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Great Barrier Reef is experiencing its worst mass bleaching event on record

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An underwater photo shows bleached and dead coral around Lizard Island on the Great Barrier Reef.

The Great Barrier Reef in Australia is undergoing its worst coral-bleaching event on record.Credit: David Gray/AFP via Getty

Australia’s iconic Great Barrier Reef is experiencing its fifth mass bleaching event in eight years — and this one is the worst on record. A report by the Australian government’s reef management agency analysed aerial surveys of 1,080 of the reef’s estimated 3,000 individual reefs, and some in-water surveys. Corals ‘bleach’ when stressed by warming waters brought on by climate change, expelling their colourful resident zooxanthellae. Marine biologist Terry Hughes says the solution to the bleaching problem is clear: “Reduce greenhouse gas emissions. Full stop.”

Nature | 4 min read

The laboratory stalwart Caenorhabditis elegans forgets new information a couple of hours after learning it — unless it is quickly put on ice. Worms trained to dislike a smell retained their aversion while chilled for many hours. Worms given lithium also hung onto their memories for longer than normal. “Why do they forget, when the worms are perfectly capable of maintaining the memories longer?” ponders geneticist and study co-author Oded Rechavi. “Perhaps there’s a reason for holding memories for the particular duration that they do.”

Nature | 4 min read

Reference: bioRxiv preprint (not peer reviewed)

Hopes that the James Webb Space Telescope (JWST) would finally settle the debate over how fast the Universe is expanding were dashed after two teams that used JWST data calculated different values. Observations of the current Universe typically find the expansion rate — the Hubble constant — to be about 9% faster than predictions based on early-Universe data. Multiple techniques will need to agree before the disparity is resolved, says astronomer Wendy Freedman.

Nature | 5 min read

The top ten papers most-cited in policy documents worldwide are dominated by economics research: the number one most-referenced, with around 1,300 citations, is a 2003 study about the impact of trade. A list that excludes economics is topped by a 1990 book on the evolution of institutions by Nobel laureate Elinor Ostrom and a 1997 paper about Earth’s natural capital. Paediatrician Peter Gluckman, former chief science adviser to New Zealand’s prime minister, is not surprised that the list includes broad-brush papers rather than those reporting incremental advances. “The thing that worries me most is the age of the papers that are involved,” he says — more recent work on climate change, food security and similar areas hasn’t made it onto the list.

Nature | 7 min read

Features & opinion

A coalition of scientists has published a declaration that there is “a realistic possibility of conscious experience” in all vertebrates and in many invertebrates, such as octopuses and insects. The group focuses on sentience — an aspect of consciousness often defined as being able to have subjective experiences — pointing to research suggesting that octopuses feel pain and that bees show play behaviour. “When there is a realistic possibility of conscious experience in an animal, it is irresponsible to ignore that possibility in decisions affecting that animal,” says the declaration.

Nature | 5 min read

Reference: The New York Declaration on Animal Consciousness

Some people experience intense visual imagery, called hyperphantasia, that means they can replay memories or imagine scenes that are as vivid as real life. Once thought to be rare, research now suggests as many as 1 in 30 people have such vivid imaginations. At the other end of the spectrum are people with ‘aphantasia’, who have no visual imagery at all. Science is just catching up with this neurodiversity and how it influences memory, childhood, and even mental health.

The Guardian | 10 min read

To identify where you lie on the hyperphantasia/aphantasia spectrum, try the Vividness of Visual Imagery Questionnaire.

Physicists are finally getting to grips with the mysterious strong force, which binds quarks into protons and neutrons and holds the nucleus together. The physicists who made the first measurements in the range of distances where the strong force becomes especially strong and difficult to calculate, and came up with theoretical predictions to match, describe their breakthrough. We at last have the ability to calculate aspects of quantum chromodynamics — the fiendishly complex theory that describes how the force works — from first principles, write Alexandre Deur, Stanley Brodsky and Craig Roberts. It could lead to progress on a unifying theory of the universe and help us discover how many dimensions exist.

Scientific American | 12 min read

Infographic of the week

A map showing the European countries that formed CERN in the 1950s, In the decades since other nations have joined the alliance.

Source: CERN

As CERN, Europe’s particle-physics laboratory, celebrates its 70th anniversary this year, researchers argue that its impact goes beyond its 23 member states and discoveries in particle physics. Advances made at CERN, including the development of the World Wide Web, have affected society as a whole. “I think it is a great model for international collaboration,” says physicist Rainer Wallny. “It has a lot of facilities available that are beyond the scope of individual user groups. No one has a particle accelerator in their backyard.” (Nature | 9 min read)

QUOTE OF THE DAY

Psychologist Naa Oyo Kwate reviews two new books — physician-scientist Uché Blackstock’s memoir Legacy and evolutionary historian Constance Hilliard’s Ancestral Genomics — and explores how racism steals time from Black people in the United States, harming their health and well-being. (Los Angeles Review of Books | 14 min read)

On Friday, Leif Penguinson was visiting the ‘Where I Work’ photography exhibition near the Nature offices in London. Did you find the penguin? When you’re ready, here’s the answer.

Thanks for reading,

Flora Graham, senior editor, Nature Briefing

With contributions by Katrina Krämer, Smriti Mallapaty and Sarah Tomlin

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Artetik From the Art experiencing art through emotions

Artetik From the Art experiencing art through emotions

Imagine stepping into the Guggenheim Museum in Bilbao, where the sleek curves of the building are just a hint of the modern marvels inside. Now, picture this: a collaboration with Google Arts & Culture has sparked a fresh way to connect with art, and it’s all about how it makes you feel. This isn’t your typical museum visit; it’s a journey into the heart of emotion and art, and it’s called “Artetik: From the Art.”

Artetik: From the Art” is a collaborative digital initiative between the Guggenheim Museum Bilbao and Google Arts & Culture, focusing on the intersection of art and emotions. This interactive project allows visitors to engage with the museum’s art collections and share their emotional responses, contributing to a collective emotional graph. The project has seen participation from over 230,000 individuals, highlighting emotions such as fascination, curiosity, fun, and joy in response to the museum’s artworks. Initially available in-person, the experience has now expanded online, making it accessible globally and enhancing the museum’s educational outreach.

Let’s talk about how we usually experience art. You walk around, you look, maybe you get an audio guide, and that’s pretty much it, right? Well, Artetik is shaking things up. The Guggenheim Museum Bilbao and Google Arts & Culture have teamed up to create an experience that’s anything but passive. As you wander through the galleries, you’re not just looking at art; you’re being asked to share how it makes you feel. It’s like adding your own splash of color to a giant canvas of emotions that shows just how powerful art can be.

Artetik: From the Art

Now, imagine standing in front of a painting that’s captivated people for years. With Artetik, you’re not just another set of eyes; you’re part of the story. The project has been keeping tabs on the emotional reactions of over 230,000 visitors, capturing their awe, curiosity, and joy. This isn’t just a bunch of numbers and graphs; it’s a beautiful snapshot of human connection to art. It’s like having a conversation with thousands of art lovers without saying a word.

Here are some other articles you may find of interest on the subject of art and specifically AI artistry :

Accessibility is key with Artetik. What started as something special for those who could visit the museum in person has grown into something much bigger. Now, anyone with an internet connection can dive into the Guggenheim’s collections. This isn’t just about reaching more people; it’s about bringing the power of art into classrooms and homes everywhere. It’s like the museum’s doors are open 24/7, no matter where you are in the world.

But what if you’re not at the museum? No problem. The Google Arts & Culture app brings the Artetik experience right to your fingertips. Whether you’re lounging on your couch or on the go, you can keep exploring art and sharing your reactions. It’s like having a personal art exhibit in your pocket, ready whenever inspiration strikes.

So, what’s the big deal about Artetik at the Guggenheim Museum Bilbao? It’s more than just understanding art; it’s about feeling it and sharing those feelings with others. Whether you’re strolling through the museum or scrolling through the online collection, Artetik invites you to engage with art on a deeply personal level, while also being part of a larger, shared experience. It’s a new dimension of emotional engagement with art, and it’s waiting for you to dive in.

Source : Google

Filed Under: Design News, Top News





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