent with additional party-wide damage at the end of a fight and I think you can see where this is going. Honestly, I’ve lost track of the amount of time I’ve spent looking at menus to tweak ascactions and equipment. But min-maxing each squad’s potential is a ton of fun all by itself.

Meanwhile, another feature Unicorn Overlord borrows from franchises like Fire Emblem is its Rapport mechanic. Characters in the same squad will grow closer over time, offering upgraded stats over time. Alternatively, you can improve rapport by sharing meals or giving gifts, and after enough bonding, you’ll get a cutscene that dives deeper into two people’s relationship. On top of that, the main character, Alain, can develop a romance allowing you to choose your best girl (or boy, in some cases, though I haven’t had the chance to try that out myself).

Usually, the goal of each encounter is to take over the enemy's stronghold without losing your own.

Screenshot by Sam Rutherford/Vanillaware

Unicorn Overlord’s roster is massive too. It felt like every other battle I added a new member to my ranks, and before I even explored 50 percent of the map, I had more than 30 unique story characters. And if that’s not enough, you can also recruit mercenaries, which is arguably a more strategic decision as that lets you customize a unit’s growth (e.g. Keen types get extra crit while all-rounders receive more balanced stats and so on).

I also want to call out Unicorn Overlord’s visual design, which is flat-out gorgeous. It’s a clear homage to the 2D sprite-based graphics of old-school SRPGs, but it’s been polished up for modern HD screens. Portraits and character models are incredibly detailed and the animations are a joy to watch even after the 1000th time. Granted, Vanillaware occasionally succumbs to the trope of girl armor in games where male characters have huge sheets of metal protecting them while some female characters are much more scantily clad. Why does the witch class wear a bikini? We may never know, though this has been Vanillaware’s style for the last 20 years, so it’s not exactly a surprise. Really, my gripe with this is that there should be a few more himbos to balance things out.

A preview of battle results gives players the opportunity to adjust their squad's positioning, actions and equipment in order to achieve a more favorable outcome.

Screenshot by Sam Rutherford/Vanillaware

As for more general cons, the main one is that the game’s plot is a bit generic. It’s not bad, it’s just based on a familiar setup centered around disenfranchised Prince Alain (who probably not coincidentally looks a lot like Magnus from Ogre Battle 64, right down to the blue hair) and his quest to liberate his nation from the clutches of evil emperor Galerius. That said, there are still plenty of touching moments to keep the plot from getting too dull.

The other potential issue is that some may find the game a bit too easy. To start, there are three difficulty levels, plus an even harder setting once you beat the game. However, the amount of strategizing you can do means you can almost always have an advantage in battle, so depending on how you look at it, the game is hurting itself for having such a high level of control and customization. Though in my opinion, that’s a good problem to have.

Amalia is mommy.

Screenshot by Sam Rutherford/Vanillaware

The most important thing about Unicorn Overlord is that it feels like a passion project from start to finish. Its visuals are wonderfully hand-crafted, and by adopting and then updating features and gameplay from Hall of Fame strategy titles, the game feels like a love letter to the genre as a whole. Heck, the CEO of Vanillaware even went so far as to pay for the game’s development out of pocket after its budget ran out. So while Unicorn Overlord might not appeal to everyone, tactics fans just got a new instant classic.

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iPad 2 is the sequel fans hoped for: Today in Apple history

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March 11: Today in Apple history: iPad 2 is the sequel fans hoped for March 11, 2011: How do you follow up your biggest product debut ever? That’s the question Apple needs to answer as it releases the iPad 2.

Apple’s second-generation tablet boasts a faster dual-core A5 processor inside a lighter build. It’s also the first iPad to feature VGA front-facing and 720p rear-facing cameras.

This post contains affiliate links. Cult of Mac may earn a commission when you use our links to buy items.

iPad 2: A worthy upgrade

Although iPad sales today pale in comparison to the iPhone, the original iPad came out of the gate as one of Apple’s biggest successes. When introduced in January 2010, it immediately became the most exciting new gadget in the world.

When the original iPad went on sale, it took less than a month to sell 1 million units — half the time it took Apple to sell that many iPhones at the time.

In its first year, Apple sold around 25 million iPads, making the tablet the most successful new product category launch in Cupertino history. After six months, it already outsold the Mac.

Second Apple tablet brings advances in form and function

The iPad 2, therefore, had a lot to live up to. Did it succeed? In a word, “yes.”

Apple’s second-generation tablet maintained its predecessor’s display size, price and capacity, but packed more power into a one-third thinner body. Measuring just 0.34 inches thick, it even came in slimmer than the then-current iPhone 4.

The iPad 2 lineup also added a new color: It now came in black and white options. The speaker grille also wrapped around the back of the device, providing users with better sound quality.

Apple’s new magnetic Smart Cover arrived at the same time as the iPad 2, instantly making the bulky, rubber, third-party cases for the original iPad look terrible by comparison.

In the end, the iPad 2 hung around for an impressively long period. It outlasted both the iPad 3 and iPad 4. Apple sold the iPad 2 until 2014.

Sound off on iPad 2

Did you own an iPad 2? What was the first model of Apple’s tablet that you bought, and what were your initial impressions? Let us know in the comments below.



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‘1899’ Fans Still Want Answers

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1899, a science fiction series from Baran bo Odar and Jantje Friese, creators of the hit TV show Dark, premiered on Netflix in November 2022. TV producer Ruairi Carroll enjoyed the show’s mysterious characters and storyline.

“Whatever way Netflix algorithms work, it was being pushed on my screen all the time,” Carroll says in Episode 562 of the Geek’s Guide to the Galaxy podcast. “And I was seeing a lot of trailers on YouTube, because I follow the Netflix channel on YouTube. And I kind of burned through it to begin with, and had a great time, I’ve got to say.”

Despite the fanfare, 1899 was quickly canceled, concluding the series on a painful cliffhanger that left the show’s many mysteries completely unresolved. Geek’s Guide to the Galaxy host David Barr Kirtley was disappointed that Netflix would end the show in such a frustrating way. “It’s been more than a year since the show came out, and I’m still just constantly seeing people grousing on social media like, ‘How could Netflix fund this stupid show or this stupid show? Why don’t they give us more 1899? That’s what we really want,’” he says.

Fantasy author Erin Lindsey enjoyed 1899, but understands why the show was canceled, given the many indications that the story was spinning out of control. “There was some serious storytelling entropy going on,” she says. “I think it was going pretty well for the first few episodes, and then each episode got exponentially weirder after that, to the point that I had lost patience by the end.”

So is there any hope that 1899 fans will ever find out what it all means? TV writer Andrea Kail hopes the answers will be forthcoming in one form or another. “Here’s my proposal for Netflix, or at least the producers,” she says. “Could you please just tell me what happened? Explain it to me. I don’t care, write it out. I just want to know. I just want to know what happens next.”

Listen to the complete interview with Ruairi Carroll, Erin Lindsey, and Andrea Kail in Episode 562 of Geek’s Guide to the Galaxy (above). And check out some highlights from the discussion below.

Andrea Kail on mysteries:

Does it all have to make sense? I’ve been having this conversation with my friend lately. She doesn’t like mysteries. She wants everything explained to her as you go, and I’m just like, “Well, let it go in the moment. Eventually maybe you’ll get an explanation, and sometimes not getting an explanation is still satisfactory.” That’s probably just me as a reader/viewer. It doesn’t bother me … I like not having all the questions answered. I am very much a “let it wash over me” person, especially if my first impression, when I’m doing that, is that it’s great.

Ruairi Carroll on Mystery Box shows:

I don’t mind the Mystery Box thing. Well, I can take it to a certain extent. I kind of fell out of Lost. I enjoyed The Leftovers from a couple of years ago, and Dark. But then sometimes I do run out of road with it. And I’ll be honest with you, there are days where I was quite happy to skip over something that was a Mystery Box and just put on Reacher on Amazon, and just watch a big man hit people … Just go with it, that’s the only thing I can say about these Mystery Box things. Just go with it. You’ll either bang your head off the wall for the rest of the night thinking about it, or you’ll be like, “OK, I’m firing up Jack Reacher.”

David Barr Kirtley on Dark vs. 1899:

What happened to me with Dark is that at the end of Season 1, I was like, “There’s no way they can possibly wrap this up. There’s no way this all makes sense.” And then at the end of Season 2, I was like, “OK, they did a surprisingly good job—way better than I was expecting—of making this all make sense, so I’m hopeful that in Season 3 everything will actually make sense.” And then with Season 3, I was like, “Eh, I still have a list of like a hundred things that they never answered that were kind of important.” So if this had followed the same pattern, I’m sure a lot of things would have been answered in a satisfactory way, but I’m still left with the overwhelming impression that at the end of Season 3 there would have been a list of a hundred things that nobody can answer.”

Erin Lindsey on Baran bo Odar and Jantje Friese:

I think if anyone’s going to pull off [a Mystery Box show], it could well be these guys. We’ve picked it apart. That’s our job, a little bit, on this show, but this was an enjoyable show. It was flawed, in my opinion, but it was enjoyable, and I think that even if I preferred Dark to this, I continue to be impressed by the attention to detail and just the pure ambition of what these guys are putting out, and they could well nail it one day. I would recommend this show as enjoyable if flawed, and I will watch the next thing they put out, and the next thing after that, because I have a feeling that one of these days they’re going to hit it out of the park.


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